Party Out of Bounds


Book Description

"Published originally by Plume in 1991, Rodger L. Brown's Party Out of Bounds is a cult classic. This twenty-fifth anniversary edition includes new photographs, a foreword by Charles Aaron, former editor and writer at SPIN magazine, and an essay on Athens, GA since the 'golden age' of Brown's story. Party Out of Bounds offers an insider's look at the phenomenon of an underground rock music culture springing from the Georgia college town of Athens. Brown uses his half-remembered memories to chronicle the 1970s and the 80s in Athens, and the spawning of such supergroups as The B-52's, Pylon, and R.E.M."--




The Class of '65


Book Description

In the midst of racial strife, one young man showed courage and empathy. It took forty years for the others to join him Being a student at Americus High School was the worst experience of Greg Wittkamper's life. Greg came from a nearby Christian commune, Koinonia, whose members devoutly and publicly supported racial equality. When he refused to insult and attack his school's first black students in 1964, Greg was mistreated as badly as they were: harassed and bullied and beaten. In the summer after his senior year, as racial strife in Americus -- and the nation -- reached its peak, Greg left Georgia. Forty-one years later, a dozen former classmates wrote letters to Greg, asking his forgiveness and inviting him to return for a class reunion. Their words opened a vein of painful memory and unresolved emotion, and set him on a journey that would prove healing and saddening. The Class of '65 is more than a heartbreaking story from the segregated South. It is also about four of Greg's classmates -- David Morgan, Joseph Logan, Deanie Dudley, and Celia Harvey -- who came to reconsider the attitudes they grew up with. How did they change? Why, half a lifetime later, did reaching out to the most despised boy in school matter to them? This noble book reminds us that while ordinary people may acquiesce to oppression, we all have the capacity to alter our outlook and redeem ourselves.




Hell's Broke Loose in Georgia


Book Description

Darling, I never wanted to gow home as bad in my life as I doo now and if they don’t give mee a furlow I am going any how. Written in December 1862 by Private Wright Vinson in Tennessee to his wife, Christiana, in Georgia, these lines go to the heart of why Scott Walker wrote this history of the Fifty-seventh Georgia Infantry, a unit of the famed Mercer’s Brigade. All but a few members of the Fifty-seventh lived within a close radius of eighty miles from each other. More than just an account of their military engagements, this is a collective biography of a close-knit group. Relatives and neighbors served and died side by side in the Fifty-seventh, and Walker excels at showing how family ties, friendships, and other intimate dynamics played out in wartime settings. Humane but not sentimental, the history abounds in episodes of real feeling: a starving soldier’s theft of a pie; another’s open confession, in a letter to his wife, that he may desert; a slave’s travails as a camp orderly. Drawing on memoirs and a trove of unpublished letters and diaries, Walker follows the soldiers of the Fifty-seventh as they push far into Unionist Kentucky, starve at the siege of Vicksburg, guard Union prisoners at the Andersonville stockade, defend Atlanta from Sherman, and more. Hardened fighters who would wish hell on an incompetent superior but break down at the sight of a dying Yankee, these are real people, as rarely seen in other Civil War histories.




Lines in the Sand


Book Description

Lines in the Sandis Timothy Lockley’s nuanced look at the interaction between nonslaveholding whites and African Americans in lowcountry Georgia from the introduction of slavery in the state to the beginning of the Civil War. The study focuses on poor whites living in a society where they were dominated politically and economically by a planter elite and outnumbered by slaves. Lockley argues that the division between nonslaveholding whites and African Americans was not fixed or insurmountable. Pulling evidence from travel accounts, slave narratives, newspapers, and court documents, he reveals that these groups formed myriad kinds of relationships, sometimes out of mutual affection, sometimes for mutual advantage, but always in spite of the disapproving authority of the planter class. Lockley has synthesized an impressive amount of material to create a rich social history that illuminates the lives of both blacks and whites. His abundant detail and clear narrative style make this first book-length examination of a complicated and overlooked topic both fascinating and accessible.




My Name Is Georgia


Book Description

Presents, in brief text and illustrations, the life of the painter who drew much of her inspiration from nature.




Cool Town


Book Description

In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as "alternative," including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.




It's Not Over Until You Win


Book Description

A step-by-step plan offers examples and exercises on how to determine and live by a set of values, experiment with failure as a formula for success, and take life beyond set limits.




Dumb


Book Description

Part memoir, part medical cautionary tale, Dumb tells the story of how an urban twentysomething copes with the everyday challenges that come with voicelessness. Webber adroitly uses the comics medium to convey the practical hurdles she faced as well as the fear and dread that accompanied her increasingly lonely journey to regain her life. Her raw cartooning style, occasionally devolving into chaotic scribbles, splotches of ink, and overlapping montages, perfectly captures her frustration and anxiety. But her ordeal ultimately becomes a hopeful story. Throughout, she learns to lean on the support of her close friends, finds self-expression in creating comics, and comes to understand and appreciate how deeply her voice and identity are intertwined.




Dam Break in Georgia


Book Description




White Columns in Georgia


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.