Obras completas


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José Enrique Rodó


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Caliban and Other Essays


Book Description

Translated from Spanish. become a kind of manifesto for Latin American and Caribbean writers; the remaining four essays deal with Spanish and Latin-American literature, including the work of Nicaraguan poet Ernesto Cardenal. Cloth edition (unseen), $35. Annotation copyrighted by Book News, Inc., Portland, OR




José Enrique Rodó


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In the Shadow of the State


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Carlos Fuentes once observed that to be a Spanish American intellectual was to fulfill the roles, by default, of "a tribune, a member of parliament, a labor leader, a journalist, a redeemer of his society." Such statements reflect the view that the region's intellectuals have often acted as substitutes for the structures of a civil society. An alternative view casts Spanish American intellectuals in a far more reactionary role. Here, it is suggested that the elaboration of inert popular stereotypes such as the stoic Indian and the heroic gaucho has resulted in an infinite postponement of authentic cultural identity, and a perpetuation, aided by intellectuals, of a social order in which popular demands were either ignored or repressed. In the context of this debate, this book explores the roles played by intellectuals in the creation of popular national identities in twentieth-century Spanish America, and seeks to identify the factors which lie behind two such contrasting evaluations of their contribution. Ranging across the intellectual centers of Argentina, Chile, Cuba, Mexico and Peru, it illustrates vividly the diversity and evolution of intellectual life in the region. Particular attention is paid to the idea of peripheral modernity and its influence on intellectual activity, as well as to the contributions made by intellectuals to the three major strands in debates on popular national identity: bi-culturalism, anti-imperialism and history.




Ariel


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"Irritating, insufferable, admirable, stimulating, disappointing Rodó: . . . you are part of our family quarrels, and must bear with your disrespectful, equally disappointed, intuitive, incomplete nephews, living in a world that you helped define for us, and offered unto our revolt." —from the Prologue by Carlos Fuentes First published in 1900 Uruguay, Ariel is Latin America's most famous essay on esthetic and philosophical sensibility, as well as its most discussed treatise on hemispheric relations. Though Rodó protested the interpretation, his allegorical conflict between Ariel, the lover of beauty and truth, and Caliban, the evil spirit of materialism and positivism, has come to be regarded as a metaphor for the conflicts and cultural differences between Latin America and the United States. Generations of statesmen, intellectuals, and literary figures have been formed by this book, either in championing its teachings or in reacting against them. This edition of Ariel, prepared especially with teachers and students in mind, contains a reader's guide to names, places, and important movements, as well as notes and a comprehensive annotated English/Spanish bibliography.




José Enrique Rodó


Book Description




Nossa and Nuestra América


Book Description

Is Brazil part of Latin America or an island unto itself? As Nossa and Nuestra Am (c)rica: Inter-American Dialogues demonstrates, this question has been debated by Brazilian and Spanish American intellectuals alike since the early nineteenth century, though it has received limited scholarly attention and its answer is less obvious than you might think. This book charts Brazil's evolving and often conflicted relationship with the idea of Latin America through a detailed comparative investigation of four crucial Latin American essayists: Uruguayan critic Jos (c) Enrique Rod 3, Brazilian writer-diplomat Joaquim Nabuco, Mexican humanist Alfonso Reyes, and S (c)rgio Buarque de Holanda, one of Brazil's preeminent historians. The author argues that Brazil plays a necessary"and necessarily problematic"role in the intellectual construction of Latin America. Nossa and Nuestra Am (c)rica will be of interest to scholars and students of Latin American and Luso-Brazilian literature and ideas, and to anyone interested in rethinking comparative approaches to literary texts written in Portuguese and Spanish.