Ghosts


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CliffsNotes Ibsen's Plays II: Ghosts, An Enemy of The People, & The Wild Duck


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This CliffsNotes guide includes everything you’ve come to expect from the trusted experts at CliffsNotes, including analysis of the most widely read literary works.













The Ghost on the Ramparts and Other Essays in the Humanities


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The Ghost on the Ramparts presents fourteen of R. B. Heilman's essays on the teaching of English and the profession of the humanities. These essays deal with such diverse topics as administrative ways and means, pedagogical shibboleths and heresies, uses and abuses of literacy, clichés of style, moot issues of history and criticism, and above all the nature of the humanities and their continuing significance. The persuasive discussions of all these subjects reflect the author's wide professional experience, his wit and wisdom, and his superb sense of style. The chairman of a distinguished English department for over twenty years, Heilman well knew the ins and outs of administration. He considers not only the practical problems of maintaining a large department but also the more complex matters involving a chairman's attitude toward deans, toward colleagues of many kinds, and toward oneself as a committed teacher and administrator. Also a literary critic of established reputation, Heilman's explicative side appears in most of these essays as he provides illustrative examples from many different sources while discussing the nature of history and criticism in the humanities. The unity of these essays is no less impressive than the mind of their maker, who instances a remarkable capacity for seeing life in the humanities steadily and whole.




The Old Front Line


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The English Catalogue of Books


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Volumes for 1898-1968 include a directory of publishers.




Ghost


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Ibsen Plays: 4


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"Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field" (George Steiner) The plays shine freshly from the pages ...This will be our definitive Ibsen." (JC Trewin) This volume contains Ibsen's first great modern prose play and his two last symbolic dramas. The Pillars of Society, written between 1875 and 1877, exhibits many of the classic elements which recur in the subsequent plays - a marriage founded on a lie, women stunted by social conventions, an arrogant man destroying the happiness of those around him. John Gabriel Borkman (1896), according to Edvard Munch, is "the most powerful winter landscape in Scandinavian art"; and Ibsen's last play, When We Dead Awaken (1899), also dealing with "the coldness of heart", showed, said Bernard Shaw, "no decay of Ibsen's highest qualities. His magic is nowhere more potent.Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)