Generic Enrichment in Plutarch’s Lives


Book Description

This volume addresses the important literary phenomenon of ‘generic enrichment’ in Plutarch’s Parallel Lives. It examines the ways in which features of other genres are deployed and incorporated in Plutarch’s biographies and the effects of this on the texts themselves and readers’ responses to them. ‘Generic enrichment’, a term coined by Stephen Harrison with reference to Latin poetry, is used here to refer to the different ways in which a text of one genre might incorporate or evoke features of other genres. The fact that particular Plutarchan biographies may contain not only allusions to specific texts from a variety of genres, but also features such as vocabulary, phraseology, and plot-forms which evoke other genres, has been noticed sporadically by scholars. However, this is the first volume to discuss this feature as a distinct phenomenon across the corpus of Parallel Lives and to attempt an assessment of its effect. Chapters cover the interaction of Plutarchan biography with a series of genres, including archaic poetry, comedy, tragedy, historiography, philosophy, geographical and scientific texts, oratory, inscriptions, novelistic writing and periegetical works. Together these studies demonstrate the generic complexity and richness of Plutarch’s Lives, enhance our understanding of ancient biography in general and Plutarchan biography in particular, and explore the range of effects such generic enrichment might have on readers. Generic Enrichment in Plutarch’s Lives is of interest to students and scholars of Plutarch and ancient biography, as well as to those working in other periods and genres of both Latin and Greek literature, and to those beyond the field of Classical Studies who are interested in questions of genre and literary theory.




Generic Enrichment in Plutarch's Lives


Book Description

"This volume addresses the important literary phenomenon of 'generic enrichment' in Plutarch's Parallel Lives, examining the ways in which features of other genres are deployed and incorporated in Plutarch's biographies and the effects of this on the texts themselves and readers' responses to them. 'Generic enrichment', a term coined by Stephen Harrison with reference to Latin poetry, is used here to refer to the different ways in which a text of one genre might incorporate or evoke features of other genres. The fact that particular Plutarchan biographies may contain not only allusions to specific texts from a variety of genres, but also features such as vocabulary, phraseology, and plot-forms which evoke other genres, has been noticed sporadically by scholars. However, this is the first volume to discuss this feature as a distinct phenomenon across the corpus of Parallel Lives and to attempt an assessment of its effect. Chapters cover the interaction of Plutarchan biography with a series of genres, including archaic poetry, comedy, tragedy, historiography, philosophy, geographical and scientific texts, oratory, inscriptions, novelistic writing and periegetical works. Together these studies demonstrate the generic complexity and richness of Plutarch's Lives, enhance our understanding of ancient biography in general and Plutarchan biography in particular, and explore the range of effects such generic enrichment might have on readers. Generic Enrichment in Plutarch's Lives is of interest to students and scholars of Plutarch and ancient biography, as well as to those working in other periods and genres of both Latin and Greek literature, and to those beyond the field of Classical Studies who are interested in questions of genre and literary theory"--




The Dynamics of Intertextuality in Plutarch


Book Description

The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity) as well as non-textual sources (intermateriality). Thirty-six chapters by leading specialists set Plutarch within the framework of modern theories on intertextuality and its various practical applications in Plutarch’s Moralia and Parallel Lives. Specific intertextual devices such as quotations, references, allusions, pastiches and other types of intertextual play are highlighted and examined in view of their significance for Plutarch’s literary strategies, argumentative goals, educational program, and self-presentation.




The Cambridge Companion to Plutarch


Book Description

Plutarch is one of the most prolific and important writers from antiquity. His Parallel Lives continue to be an invaluable historical source, and the numerous essays in his Moralia, covering everything from marriage to the Delphic Oracle, are crucial evidence for ancient philosophy and cultural history. This volume provides an engaging introduction to all aspects of his work, including his method and purpose in writing the Lives, his attitudes toward daily life and intimate relations, his thoughts on citizenship and government, his relationship to Plato and the second Sophistic, and his conception of foreign or 'other'. Attention is also paid to his style and rhetoric. Plutarch's works have also been important in subsequent periods, and an introduction to their reception history in Byzantium, Italy, England, Spain, and France is provided. A distinguished team of contributors together helps the reader begin to navigate this most varied and fascinating of writers.




Body Behaviour and Identity Construction in Ancient Greek and Roman Literature


Book Description

This book offers the first systematic, up-to-date, cross-cultural, and detailed study of “semi-volitional bodily behaviour” (sneezing, spitting, coughing, burping, vomiting, defecating, etc.) in the classical world. Examining verse and prose texts, fragments, and scholia from the age of Homer to the second century AD, the central argument put forward in this volume is that semi-volitional bodily acts have the potential to betray individual or collective (ethnic/civic and cultural) identities centred on a variety of different themes. Discussions specifically focus on the following five aspects of the interplay between semi-volitional body language and identity construction: sexuality and gender; the link between sexuality and socioeconomic identity of individuals or groups; the embodied markers of civic/ethnic and cultural collectives and the contrast between “we-ness” and “otherness”; ēthos and emotions; and how dietary habits and illnesses indicate the “somo-psychosocial” identity of individuals or groups. The book offers a comprehensive understanding of representations of the human body in ancient Greece and Rome, while reopening the complex and fascinating discussion about the relationship between intention, mind, body, and identity. This book offers a fascinating study suitable for students and scholars of classics and ancient Greek and Roman history. It is also of interest to those in a variety of other disciplines, including body culture studies, gender and sexuality studies, and performance studies, as well as sociology, anthropology, cognitive medicine, and the history of medicine.




The Folds of Olympus


Book Description

A cultural and literary history of mountains in classical antiquity The mountainous character of the Mediterranean was a crucial factor in the history of the ancient Greek and Roman world. The Folds of Olympus is a cultural and literary history that explores the important role mountains played in Greek and Roman religious, military, and economic life, as well as in the identity of communities over a millennium—from Homer to the early Christian saints. Aimed at readers of ancient history and literature as well as those interested in mountains and the environment, the book offers a powerful account of the landscape at the heart of much Greek and Roman culture. Jason König charts the importance of mountains in religion and pilgrimage, the aesthetic vision of mountains in art and literature, the place of mountains in conquest and warfare, and representations of mountain life. He shows how mountains were central to the way in which the inhabitants of the ancient Mediterranean understood the boundaries between the divine and the human, and the limits of human knowledge and control. He also argues that there is more continuity than normally assumed between ancient descriptions of mountains and modern accounts of the picturesque and the sublime. Offering a unique perspective on the history of classical culture, The Folds of Olympus is also a resoundingly original contribution to the literature on mountains.




Generic Enrichment in Vergil and Horace


Book Description

Why did the years c.39-19 BC in Rome produce such a rich range of complex poetical texts, above all in the work of Vergil and Horace? S. J. Harrison argues that a vital aspect of this literary flourishing was generic enrichment, the interaction of different poetic genres, and illustrates this by analysis of key passages in the two poets' works.




A Versatile Gentleman


Book Description

Plutarch was a brilliant Platonist, an erudite historian, a gifted author of highly polished literary dialogues, a priest of Apollo at Delphi, and a devoted politician in his hometown Chaeronea. He felt confident in the most technical and specialized discussions, yet was not afraid of rhetorical generalizations. In his voluminous oeuvre, he appears as a sharp polemicist and a loving father, an ardent pupil but also a kind, inspiring teacher, a sober historian and a teller of wondrous tales. In view of all these different personae, erudite versatility is without any doubt a major characteristic of Plutarch’s works. A Versatile Gentleman is dedicated to Luc Van der Stockt, professor emeritus of Greek language and literature at KU Leuven and a truly versatile gentleman. The volume aims to do justice to his and Plutarch’s versatility by discussing the Chaeronean from many different angles. As such, it sheds new light on the coherence of, and the tensions in, Plutarch’s thinking and writing.




Experiencing Pain in Imperial Greek Culture


Book Description

This volume investigates the history and nature of pain in Greek culture under the Roman Empire (50-250 CE). Traditional accounts of pain in this society have focused either on philosophical or medical theories of pain or on Christian notions of 'suffering'; fascination with the pained body has often been assumed to be a characteristic of Christian society, rather than Imperial culture in general. This book employs tools from contemporary cultural and literary theory to examine the treatment of pain in a range of central cultural discourses from the first three centuries of the Empire, including medicine, religious writing, novelistic literature, and rhetorical ekphrasis. It argues instead that pain was approached from an holistic perspective: rather than treating pain as a narrowly defined physiological perception, it was conceived as a type of embodied experience in which ideas about the body's physiology, the representation and articulation of its perceptions, as well as the emotional and cognitive impact of pain were all important facets of what it meant to be in pain. By bringing this conception to light, scholars are able to redefine our understanding of the social and emotional fabric of Imperial society and help to reposition its relationship with the emergence of Christian society in late antiquity.




Classical Enrichment


Book Description

This collection brings together twenty eight chapters written by Stephen Harrison’s colleagues and former students from around the globe to celebrate both his distinguished teaching and research career as a classicist and his outstanding and admirable service to the international classical community. The wide variety of original contributions on topics ranging from Greek to Latin and ancient literature’s reception in opera and contemporary writing is divided into five parts. Each corresponds to the staggering publication record of the honorand, encompassing, as it does, a broad literary spectrum, starting from the literature of the end of the Roman Republic and coming down to Neo-Latin and the reception of Classics in Irish, in English poetry and in European literature and culture in general. This corpus of compelling chapters is hoped to match Stephen Harrison’s rich research output in an illuminating dialogue with it.