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George Eliot, 1880-1980


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The Complete Novels of George Eliot


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This carefully crafted ebook: "The Complete Novels of George Eliot: Adam Bede + The Lifted Veil + The Mill on the Floss + Silas Marner + Romola + Brother Jacob + Felix Holt the Radical + Middlemarch + Daniel Deronda" is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Adam Bede (1859) The Lifted Veil (1859) The Mill on the Floss (1860) Silas Marner (1861) Romola (1863) Brother Jacob (1864) Felix Holt, the Radical (1866) Middlemarch (1871/72) Daniel Deronda (1876) Mary Ann (Marian) Evans (1819 – 1880), better known by her pen name George Eliot, was an English novelist, journalist and translator. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological insight.




WORKS OF GEORGE ELIOT


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







The Complete Works


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DigiCat presents to you this unique and meticulously edited George Eliot collection: Novels: Adam Bede The Mill on the Floss Silas Marner Romola Felix Holt, the Radical Middlemarch Daniel Deronda Short Stories: Scenes of Clerical Life The Lifted Veil Brother Jacob Poetry: The Spanish Gypsy The Legend of Jubal and Other Poems: The Legend of Jubal Agatha Armgart How Lisa Loved the King A Minor Prophet Brother and Sister Stradivarius A College Breakfast-Party Two Lovers Self and Life Sweet Endings Come and Go, Love The Death of Moses Arion O May I Join the Choir Invisible Other Poems: Count that Day Lost Farewell On Being Called a Saint Sonnet Question and Answer Mid my Gold-Brown Curls Mid the Rich Store As Tu Va la Lune se Lever In A London Drawing Room Arms! To Arms! Ex Oriente Lux In the South Will Ladislaw's Song Erinna I Grant you Ample Leave Mordecai's Hebrew Verses Making Life Worth While Essays: Impressions of Theophrastus Such Three Months in Weimar Carlyle's Life of Sterling Woman in France: Madame de Sablé Evangelical Teaching: Dr. Cumming German Wit: Henry Heine The Natural History of German Life Silly Novels by Lady Novelists Worldliness and Other-Worldliness: The Poet Young The Influence of Rationalism The Grammar of Ornament Address to Working Men, by Felix Holt George Forster Margaret Fuller How to Avoid Disappointment The Wisdom of the Child A Little Fable with a Great Moral Hints on Snubbing From the Note-Book of an Eccentric Leaves from a Note-Book Translations: The Essence of Christianity by Ludwig Feuerbach George Eliot's Life, as Related in Her Letters and Journals – Biography




WORKS OF GEORGE ELIOT


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







The Works of George Eliot (7, PT. 3)


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Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1878. Excerpt: ... about his marriage and other private circumstances, a coldness which he had hitherto preferred to any warmth of familiarity between them. He deferred the intention from day to day, his habit of acting on his conclusions being made infirm by his repugnance to every possible conclusion and its consequent act. He saw Mr Bulstrode often, but he did not try to use any occasion for his private purpose. At one moment he thought, "I will write a letter: I prefer that to any circuitous talk;" at another he thought, "No; if I were talking to him, I could make a retreat before any signs of disinclination." Still the days passed and no letter was written, no special interview sought. In his shrinking from the humiliation of a dependent attitude towards Bulstrode, he began to familiarise his imagination with another step even more unlike his remembered self. He began spontaneously to consider whether it would be possible to carry out that puerile notion of Eosamond's which had often made him angry, namely, that they should quit Middlemarch without seeing anything beyond that preface. The question came--" Would any man buy the practice of me even now, for as little as it is worth? Then the sale might happen as a necessary preparation for going away." But against his taking this step, which he still felt to be a contemptible relinquishment of present work, a guilty turning aside from what was a real and might be a widening channel for worthy activity, to start again without any justified destination, there was this obstacle, that the purchaser, if procurable at all, might not be quickly forthcoming. And afterwards? Eosamond in a poor lodging, though in the largest city or most distant town, would not find the life that could save her from gloom, and save him from the reproach of having plunged her...




Scenes of Clerical Life, by George Eliot (Oxford World's Classics)


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Scenes of Clerical Life is the title under which George Eliot's first published fictional work, a collection of three short stories, was released in book form; it was the first of her works to be released under her famous pseudonym.The stories were first published in Blackwood's Magazine over the course of the year 1857, initially anonymously, before being released as a two-volume set by Blackwood and Sons in January 1858.The three stories are set during the last twenty years of the eighteenth century and the first half of the nineteenth century over a fifty year period. The stories take place in and around the fictional town of Milby in the English Midlands. Each of the Scenes concerns a different Anglican clergyman, but is not necessarily centred upon him. Eliot examines, among other things, the effects of religious reform and the tension between the Established and the Dissenting Churches on the clergymen and their congregations, and draws attention to various social issues, such as poverty, alcoholism, and domestic violence.At the age of 36, Marian (or Mary Ann) Evans was a renowned figure in Victorian intellectual circles, having contributed numerous articles to The Westminster Review and translated into English influential theological works by Ludwig Feuerbach and Baruch Spinoza. For her first foray into fiction she chose to adopt a nom de plume, 'George Eliot'. Her reasons for so doing are complex. While it was common for women to publish fiction under their own names, 'lady novelists' had a reputation with which Evans did not care to be associated. In 1856 she had published an essay in the Westminster Review entitled Silly Novels by Lady Novelists, which expounded her feelings on the subject.Moreover, the choice of a religious topic for "one of the most famous agnostics in the country" would have seemed ill-advised. The adoption of a pen name also served to obscure Evans' somewhat dubious marital status (she was openly living with the married George Henry Lewes).It was largely due to the persuasion and influence of Lewes that the three Scenes first appeared in John Blackwood's Edinburgh Magazine He submitted the first story, The Sad Fortunes of the Reverend Amos Barton, on 6 November 1856.At first it appeared anonymously, at Lewes' insistence. "I am not at liberty to reveal the veil of anonymity even as regards social position. Be pleased, therefore, to keep the whole secret." Public and professional curiosity was not to be suppressed, however, and on 5 February 1857 the author's 'identity' was revealed to Blackwood's: "Whatever may be the success of my stories, I shall be resolute in preserving my incognito ... and accordingly I subscribe myself, best and most sympathising of editors, Yours very truly George Eliot." Barton and Milly become acquainted with Countess Caroline Czerlaski. When the Countess' brother, with whom she lives, gets engaged to be married to her maid, she leaves home in protest. Barton and his wife accept the Countess into their home, much to the disapproval of the congregation, who assume her to be his mistress. The Countess becomes a burden on the already stretched family, accepting their hospitality and contributing little herself. With Milly pregnant and ill, the children's nurse convinces the Countess to leave. Milly dies following the premature birth of her baby (who also dies) and Barton is plunged into sadness at the loss. Barton's parishioners, who were so unsympathetic to him as their minister, support him and his family in their grief: "There were men and women standing in that churchyard who had bandied vulgar jests about their pastor, and who had lightly charged him with sin, but now, when they saw him following the coffin, pale and haggard, he was consecrated anew by his great sorrow, and they looked at him with respectful pity." ....