Gifts to a Magus


Book Description

This fascinating volume consists of articles by world-renowned scholars of Zoroastrian, Iranian, Parsi, and Jewish studies. The topics covered range from the prophet Zarathushtra (Zoroaster) and the ancient Indo-Iranians to the modern Zoroastrians and Jews of Iran and India. Insightful descriptions of divinities and demons, priests and laity will capture the attention of readers as will absorbing discussions of good and evil, rituals and documents, and of communities past and present.




A Gift for the Magus


Book Description

Fra Filippo Lippi is notorious for his contempt of his vows; he was never obedient and never chaste. The nun who modelled for his pictures of the Virgin Mary became the mother of his children. Yet this apparently 'bad' man painted divine pictures; moreover, he was the favourite painter of that very astute patron, Cosimo de' Medici.




The Gift of the Magi


Book Description

"The Gift of the Magi" is a short story by O. Henry first published in 1905. The story tells of a young husband and wife and how they deal with the challenge of buying secret Christmas gifts for each other with very little money. As a sentimental story with a moral lesson about gift-giving, it has been popular for adaptation, especially for presentation at Christmas time.




The Journey of the Magi


Book Description

Matthew's Gospel reveals little about the three wealthy visitors said to have presented gifts to the infant Jesus. Yet hundreds of generations of Christians have embellished that image of the Three Kings or Magi for a myriad of social and political as well as spiritual purposes. Here Richard Trexler closely examines how this story has been interpreted and used throughout the centuries. Biblically, the Journey of the Magi presents a positive image of worldly power, depicting the faithful in progress toward their God and conveying the importance of the gift-giving laity as legitimators of their deity. With this in mind, Trexler explains in particular how Western societies have molded the story to describe and augment their own power--before the infant God and among themselves. The author demonstrates how the magi as a group functioned in Christian society. For example, magi plays, processions, and images taught people how to pray and behave in reverential contexts; they featured monarchs and heads of republics who enacted the roles of the magi to legitimate their rule; and they constrained native Americans to fall in line behind the magi to instill in them loyalty toward the European world order. However, Trexler also shows these philosopher-kings as competitive among each other, as were groups of different ages, races, and genders in society at large. Originally modeled on representations of the Roman triumphs, the magi have reached the present day as street children wearing crowns of cardboard, proving again the universality of the image for constructing, reinforcing, and even challenging a social hierarchy. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Ghost Storeys


Book Description

Most studies of modern Gothic media assume that, beyond the 1830s, modern Gothic architecture and literature had very little in common. The work of Ralph Adams Cram (1863–1942), America’s most prolific Gothic Revival architect and an author of ghost stories, challenges that assumption. The first interdisciplinary study of Cram’s aesthetics, Cameron Macdonell’s Ghost Storeys deconstructs the boundaries of Gothic architecture and literature through a microhistory of St Mary’s Anglican Church in Walkerville, Ontario. Focusing on Cram and the church’s main patron, Edward Walker (1851–1915), Macdonell explores the intricate intersections of Gothic aesthetics, architectural ethics, literature, theology, cultural values, and community construction in an Edwardian-era company town. When Walker commissioned the church, he believed that its economy of salvation could save him from the syphilis that afflicted his body and stained his soul. However, while implementing that economy, Cram, whose architectural theory, social commentary, and ghost stories were pessimistic about reviving the Gothic in the modern world, also created an architecture haunted by the sickness of humanity. Painstakingly researched and lavishly illustrated, Ghost Storeys redefines the allegorical relationship between a marginalized church and the Gothic Revival movement as a global interdisciplinary phenomenon.




Feasting on the Word: Year A, Volume 1


Book Description

With the twelve-volume series Feasting on the Word, Westminster John Knox Press offers one of the most extensive and well-respected resources for preaching on the market today. When complete, the twelve volumes will cover all of the Sundays in the three-year lectionary cycle, along with moveable occasions. The page layout is truly unique. For each lectionary text, preachers will find brief essaysÂâ€"one each on the exegetical, theological, pastoral, and homiletical challenges of the text. Each volume will also contain an index of biblical passages so that nonlectionary preachers may make use of its contents. The printed volumes for Ordinary Time include the complementary stream during Year A, the complementary stream during the first half of Year B, the semicontinuous stream during the second half of Year B, and the semicontinuous stream during Year C. Beginning with the season after Pentecost in Year C, the alternate lections for Ordinary Time not in the print volumes will be available online at feastingontheword.net.




The Tome of God


Book Description

The Tome of God traces the history of the Numerist Religion, starting with the arrival from the stars to the final suppression by the Church in the seventeenth century. The work encompasses the eras of Pythagoras, Pharaoh Akhenaten, the destruction of Jerusalem, the Crusades, and the genocide against the Cathars in France. This beautiful religion is peaceful and is the only universal faith. It preaches – and proves – that God does not speak to mankind in words, but in mathematics. God is not name but Number! Says the author, “In contrast to other religious works, which are inherently violent, this work demonstrates that violence proves their fallibility. Its abiding tenets are based on equality between man and woman, and the need to abandon the tribe and become universal.”




Bosch and Bruegel


Book Description

A bold new interpretation of two northern Renaissance masters In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history’s unexplored underside: the image itself as an enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists—including Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner’s A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.




The Witness of the Magi: The Meaning of the Visitors from the East in Art and Culture


Book Description

Looking to discuss the purpose of the Magi in the Gospel this book turns to tradition and iconography and draws conclusions about the Magi in the religious imaginations of Christians from the earliest times of Christianity until the Protestant Reformation, as well as, considers what the Magi could possibly mean for today. The Magi become more than simple characters on a page, and communicate a larger truth to the people of every age. Whether they existed as three men, two men, a caravan of peoples, or literary devices, the Magi communicate a deep desire for something outside of ourselves. They call for change and renewal in the lives of people in the act of giving to something much more then themselves.




Fresh Light


Book Description

This is a book of short homilies on the Gospels for the Sundays and celebrations of Year B, featuring the Gospel of Mark. Each homily discusses in a simple and straightforward way the core message of the reading and its application to everyday life. It makes a wonderful companion and guide for those who prepare the homilies as well as those who want further reflection on what they hear at Mass.