Giorgio Vasari, Michelangelo and the Allegory of Patience


Book Description

This book recounts the exciting rediscovery of Giorgio Vasari's painting' Allegory of Patience', painted in 1551-52 for the Bishop of Arezzo, Vasari's hometown. The painting was conceived in Rome with the aid of Michelangelo, as many surviving letters reveal. The work will be on view to the public at the National Gallery, London, through 2023. The monumental figure of a woman, life-sized, with arms crossed, watches time run down. The passing of time is symbolized in the drops that fall from an antique water clock beside her, gradually wearing away the stone on which she rests her foot. The Bishop of Arezzo regarded patience as the key to his career and achievements, and wished it to be represented in a picture. Vasari consulted his contemporaries and fellow humanists as well as the great sculptor Michelangelo when deciding what form it should take. The image represents more exactly the Latin tag "diuturna tolerantia" (daily tolerance). The painting quickly became famous in its time and numerous copies were made of it - but not until now has the original emerged. Thanks to letters between those involved, the painting and the process of its creation are richly documented, and in particular provide insights and quotations about picturemaking from Michelangelo. The book carries full documentation of the work and its known copies, some of which can be traced to leading patrons in Renaissance Italy. It also examines Vasari's own autograph technique and artistic aims.




Vasari


Book Description

This book recounts the exciting rediscovery of Giorgio Vasari's painting' Allegory of Patience' painted in 1551?52 for the Bishop of Arezzo Vasari's hometown. The painting was conceived in Rome with the aid of Michelangelo as many surviving letters reveal. The work will be on view to the public at the National Gallery London through 2023. The monumental figure of a woman lifesized with arms crossed watches time run down. The passing of time is symbolized in the drops that fall from an antique water clock beside her gradually wearing away the stone on which she rests her foot. The Bishop of Arezzo regarded patience as the key to his career and achievements and wished it to be represented in a picture Vasari consulted his contemporaries and fellow humanists as well as the great sculptor Michelangelo when deciding what form it should take. The image represents more exactly the Latin tag "diuturna tolerantia" (daily tolerance). The painting quickly became famous in its time and numerous copies were made of it, but not until now has the original emerged. Thanks to letters between those involved the painting and the process of its creation are richly documented and in particular provide insights and quotations about picturemaking from Michelangelo. The book carries full documentation of the work and its known copies some of which can be traced to leading patrons in Renaissance Italy It also examines Vasari's own autograph technique and artistic aims--







Raphael and the Redefinition of Art in Renaissance Italy


Book Description

A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.




Ficino and Fantasy


Book Description

Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.




Titian Remade


Book Description

This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.




Michalangelo


Book Description

Published to accompany the Credit Suisse exhibition Michelangelo & Sebastiano held at the National Gallery in London, March 15 through June 25, 2017.




A Companion to Cosimo I de’ Medici


Book Description

Mining the rich documentary sources housed in Tuscan archives and taking advantage of the breadth and depth of scholarship produced in recent years, the seventeen essays in this Companion to Cosimo I de' Medici provide a fresh and systematic overview of the life and career of the first Grand Duke of Tuscany, with special emphasis on Cosimo I's education and intellectual interests, cultural policies, political vision, institutional reforms, diplomatic relations, religious beliefs, military entrepreneurship, and dynastic concerns. Contributors: Maurizio Arfaioli, Alessio Assonitis, Nicholas Scott Baker, Sheila Barker, Stefano Calonaci, Brendan Dooley, Daniele Edigati, Sheila ffolliott, Catherine Fletcher, Andrea Gáldy, Fernando Loffredo, Piergabriele Mancuso, Jessica Maratsos, Carmen Menchini, Oscar Schiavone, Marcello Simonetta, and Henk Th. van Veen.




Michelangelo


Book Description




Taddeo and Federico Zuccaro


Book Description

One of the most important series of drawings in late-sixteenth-century Italian art--the twenty large sheets by Federico Zuccaro (ca. 1541-1609) showing the early life of his older brother, Taddeo (1529-1566)--was acquired by the J. Paul Getty Museum in 1999. Never fully published, the series shows Taddeo's trials and tribulations as a young artist trying to achieve success in Renaissance Rome, and his eventual triumph. The drawings contain charming details of the life of a struggling artist and reveal much about the younger brother, Federico, a successful artist in his own right. This volume--published to coincide with an exhibition at the J. Paul Getty Museum to be held from October 1, 2007, to January 6, 2008--presents Federico Zuccaro's twenty drawings and accompanying poems in their historical and artistic context and will be of interest to art historians and general readers alike. Of particular importance is its examination of the role of the copying of masterworks in the training of young Renaissance artists.