12 Fantasias for Solo Flute


Book Description

Georg Philipp Telemann's 12 fantaisies à traversière sans basse (12 Fantasias for solo flute without bass), TWV 40:2-13, was published in Hamburg in 1732-33. The current edition is an urtext edition, which aims to remain as close as possible to the first edition. The collection progresses by key, from A major to G minor, with the keys being avoided that were impractical on a Baroque one-key flute, i.e. B major, C minor, F minor and F-sharp major. A facsimile of the 1732 first edition is included from page 28 onwards.




Music for a Mixed Taste


Book Description

This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.




Interpretation


Book Description

Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and familiarity with musical 'grammar' is therefore an essential prerequisite of any convincing interpretation. The internationally renowned performer and teacher Peter-Lukas Graf explains in great detail the parameters that have to be taken into account for a successful interpretation: rhythm, metre, agogics, articulation, phrasing, ornamentation and implied polyphony, etc. Numerous examples from the flute repertoire of the 17th–20th century serve as models from which he derives the 'rules' appropriate for an interpretation in keeping with each period. – These rules are not intended to be dogmatic but instead should stimulate the players to form their own opinion.




12 Fantasias for Solo Clarinet


Book Description

Telemann's 12 Fantasias for Solo Flute without bass, TWV 40:2-13, was published in Hamburg in 1732-33. The current edition transposes the original flute score down by a major sixth, to render it more suitable for a clarinet, and the edition is transposed for a B flat clarinet.




On Playing the Flute


Book Description

Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style




30 Studies for Flute Solo


Book Description

Sigfrid Karg-Elert is no strange name to flautists. The Op. 107 was The 30 Caprices for Flute were written specifically for a friend of Karg-Elert's, a flautist bound for service in the war. These short exercises were designed to challenge linear one-staff thinking and in short, keep the friend from becoming bored. They are now a standard set of technical, dynamic, and phrasing exercises for young flute students all over the world. Re-issued from the original authoratitive plates of Steingräber Verlag, 1910, originally printed in Leipzig. Reprinted here by Edition Fleury 2013. As with all Edition Fleury publications, blank staff paper and section for teacher notes are present in the back of the book.







Six Canonic Sonatas


Book Description

Expertly arranged Violin Duets by Georg Philipp Telemann from the Kalmus Edition series. This is from the Baroque era.




Rhythmic Alteration in Seventeenth- and Eighteenth-century Music


Book Description

Notes inegales is the historical name of the French practice, prevalent from 1690 to 1780, of performing diminution-like passages as uneven pairs of notes despite their notation in equal values. "Overdotting" (a modern term) designates the Baroque custom of rendering certain dotted rhythms longer than their notation indicates. Appropriate adoption of both practices in performance requires that the performer weigh a wide range of interrelated variables, including tempo, articulation, and national musical styles.




Telemann for Two


Book Description

Six Canonic Sonatas for two flutes. Playable as duets or solo with CD.