Gender, Nationalism, and War


Book Description

Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars.




Gender, Nationalism, and Genocide in Bangladesh


Book Description

The 1971 genocide in Bangladesh took place as a result of the region’s long history of colonization, the 1947 partition of the Indian subcontinent into largely Muslim Pakistan and Hindu India, and the continuation of ethnic and religious politics in Pakistan, specifically the political suppression of the Bengali people of East Pakistan. The violence endured by women during the 1971 genocide is repeated in the writing of national history. The secondary position that women occupy within nationalism is mirrored in the nationalist narratives of history. This book engages with the existing feminist scholarship on gender, nationalism and genocide to investigate the dominant representations of gender in the 1971 genocide in Bangladesh and juxtaposes the testimonies of survivors and national memory of that war to create a shift of perspective that demands a breaking of silence. The author explores and challenges how gender has operated in service of Bangladeshi nationalist ideology, in particular as it is represented at the Liberation War Museum. The archive of this museum in Bangladesh is viewed as a site of institutionalized dialogue between the 1971 genocide and the national memory of that event. An examination of the archive serves as an opening point into the ideologies that have sanctioned a particular authoring of history, which is written from a patriarchal perspective and insists on restricting women’s trauma to the time of war. To question the archive is to question the authority and power that is inscribed in the archive itself and that is the function performed by testimonies in this book. Testimonies are offered from five unique vantage points – rape survivor, war baby, freedom fighter, religious and ethnic minorities – to question the appropriation and omission of women’s stories. Furthermore, the emphasis on the multiplicity of women’s experiences in war seeks to highlight the counter-narrative that is created by acknowledging the differences in women’s experiences in war instead of transcending those differences. An innovative and nuanced approach to the subject of treatment and objectification of women in conflict and post conflict and how the continuing effects entrench ideas of gender roles and identity, this book will be of interest to academics in the fields of South Asian History and Politics, Gender and genocide, Women and War, Nationalism and Diaspora and Transnational Studies.




Disappearing Acts


Book Description

Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond.




Gender and Nation


Book Description

Nira Yuval-Davis provides an authoritative overview and critique of writings on gender and nationhood, presenting an original analysis of the ways gender relations affect and are affected by national projects and processes. In Gender and Nation Yuval-Davis argues that the construction of nationhood involves specific notions of both `manhood′ and `womanhood′. She examines the contribution of gender relations to key dimensions of nationalist projects - the nation′s reproduction, its culture and citizenship - as well as to national conflicts and wars, exploring the contesting relations between feminism and nationalism. Gender and Nation is an important contribution to the debates on citizenship, gender and nationhood. It will be essential reading for academics and students of women′s studies, race and ethnic studies, sociology and political science.




Nationalism and Gender


Book Description

Ueno (humanities and sociology, U. of Tokyo, Japan) explores interrelated issues of gender, war, history, and public memory. She first looks at Japanese women's support for aggressive war and their acceptance of the gender strategy for nationalizing women through mobilization. She next turns to the discursive battle over the Japanese treatment of




Nationbuilding, Gender and War Crimes in South Asia


Book Description

This book gives a detailed political analysis of nationbuilding processes and how these are closely linked to statebuilding and to issues of war crime, gender and sexuality, and marginalization of minority groups. With a focus on the Indian subcontinent, the author demonstrates how the state itself is involved in the construction of a gendered identity, and how control of women and their sexuality is central to the nationbuilding project. She applies a critical feminist approach to two major conflicts in the Indian subcontinent – the Partition of India in 1947 and the Liberation War of Bangladesh in 1971 – and offers suggestions for addressing historical injustices and war crimes in the context of modern Bangladesh. Addressing how the social and political elites were able to construct and legitimize a history of the state that ignored these issues, the author suggests a critical re-examination of the national narrative of the creation of Bangladesh which takes into account the rise of Islamic rights and their alleged involvement in war crimes. Looking at the impact that notions of nation-state and nationalism have on women from a critical feminist perspective, the book will be an important addition to the literature on gender studies, international relations and South Asian politics.




Women and War


Book Description

Women everywhere have long struggled for recognition as equal, productive members of society, worthy of taking part in the political process. These struggles become even more pronounced in times of conflict and war, when the symbolism and myths of womanhood are used to stoke nationalistic ideas about the survival of the state. Yet for all the rhetoric that takes place in their name, it’s men who generally make decisions regarding war. Women and War examines how women respond to situations of conflict. Drawing on both traditional and feminist international relations theory, it explores the roles that women play before, during and after a conflict, how they spur and respond to nationalist and social movements, and how conceptions of gender are deeply intertwined with ideas about citizenship and the state. As Kaufman and Williams show, women do more than respond to conflict situations; they are active agents in their own right shaping political and historical processes. Their conclusions encourage us to rethink the prevalent assumptions of international relations, history and feminist scholarship and theory.




What is Gender History?


Book Description

Table of Contents Preface.




Women in Southeast Asian Nationalist Movements


Book Description

Books on Southeast Asian nationalist movements make very little - if any - mention of women in their ranks. Biographical studies of politically active women in Southeast Asia are also rare. Women in Southeast Asian Nationalist Movements makes a strong case for the significance of women's involvement in nationalist movements and for the diverse impact of those movements on the lives of individual women activists. Some of the 12 women whose political activities are discussed in this volume are well known, while others are not. Some of them participated in armed struggles, while others pursued peaceful ways of achieving national independence. The authors show women negotiating their own subjectivity and agency at the confluence of colonialism, patriarchal traditions, and modern ideals of national and personal emancipation. They also illustrate the constraints imposed on them by wider social and political structures, and show what it was like to live as a political activist in different times and places. Fully documented and drawing on wider scholarship, this book will be of interest to students of Southeast Asian history and politics as well as readers with a particular interest in women, nationalism and political activism.




Maneuvers


Book Description

Maneuvers takes readers on a global tour of the sprawling process called "militarization." With her incisive verve and moxie, eminent feminist Cynthia Enloe shows that the people who become militarized are not just the obvious ones—executives and factory floor workers who make fighter planes, land mines, and intercontinental missiles. They are also the employees of food companies, toy companies, clothing companies, film studios, stock brokerages, and advertising agencies. Militarization is never gender-neutral, Enloe claims: It is a personal and political transformation that relies on ideas about femininity and masculinity. Films that equate action with war, condoms that are designed with a camouflage pattern, fashions that celebrate brass buttons and epaulettes, tomato soup that contains pasta shaped like Star Wars weapons—all of these contribute to militaristic values that mold our culture in both war and peace. Presenting new and groundbreaking material that builds on Enloe's acclaimed work in Does Khaki Become You? and Bananas, Beaches, and Bases, Maneuvers takes an international look at the politics of masculinity, nationalism, and globalization. Enloe ranges widely from Japan to Korea, Serbia, Kosovo, Rwanda, Britain, Israel, the United States, and many points in between. She covers a broad variety of subjects: gays in the military, the history of "camp followers," the politics of women who have sexually serviced male soldiers, married life in the military, military nurses, and the recruitment of women into the military. One chapter titled "When Soldiers Rape" explores the many facets of the issue in countries such as Chile, the Philippines, Okinawa, Rwanda, and the United States. Enloe outlines the dilemmas feminists around the globe face in trying to craft theories and strategies that support militarized women, locally and internationally, without unwittingly being militarized themselves. She explores the complicated militarized experiences of women as prostitutes, as rape victims, as mothers, as wives, as nurses, and as feminist activists, and she uncovers the "maneuvers" that military officials and their civilian supporters have made in order to ensure that each of these groups of women feel special and separate.