This Wound Is a World


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The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection, This Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.” Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.” Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.




Nautilus and Bone


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""Nautilus and Bone" chronicles the life and work of the radical, passionate Russian-Jewish American poet Anna Margolin on her path toward self-determination. Blending myth, surrealism, historical fact and fiction, this collection of persona poems brings to life one of the most celebrated Yiddish poets of her generation."--




Love in a Handful of Dust


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Frontenac


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Seva


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Any Bright Horse


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Puti/white


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Distillo


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In her debut collection, Basma Kavanagh engages the natural world and seeks to explore our relationship to it. Hers is a poetics of description which subverts scientific observation and the authoritative language of nomenclature for mythopoetic ends. In the opening section ("Moisture"), precipitation is dissected and categorized, but ultimately the deluge of "rain making rain, /making rain" overwhelms controlled interrogation and undulating imagery saturates everything. Nomenclature reappears elsewhere in the book, attempting to anchor object poems about west-coast flora and fauna-salmon, elk, bear, bigleaf maple, bog myrtle-which otherwise drift toward the mythworld and gesture in the direction of the ethereal and the totemic. Understanding that language can be most precise when it harbours ambiguity and surprise, Kavanagh experiments with pattern poems and the layering of multiple voices in her attempt to express "a fullness /an absence /of self." This is a book which turns over rocks and looks under them in search of truth in its soft, damp hiding places, poems which instruct us to "[d]escend. Blend /your knowing with the breath of earth".




Frontenac, a Poem


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The Frontenac Mystery


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