Gender, Modernity, and the Popular Press in Inter-war Britain


Book Description

Adrian Bingham uses the popular press to explore the attitudes and identities of inter-war Britain, and in particular the reshaping of femininity and masculinity. He provides an insight into a period when women and men were coming to terms with rapid social change, while deepening the understanding of the development of modern media.




Gender, Modernity, and the Popular Press in Inter-War Britain


Book Description

Journalists often claim that they write the first draft of history, but few historians examine the press in detail when preparing later drafts. This book demonstrates the value of popular newspapers as a historical source by using them to explore the attitudes and identites of inter-war Britain, and in particular the reshaping of femininity and masculinity. It provides a fresh insight into a period of great significance in the making of twentieth century gender identities, when women and men were coming to terms with the upheavals of the Great War, the arrival of democracy, and rapid social change. The book also deepens our understanding of the development of the modern media by showing how newspaper editors, in the fierce competition for readers, developed a template for the popular press that is still influential today.




Making Peace


Book Description

Making Peace provides a fresh context for understanding gender relations in interwar Britain, seeing in the emergence of a powerful ideology of motherhood and a reemphasis on separate spheres for men and women a corollary to the political and economic restructuring designed to reestablish social order after World War I. The war had often been explained and justified to the British public by means of images that portrayed women as hostile or frightening--or as victims of sexual assault, as in the Belgian atrocity stories. These sexualized interpretations of war then shaped postwar understandings of gender, as psychiatrists, psychologists, and sexologists drew on metaphors of war to talk about relationships between men and women, likening any conflict between the sexes to the terrible chaos of the war years. Drawing on materials from posters to popular songs, from government reports to journalistic accounts, from memoirs and novels to diaries and letters, Making Peace is a penetrating analysis of how gendered and sexualized depictions of wartime experiences compelled many Britons to seek in traditional gender arrangements the key to postwar order and security. In the interwar period, many feminists compromised their earlier positions in an effort to contribute to postwar recovery, and justified their demands--for birth control and family endowment, for example--in conservative terms that ultimately hampered their movement.




Women's Periodicals and Print Culture in Britain, 1918-1939


Book Description

This collection of new essays recovers and explores a neglected archive of women's print media and dispels the myth of the interwar decades as a retreat to 'home and duty' for women.




Off to the Pictures


Book Description

Examines womens constructions of selfhood through film and literature in interwar BritainOff to the Pictures: Cinemagoing, Womens Writing and Movie Culture in Interwar Britain offers a rich new exploration of interwar womens fictions and their complex intersections with cinema. Interrogating a range of writings, from newspapers and magazines to middlebrow and modernist fictions, the book takes the reader through the diverse print and storytelling media that women constructed around interwar film-going, arguing that literary forms came to constitute an intermedial gendered cinema culture at this time.Using detailed case studies, this innovative book draws upon new archival research, industrial analysis and close textual readings to consider cinemas place in the fictions and critical writings of major literary figures such as Winifred Holtby, Stella Gibbons, Elizabeth Bowen, Jean Rhys, Elinor Glyn, C. A. Lejeune and Iris Barry. Through the lens of feminist film historiography, Off to the Pictures presents a bold new view of interwar cinema culture, read through the creative reflections of the women who experienced it.




La Joven Moderna in Interwar Argentina


Book Description

In this book, Cecilia Tossounian reconstructs different representations of modern femininity from 1920s and 1930s Argentina, a complex period in which the country saw prosperity and economic crisis, a growing cosmopolitan population, the emergence of consumer culture, and the development of nationalism. Tossounian analyzes how these popular images of la joven moderna—the modern girl—helped shape Argentina’s emerging national identity. Tossounian looks at visual and written portrayals of young womanhood in magazines, newspapers, pulp fiction, advertisements, music, films, and other media. She identifies and discusses four new types of young urban women: the flapper, the worker, the sportswoman, and the beauty contestant. She shows that these diverse figures, defined by social class, highlight the tensions between gender, nation, and modernity in interwar Argentina. Arguing that images of modern young women symbolized fears of the country’s moral decadence as well as hopes of national progress and civilization, La Joven Moderna in Interwar Argentina reveals that women were at the center of a public debate about modernity and its consequences. This book highlights the important but underappreciated role of gendered figures and popular culture in the ways Argentine citizens imagined themselves and their country during a formative period of cultural and social renewal.




Gender, Labour, War and Empire


Book Description

A lively collection of essays on the cultures of nineteenth and twentieth-century Britain. Topics range from prostitution and slavery to the effect of war on fashion magazine reporting to inter-racial marriage in the postwar years. Particular areas of focus include the Second World War, its legacies and the reactions to postwar decolonization.




The New Japanese Woman


Book Description

DIVA study of the "modern" woman in Japan before World War II./div




The Press and Popular Culture in Interwar Europe


Book Description

This collection shows the importance of a comparative European framework for understanding developments in the popular press and journalism between the wars. This was, it argues, a formative and vital period in the making of the modern press. A great deal of fine scholarship on the development of modern forms of journalism and newspapers in the nineteenth and twentieth centuries has emerged within discrete national histories. Yet in bringing together essays on Britain, France, Germany, Italy and Poland, this book discerns points of convergence and divergence, and the importance of the European context in shaping how news was defined, produced and consumed. Challenging the tendency of histories of the press to foreground processes of ‘Americanisation’ and the displacement of older notions of the ‘fourth estate’ by new forms of human interest journalism, the chapters draw attention to the complex ways in which the popular press continued to be politicized throughout the interwar period. Building on this analysis, the book examines the forms, processes and networks through which newspapers were produced for public consumption. In a period of massive social, political and economic upheaval and conflict, the popular press provided a forum in which Europe’s meanings and nature could be constructed and contested. The interpersonal, material and technological links between newspapers, news corporations and news agencies in different countries served to define the outlines of Europe. Europe was called into being through the circulation of news and the practices and networks of the modern mass press traced in this volume. This publication is highly relevant to scholars of the history of journalism and cultural historians of interwar Britain and Europe. This book was originally published as a special issue of Journalism Studies.




Women's Periodicals and Print Culture in Britain, 1918-1939


Book Description

This collection of new essays recovers and explores a neglected archive of women's print media and dispels the myth of the interwar decades as a retreat to 'home and duty' for women.