Gender in Chinese Music


Book Description

Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture.




China's New Voices


Book Description

A study of popular music in contemporary China that focuses on how popular music has become a staging area for battles over politics and ethnic differences in China.




Text, Performance, and Gender in Chinese Literature and Music


Book Description

Wilt Idema is one of the world's leading scholars and translators of Chinese literature, with research interests ranging from classical poetry to premodern fiction, performance literature and women's writing. His oeuvre is exceptional in its inclusiveness and its ability to let different historical periods, genres and issues speak to one another, and to make the riches of Chinese literature accessible to a wide range of readers. In honor of his work, this collection brings together new research by twenty-two prominent scholars in a field of tremendous scope and diversity, on topics including genre characteristics, literary representations of social and political history, gender and cultural identity, music, autobiography, women's writing, internet literature and more.




The Gender of Memory


Book Description

What can we learn about the Chinese revolution by placing a doubly marginalized group—rural women—at the center of the inquiry? In this book, Gail Hershatter explores changes in the lives of seventy-two elderly women in rural Shaanxi province during the revolutionary decades of the 1950s and 1960s. Interweaving these women’s life histories with insightful analysis, Hershatter shows how Party-state policy became local and personal, and how it affected women’s agricultural work, domestic routines, activism, marriage, childbirth, and parenting—even their notions of virtue and respectability. The women narrate their pasts from the vantage point of the present and highlight their enduring virtues, important achievements, and most deeply harbored grievances. In showing what memories can tell us about gender as an axis of power, difference, and collectivity in 1950s rural China and the present, Hershatter powerfully examines the nature of socialism and how gender figured in its creation.




Images of Women in Chinese Thought and Culture


Book Description

This rich collection of writings--many translated especially for this volume and some available in English for the first time--provides a journey through the history of Chinese culture, tracing the Chinese understanding of women as elucidated in writings spanning more than two thousand years. From the earliest oracle bone inscriptions of the Pre-Qin period through the poems and stories of the Song Dynasty, these works shed light on Chinese images of women and their roles in society in terms of such topics as human nature, cosmology, gender, and virtue.




Women and Confucian Cultures in Premodern China, Korea, and Japan


Book Description

This book rewrites the history of East Asia by rethinking the contentious relationship between "Confucianisms" and "women."




Gender in Chinese Music


Book Description

Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture.




Women in Music


Book Description

First published in 2006. Routledge is an imprint of Taylor & Francis, an Informa company.




The Routledge Handbook of Women’s Work in Music


Book Description

The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.




A Flourishing Yin


Book Description

Content Description #"A Philip E. Lilienthal book."#Includes bibliographical references and index.