Book Description
Catalog of an exhibition held at the National Gallery, London, Mar. 3-May 30, 2011.
Author : David Peters Corbett
Publisher : National Gallery London
Page : 0 pages
File Size : 20,56 MB
Release : 2011
Category : Art
ISBN : 9781857095272
Catalog of an exhibition held at the National Gallery, London, Mar. 3-May 30, 2011.
Author : Rebecca Zurier
Publisher : W. W. Norton & Company
Page : 244 pages
File Size : 32,65 MB
Release : 1995
Category : Art
ISBN : 9780393039016
100 greatest works by Bellows, Sloan, and the other painters of the Ashcan School.
Author : Donald Braider
Publisher :
Page : 206 pages
File Size : 46,58 MB
Release : 1971
Category :
ISBN :
Author : Frances Roberts Nugent
Publisher :
Page : 76 pages
File Size : 28,7 MB
Release : 1963
Category : Artists
ISBN :
Author : Rebecca Zurier
Publisher : Univ of California Press
Page : 420 pages
File Size : 42,85 MB
Release : 2006-09-06
Category : Art
ISBN : 0520220188
"Zurier vividly locates the Ashcan School artists within the early twentieth-century crosscurrents of newspaper journalism, literary realism, illustration, sociology, and urban spectatorship. Her compassionate study newly assesses the artists' rejection of 'genteel' New York, their alignments with mass media, and their innovative ways of seeing in the modern city."—Wanda M. Corn, author of The Great American Thing: Modern Art and National Identity, 1915-35 If the Ashcan School brought a special and embracing eye to the city, Rebecca Zurier in her richly contextual and impressively interdisciplinary book explains and evokes that historically specific urban vision in all its richness. Finally, in Picturing the City, we have the study these painters have long deserved. And we gain new and delightful access to New York City at the moment of its emergence as a compelling embodiment of metropolitan modernity."—Thomas Bender, Director, International Center for Advanced Studies, New York University "Picturing the City is both meticulous and wide-ranging in its assessment of the Ashcan artists and their passionate efforts to represent New York. It charts their pleasures and problems, warmth and prejudices, generosity and differences, originality and formula. It takes seriously their habits as journalists and provides the most complete sense of their immersion in a world of urban spectatorship and vision. Rebecca Zurier has written a wonderful, timely book that will be a benchmark for any future discussions of them."—Anthony W. Lee, author of Picturing Chinatown: Art and Orientalism in San Francisco "Rebecca Zurier takes us on an intellectually exhilarating and breathtakingly beautiful visual voyage through turn-of-the-century New York City as the Ashcan painters saw it. As we watch them learn a new way of looking in the commercially dynamic, sensual New York of a century ago, we too see that time and place with fresh eyes. Inevitably, thanks to Zurier, the way we look at city life today will change as well."—Lizabeth Cohen, author of A Consumers' Republic: The Politics of Mass Consumption in Postwar America
Author : James W. Tottis
Publisher :
Page : 224 pages
File Size : 20,4 MB
Release : 2007
Category : Art
ISBN :
Author : Robert Henri
Publisher :
Page : 302 pages
File Size : 36,79 MB
Release : 1923
Category : Art
ISBN :
Author : Brandon K. Ruud
Publisher : Lucia Marquand
Page : 162 pages
File Size : 42,52 MB
Release : 2022
Category : Art and society
ISBN : 9781938885143
"Robert Henri and artists of the Ashcan Circle and the Eight stand today as America's first modern art movement: rejecting their academic training and the centuries-old National Academy of Design's exhibition practice, they forged a new and vital art that represented shifting American values and the country's own sense of identity. The Milwaukee Art Museum holds one of the largest and most important collections of art related to the Ashcan Circle and the Eight in the country, totaling nearly two hundred works across media, including paintings, drawings and illustrations, pastels, and prints. This catalogue features rarely-seen works and popular favorites, emphasizing the Ashcan School's contribution to the formation of American modernism at the beginning of the twentieth century"--
Author : Charles Brock
Publisher : Prestel Pub
Page : 335 pages
File Size : 11,97 MB
Release : 2012
Category : Art
ISBN : 9783791351872
This richly illustrated and insightful publication will be the First truly comprehensive exhibition catalogue on the work of George Bellows (1182-1925), with ten thematic essays by leading art and social historians that will provide a rigorous analysis of Bellows' life and career. The catalogue will document the range of Bellow's artistic achievements in all mediums, reconsidering his standing in relationship to artists such as Hopper, Picasso and Manet in order to better understand his unique place in the history of both American and Western art.0Exhibition: National Gallery of Art, Washington (10.6.2012-8.10.2012), The Royal Academy of Arts, London (16.3.2013-9.6.2013).
Author : Marianne Doezema
Publisher : Yale University Press
Page : 288 pages
File Size : 35,94 MB
Release : 1992-01-01
Category : Art
ISBN : 9780300050431
George Bellows's spirited and virile paintings of New York in the early decades of the twentieth century celebrated the city's bigness and bolness. Although these works clearly challenged the conservative practices of the National Academy and linked Bellows with the anti-academic art of Robert Henri and the Eight, they were highly popular, even with arch-conservatives. In this book Marianne Doezema explores why it was that Bellows's paintings--despite being considered coarse in technique and subject matter--were acclaimed by critics and patrons, by conservatives, progressives, and radicals alike. Doezema focuses on three of Bellows's principal urban themes: the excavation for Pennsylvania Station, prizefights, and tenement life on the Lower East Side. Drawing on journals and periodicals of the period, she discusses how the prominent, often newsworthy motifs painted by Bellows evoked particular associations and meanings for his contemporaries. Arguing that the implicit message of these paintings was distinctly unrevolutionary, she shows that the excavation paintings celebrated industrialization and urbanization, the boxing pictures presented the sport as brutal and its fans as bloodthirsty, and the depictions of the Lower East Side conformed to a moralistic, middle-class view of poverty. In many of Bellows's subject pictures of this era, says Doezema, the artist approached issues of changing moral and social values in a way that not only seemed congenial to many members of his audience but also verified their attitudes and preconceptions about urban life in America.