A Renaissance Courtesy-book: Galateo of Manners & Behaviours


Book Description

Giovanni Della Casa's 'A Renaissance Courtesy-book: Galateo of Manners & Behaviours' is a quintessential work of Renaissance etiquette literature. Known for its practical advice and moral teachings, the book delves into the importance of proper social conduct and decorum in Italian society during the 16th century. Della Casa's writing style is both eloquent and didactic, offering guidelines on everything from table manners to personal grooming, making it a comprehensive guide to polite behavior in the Renaissance era. The literary context of the book lies in its reflection of the humanist movement and the growing emphasis on refinement and civility in European society. Della Casa's work stands as a testament to the cultural values and ideals of his time, influencing generations to come with its timeless wisdom. Giovanni Della Casa, a prominent Italian poet and diplomat, drew from his own experiences in the high society of Renaissance Italy to pen this insightful work on etiquette. His background in diplomacy and literature undoubtedly shaped his perspectives on social etiquette and manners, making him a fitting author for a book of this nature. With his expertise in both courtly affairs and literary arts, Della Casa crafted a masterful guide to proper behavior that continues to resonate with readers today. I highly recommend 'A Renaissance Courtesy-book: Galateo of Manners & Behaviours' to anyone interested in delving into the social customs and norms of Renaissance Italy, as well as those seeking timeless advice on navigating the complexities of human interaction with grace and elegance.










Galateo


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The Meaning of Nice


Book Description

Discover the hidden power of nice. The Meaning of Nice is a multi-faceted exploration of a simple word and how it has developed over time and among various disciplines. With emphasis on philosophy, positive psychology and interpersonal relationships, Joan Duncan Oliver probes theories and practices to explain why and how nice girls can get the corner office and nice guys can finish first. We tend to associate "nice" people with kindness and good manners - it's an indistinct, generic kind of praise. Joan Duncan Oliver restores the power of nice, and shows how this complex quality can change your life, and has never been more crucial to our well-being as individuals and as a society.




Philosophy


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MLN.


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Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.




Language and Social Relations in Early Modern England


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What was the interrelation between language, power, and socio-economic inequality in England, c. 1550-1750? Early modern England was a hierarchical society that placed considerable emphasis on order; language was bound up with the various structures of authority that made up the polity. Members of the labouring population were expected to accept their place, defer to their superiors, and refrain from 'murmuring' about a host of issues. While some early modern labouring people fulfilled these expectations, others did not; because of their defiance, the latter were more likely to make their way into the historical record, and historians have previously used the evidence that they generated to reconstruct various forms of resistance and negotiation involved in everyday social relations. Hillary Taylor instead considers the limits that class power placed on popular expression, and with what implications. Using a wide variety of sources, Taylor examines how members of the early modern English labouring population could be made to speak in ways that reflected and even seemed to justify their subordinated positions--both in their eyes and those of their social superiors. By reconstructing how class power structured and limited popular expression, this study not only presents a new interpretation of how inequality was normalized over the course of the period, but also sheds new light on the constraints that labouring people overcame when they engaged in individual or collective acts of defiance against their 'betters.' It revives domination and subordination as objects of inquiry and demonstrates the ways in which language--at the levels of ideology and social practice--reflected, reproduced, and naturalized inequality over the course of the early modern period.




Indecorous Thinking


Book Description

Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art—artifice that rings out with the bells and whistles of ornamentation—celebrates the craft of poetry even as it expands poetry’s range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies’ singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.