Gesammelte Werke


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The Cambridge Companion to German Idealism


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This book, first published in 2000, offers a comprehensive, penetrating, and informative guide to the classical period of German philosophy.







New Being


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The following study on Ti1lich's theology is based on a doctoral dissertation, presented to the Ludwig-Maximilian University at Munich in December, 1967. Tillich's theology, however, is not a simple structure to analyze, since it is so systematically interrelated. Certainly every major area of his theo logical system involves all other major areas, and even the minor areas have complex ramifications to the total system itself. The following pages, there fore, can only be construed as one among many viewpoints of his system. Tillich's theological structure might be compared to a painting or some other work of art: one must view it now from this direction, now from that, in order to appreciate the total effect. Certain points should, however, be mentioned here. First of all, a key notion in this system is "essentialization. " This concept rounds off and com pletes Ti1lich's entire work. Unfortunately, Ti1lich himself did not write extensively on this topic, nor did he actually correlate it to the beginning and middle of his system, although it expresses the final telos of his entire theo logical work. I have drawn out of the Systematic Theology as much as possi ble on the subject of "essentialization," and have tried to analyze it in light of other key-concepts in his system.







The Dramatic Society


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All societies are, by their very nature, dramatic. They present themselves, especially for those who want to look back in time, as a fascinating and confusing whole of theatrical events and constructions. Sometimes the theatre itself succeeds in capturing that fascination and confusion. This book describes the dramatic society in the form of case studies that link politics, history and culture. The Dramatic Society uses selected plays to examine specific moments in history. Its range of subjects are extremely diverse, including Medea as an icon of terrorism, a choreography based upon Shakespeare’s As You Like It, horror movies about the German unification, a truth commission dealing with "human zoos", and the reconstruction of Ai Weiwei’s troubles with the tax authorities. This collection of insightful essays deals with theatrical performances – including happenings, installations and movies – of the past fifty years, with every chapter attempting to link artistic events with politics and political theory, from Hannah Arendt to Slavoj Žižek. This is a revealing assessment of the ways in which drama and politics become intertwined, offering crucial insights for scholars and students of theatre studies, performance studies, contemporary politics and cultural studies.




The Creative Matrix of the Origins


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Creative force or creative shaping? This unprecedented effort to plumb the workings of the ontopoiesis of life by disentangling its primordial forces and shaping devices as they enter into the originary matrixes of life yields fascinating insights. Prepared by the investigation of the first two matrixes (the `womb of life' and `sharing-in-life', Analecta Husserliana Volume 74) the present collection of essays focuses upon the third and crowning creative matrix, Imaginatio Creatrix here proves itself to be the source and driving force which brings us to the origins of the human mind - human life. Studies by: Elof Axel Carlson, A-T. Tymieniecka, N. Milkov, Eldon C. Wait, K. Rokstad, M. Golaszewska, M. Küle, W. Kim Rogers, Piotr Mróz, R. Pinilla Burgos, A. Carrillo Canán, G.R. Ronsivalle, J.E. Smith, A. Pawliszyn, A. Rizzacasa, L. Galzigna and M. Galzigna, Jiro Watanabe, M. Jakubczak, K. Tarnowski, M. Durst, W. Pawliszyn, R.A. Kurenkova, Carmen Cozma, E. Supinska-Polit, I.S. Fiut, Gerald Nyenhuis, Osvaldo Rossi, R.D. Sweeney, and D. Ulicka.




246 little clouds


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The Owl's Flight


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This book presents a unique rethinking of G. W. F. Hegel's philosophy from unusual and controversial perspectives in order to liberate new energies from his philosophy. The role Hegel ascribes to women in the shaping of society and family, the reconstruction of his anthropological and psychological perspective, his approach to human nature, the relationship between mental illness and social disease, the role of the unconscious, and the relevance of intercultural and interreligious pathways: All these themes reveal new and inspiring aspects of Hegel’s thought for our time.




Georg Wilhelm Friedrich Hegel: The Science of Logic


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This translation of The Science of Logic (also known as 'Greater Logic') includes the revised Book I (1832), Book II (1813) and Book III (1816). Recent research has given us a detailed picture of the process that led Hegel to his final conception of the System and of the place of the Logic within it. We now understand how and why Hegel distanced himself from Schelling, how radical this break with his early mentor was, and to what extent it entailed a return (but with a difference) to Fichte and Kant. In the introduction to the volume, George Di Giovanni presents in synoptic form the results of recent scholarship on the subject, and, while recognizing the fault lines in Hegel's System that allow opposite interpretations, argues that the Logic marks the end of classical metaphysics. The translation is accompanied by a full apparatus of historical and explanatory notes.