The History of Lady Sophia Sternheim


Book Description

This is the first translation of this work into English since 1776, and the only English version that is complete and unadulterated. Sophie von LaRoche is credited with being the first German female novelist and author of the first German "woman's novel." The History of Lady Sophia Sternheim is the first German Bildungsroman with a female protaganist, the first full-fledged German epistolary novel, and the first German sentimental novel. Its autobiographical aspects, incorporating thinly disguised vignettes of Wieland, Goethe, and other great figures of the day, give the work an unmistakably true-to-life flavor and immediacy.




A New History of German Literature


Book Description

'A New History of German Literature' offers some 200 essays on events in German literary history.




Die Wende Von Der Aufklärung Zur Romantik 1760-1820


Book Description

This volume is the twelfth to date in a series of works in French or English presenting the epochs and movements of a Comparative History of Literatures in European Languages (Histoire Comparée des Littératures de Langues Européennes). The original intention of the editors was to publish a four-volume history of European literature from 1760-1820, and the first of these volumes, Des Lumières au Romantisme. Genres en Vers, appeared as long ago as 1982. The volumes Genres en Prose and Théâtre are still awaited. In their absence the present volume, Epoche im _berblick, attempts a more comprehensive and rigorous treatment of the period and its historiographical problems than was initially planned, providing the reader with an overview of sixty eventful years of European literary history — years in which German Classicism coincided with the birth, initially in Germany and England, of Romanticism. And at the centre of this turbulent period of European intellectual and literary history stands the French Revolution.




The Contested Quill


Book Description

This book charts the entrance of women into public writing in the culturally vibrant world of late eighteenth-century Germany. It gives an absorbing account of the failed autobiography of Friderika Baldinger; the successful fiction, disguised self-narratives, and innovative monthly of Sophie La Roche; the praised poetry of Philippine Englehard; the controversial journalism and novels of Marianne Ehrmann; and the poems and prose about love and suicide by Sophie Albrecht. The book offers a feminist reassessment of the relationship of texts by these eighteenth-century German women writers to traditional literary history and traces how the women changed the cultural discourse of their day.




Body Dialectics in the Age of Goethe


Book Description

In opposition to an essentialist conceptualization, the social construct of the human body in literature can be analyzed and described by means of effective methodologies that are based on Discourse Theory, Theory of Cultural Transmission and Ecology, System Theory, and Media Theory. In this perspective, the body is perceived as a complex arrangement of substantiation, substitution, and omission depending on demands, expectations, and prohibitions of the dominant discourse network. The term Body-Dialectics stands for the attempt to decipher – and for a moment freeze – the web of such discursive arrangements that constitute the fictitious notion of the body in the framework of a specific historic environment, here in the Age of Goethe.




A History of Women's Writing in Germany, Austria and Switzerland


Book Description

This volume makes the wide-ranging work of German women writers visible to a wider audience. It is the first work in English to provide a chronological introduction to and overview of women's writing in German-speaking countries from the Middle Ages to the present day. Extensive guides to further reading and a bibliographical guide to the work of more than 400 women writers form an integral part of the volume, which will be indispensable for students and scholars of German literature, and all those interested in women's and gender studies.




The Lessing Yearbook


Book Description

The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English.




Performance and Femininity in Eighteenth-Century German Women's Writing


Book Description

In this book, Wendy Arons examines how women writers used theater and performance to investigate the problem of female subjectivity and to intervene in the dominant discourse about ideal femininity. Arons shows how contemporary demands for sincerity and authenticity placed a peculiar burden on women in the public sphere, especially on actresses, who - like professional writers - overstepped the boundaries of what was considered proper behavior for women. Paradoxically, in their representations of ideal women engaged in performance, these writers expose ideal femininity as an impossible act, even as they attempt to perform it in their writing and in their lives.




Landmarks in German Women's Writing


Book Description

This volume focuses on twelve women writers from the Middle Ages to the present day who have made a major contribution to German literature. The essays place the writers in the context of their period and examine how their position as women affected what they wrote and the reception of their texts.




Gender, Collaboration, and Authorship in German Culture


Book Description

Gender, Collaboration, and Authorship in German Culture challenges a model of literary production that persists in literary studies: the so-called Geniekult or the idea of the solitary male author as genius that emerged around 1800 in German lands. A closer look at creative practices during this time indicates that collaborative creative endeavors, specifically joint ventures between women and men, were an important mode of literary production during this era. This volume surveys a variety of such collaborations and proves that male and female spheres of creation were not as distinct as has been previously thought. It demonstrates that the model of the male genius that dominated literary studies for centuries was not inevitable, that viable alternatives to it existed. Finally, it demands that we rethink definitions of an author and a literary work in ways that account for the complex modes of creation from which they arose.