Ghada Amer - Ceramics


Book Description

Ghada Amer (b. Cairo, 1963; lives and works in New York) rose to renown in the mid-1990s with depictions of erotic motifs she stitched onto her paintings. These works compellingly interwove an ironic take on traditional role models with a confident reimagination of the painterly medium by combining it with embroidery. In 2014, the artist turned to working with clay, initially using it to produce models for her steel sculptures, then developing increasingly impromptu shapes. After making abstract colorful clay sculptures that stand out for their coarse-grained contours, she was awarded a two-year residency at the Greenwich House Pottery in New York, where she created works that are without parallel in the worlds of fine art or ceramics. Amer starts out with large-format thin slabs of clay that are extraordinarily difficult to handle, painting women's portraits on both sides and then bending the slabs and standing them on edge. This book presents numerous works from both series of ceramics as well as documentary photographs showing the artist at work in the studio. With two essays by Justine Ludwig and Britta Schmitz and a conversation between Sebastian Preuss and Ghada Amer.




Extra/Ordinary


Book Description

Artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine art institutions understand and exhibit craft media, and offer accounts of activist crafting.




Ghada Amer


Book Description

Your mother was a fish / A. M. Homes.




Vitamin C: Clay and Ceramic in Contemporary Art


Book Description

A global survey of 100 of today's most important clay and ceramic artists, chosen by leading art world professionals. Vitamin C celebrates the revival of clay as a material for contemporary visual artists, featuring a wide range of global talent as selected by the world's leading curators, critics, and art professionals. Clay and ceramics have in recent years been elevated from craft to high art material, with the resulting artworks being coveted by collectors and exhibited in museums around the world. Packed with illustrations, Vitamin C is a vibrant and incredibly timely survey - the first of its kind. Artists include: Caroline Achaintre, Ai Weiwei, Aaron Angell, Edmund de Waal, Theaster Gates, Marisa Merz, Ron Nagle, Gabriel Orozco, Grayson Perry, Sterling Ruby, Thomas Schütte, Richard Slee, Clare Twomey, Jesse Wine, and Betty Woodman. Nominators include: Pablo Leon de la Barra, Iwona Blazwick, Mary Ceruti, Dan Fox, Jens Hoffmann, Christine Macel, James Meyer, Jed Morse, Beatrix Ruf, Patrizia Sandretto Re Rebaudengo, Nancy Spector, Sheena Wagstaff, and Jonathan Watkins.




Ghada Amer


Book Description




Bas Jan Ader


Book Description

An illustrated investigation into the critical motives behind the last, unfinished work that has defined the romantic legacy of conceptual artist Bas Jan Ader. In 1975 Bas Jan Ader disappeared at sea while trying to sail from the East Coast of the United States to Europe as part of a project titled In Search of the Miraculous. Ader's considerable influence on later conceptual artists stems from the way in which he used the cool analytic and antisubjective aesthetics of conceptual art to explore experiences that would seem definitively subjective—the emotional intensity of tragedy and the romantic quest for the sublime. In Search of the Miraculous was conceived as a three-part project: a lonely nighttime walk from the hills of Los Angeles down to the sea, documented in photographs; the Atlantic crossing; a night walk through Amsterdam, mirroring the LA photographs.The circumstances of his disappearance have led many interpreters to identify Ader (as a person) with the role of the tragic romantic hero. The cult status of the artist as a hero whose work is authenticated through his death, however, has obscured the fact that Ader's art was a critical investigation of precisely those romantic motives his persona has now come to be identified with. This book unpicks these ties in Ader's work in order to highlight the specific and unique way in which Ader explores the existential and emotional with an artistic approach that is as conceptual and analytic as it is poetic and personal. Afterall Books are distributed by The MIT Press.




Contemporary African Art Since 1980


Book Description

[S]urvey of the work of contemporary African artists from diverse situations, locations, and generations who work either in or outside of Africa, but whose practices engage and occupy the social and cultural complexities of the continent since the past 30 years.... Organized in chronological order, the book covers all major artistic mediums: painting, sculpture, photography, film, video, installation, drawing, collage.... Presents examples of ... work by more than 160 African artists.... [I]ncludes Georges Adeagbo Tayo Adenaike, Ghada Amer, El Anatsui, Kader Attia, Luis Basto, Candice Breitz, Moustapha Dimé, Marlene Dumas, Victor Ekpuk, Samuel Fosso, Jak Katarikawe, William Kentridge, Rachid Koraichi, Mona Mazouk, Julie Mehretu, Nandipha Mntambo, Hassan Musa, Donald Odita, Iba Ndiaye, Richard Onyango, Ibrahim El Salahi, Issa Samb, Cheri Samba, Ousmane Sembene, Yinka Shonibare, Barthelemy Toguo, Obiora Udechukwu, and Sue Williamson.--From publisher description..




String, Felt, Thread


Book Description

String, Felt, Thread presents an unconventional history of the American art world, chronicling the advance of thread, rope, string, felt, and fabric from the "low" world of craft to the "high" world of art in the 1960s and 1970s and the emergence today of a craft counterculture. In this full-color illustrated volume, Elissa Auther discusses the work of American artists using fiber, considering provocative questions of material, process, and intention that bridge the art-craft divide. Drawn to the aesthetic possibilities and symbolic power of fiber, the artists whose work is explored here-Eva Hesse, Robert Morris, Claire Zeisler, Miriam Schapiro, Faith Ringgold, and others-experimented with materials that previously had been dismissed for their associations with the merely decorative, with "arts and crafts," and with "women's work." In analyzing this shift and these exceptional artists' works, Auther engages far-reaching debates in the art world: What accounts for the distinction between art and craft? Who assigns value to these categories, and who polices the boundaries distinguishing them? String, Felt, Thread not only illuminates the centrality of fiber to contemporary artistic practice but also uncovers the social dynamics-including the roles of race and gender-that determine how art has historically been defined and valued.




The Fertile Crescent


Book Description

Issued in conjunction with an exhibition held at Mason Gross Galleries, Rutgers University, Aug. 13-Sept. 9, 2012, and elsewhere through Nov. 2012.




Entangled


Book Description