Genoa


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This publication is a study of technically masterful, even boldly experimental, graphic art that illustrates Genoa's growth by the seventeenth century into an important regional art school. -- Metropolitan Museum of Art website.




Genoese Drawings


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Genoese Drawings


Book Description

- Of interest to all art historians who study Genoa and its celebrated school of painting - The Louvre series on Italian drawings is one of the most authoritative study instruments on these artworks - A book similar in scope is the Met's 1996 catalogue on Genoese drawings, 1530-1800 Since 1972, the département des Arts graphiques of the Musée du Louvre has published the general catalogue of Italian drawings of its collections. This eleventh volume is dedicated to Genoese Drawings from the 16th to 18th Century.The politics of the Republic of Genoa, open to trade and with a flourishing economy, were conductive to the birth of a local art nourished by the influences of foreign artists present in the city. The fame of this school soon surpassed its borders and several artists went on to illustrious careers in other cities: Castiglione in Rome, Strozzi in Venice, Castello and Cambiaso in Madrid. The book catalogues the Louvre's almost 500 drawings, which testify to the continuity of an elegant and sophisticated style over three centuries, with marvellous works by Luca Cambiaso, the brothers Andrea and Ottavio Semino, Giovanni Battista Castello, Giovanni Battista Paggi, Giulio Benso, Giovanni Andrea De Ferrari, Bernardo Strozzi, Bartolomeo Biscaino, Giovanni Benedetto Castiglione up to Domenico Piola and the De Ferrari. Text in French. Contents: Preface; Drawing; Greatness: Genoese Drawings; An Analysis of the Collection in the Musée du Louvre's Department of Prints and Drawings; The Genoese School: Drawings and Underdrawings; List of Abbreviations and Note to Readers.




Genoese Baroque Drawings


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Genoese Drawings


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The Art of the Genoese Colonies of the Black Sea Basin (1261-1475)


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Rafał Quirini-Popławski offers here the first panorama of the artistic phenomena of the Genoese outposts scattered around the Black Sea, an area whose cultural history is little known. The artistic creativity of the region emerges as extraordinarily rich and colorful, with a variety of heterogeneous, hybrid and intermingled characteristics. The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.




Art in Genoa, 1600-1750


Book Description

Genoa completed its transformation from a faded maritime power into a thriving banking center for Europe in the seventeenth century. The wealth accumulated by its leading families spurred investment in the visual arts on an enormous scale. This volume explores how artists both foreign and native created a singularly rich and extravagant expression of the baroque in works of extraordinary variety, sumptuousness, and exuberance. This art, however, has remained largely hidden behind the facades of the city's palaces, with few works, apart from those by the school's great expatriates, found beyond its borders. As a result, the Genoese baroque has been insufficiently considered or appreciated.0Lavishly illustrated, 'A Superb Baroque' is comprehensive, encompassing all the major media and participants. Presented are some 140 select works by the celebrated foreigners drawn to the city and its flourishing environment. Offering three levels of exploration-essays that frame and interpret, section introductions that characterize principal currents and stages, and texts that elucidate individual works-this volume is by far the most extensive study of the Genoese baroque in the English language.00Exhibition: National Gallery of Art, Washington, DC, USA (03.05.-16.08.2020) / Scuderie del Quirinale, Rome, Italy (03.10.2020 - 10.01.2021).