George Grosz: Art and Politics in the Weimar Republic


Book Description

Examines the ideological motivations of Grosz's political cartoons in an effort to define further the relationship between art and his political involvements in Berlin of the 1920s. Provides a clearer understanding of the artist and an unusual insight into the Weimar Republic.







New Objectivity


Book Description

Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations




German Post-Expressionism : The Art of the Great Disorder 1918Ð1924


Book Description

German Post-Expressionism is the first study to reconstruct historically the evolution of Die neue Sachlichkeit, the slogan coined as a designation for the Post-Expressionist figural art that developed throughout Germany following the failed revolution of 1919. Rather than starting with the moment this Post-Expressionist movement was christened with a slogan (1923), Crockett investigates the sources and precepts of Post-Expressionism beginning with the anti-Expressionist stance of Dada in 1918 and the loss of faith in Expressionism on the part of some of its chief supporters during 1919-20.




The Berlin of George Grosz


Book Description

Including 150 work on paper as well as several of the artist's key theoretical essays and letters, this text is the catalogue for a 1997 Royal Academy exhibition of the drawings, watercolours and prints of George Grosz.




Art And Politics In The Weimar Period


Book Description

The period between the end of World War I and Hitler's ascension to power witnessed an unprecedented cultural explosion that embraced the whole of Europe but was, above all, centered in Germany. Germany housed architect Walter Gropius and the Bauhaus movement; playwrights Bertolt Brecht and Erwin Piscator; artists Hans Richter, George Grosz, John Heartfield, and Hannah Hoch; composers Paul Hindemith, Arnold Schonberg, and Kurt Weill; and dozens of others. In Art and Politics in the Weimar Period , John Willett provides a brilliant explanation of the aesthetic and political currents which made Germany the focal point of a new, down-to-earth, socially committed cultural movement that drew a significant measure of inspiration from revolutionary Russia, left-wing social thought, American technology, and the devastating experience of war.




Love Above All, and Other Drawings


Book Description

This brilliant collection of Expressionist drawings captures the essence of Berlin during the 1920s. Devastating satiric works reveal prostitutes, porcine profiteers, inflation millionaires, and callous nouveau riche in a milieu in which starvation, disease, and desperation are just around the corner. Includes complete English captions.




The Weimar Republic Sourcebook


Book Description

Reproduces (translated into English) contemporary documents or writings with an introduction to each section.




The Weimar Republic Sourcebook


Book Description

A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism. While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.




The Exile of George Grosz


Book Description

The Exile of George Grosz examines the life and work of George Grosz after he fled Nazi Germany in 1933 and sought to re-establish his artistic career under changed circumstances in New York. It situates GroszÕs American production specifically within the cultural politics of German exile in the United States during World War II and the Cold War. Basing her study on extensive archival research and using theories of exile, migrancy, and cosmopolitanism, McCloskey explores how GroszÕs art illuminates the changing cultural politics of exile. She also foregrounds the terms on which German exile helped to define both the limits and possibilities of American visions of a one world order under U.S. leadership that emerged during this period. This book presents GroszÕs work in relation to that of other prominent figures of the German emigration, including Thomas Mann and Bertolt Brecht, as the exile community agonized over its measure of responsibility for the Nazi atrocity German culture had become and debated what GermanyÕs postwar future should be. Important too at this time were GroszÕs interactions with the American art world. His historical allegories, self-portraits, and other works are analyzed as confrontational responses to the New York art worldÕs consolidating consensus around Surrealism and Abstract Expressionism during and after World War II. This nuanced study recounts the controversial repatriation of GroszÕs work, and the exile culture of which it was a part, to a German nation perilously divided between East and West in the Cold War.