Gladiatrix Nobilis (A Catfight Novel)


Book Description

Lucretia is the daughter of Romulus, the governor of the Roman province, Gallia Narbonensis. Like most women of her class, she believes anybody of a lower class is there to serve her. This includes her handmaiden, Celeste. Nobody dares to cross Lucretia, except for her stepmother, Aurelia. She hates both Lucretia and Celeste. And when she conspires with the province's treasurer to accuse Romulus of embezzling state funds, she gets her chance to punish the young women. When the court finds Romulus guilty and orders his execution, Aurelia arranges for Lucretia and Celeste to be sold as gladiatrices. Titus, a friend of Romulus, tries to save Lucretia and Celeste. But when he eventually fails, the young women have to fight for their lives in the Roman amphitheatres. When a captured princess from one of the conquered Germanic tribes is pitted against Lucretia, the bloodthirsty crowds are captivated by the fight between two noble women. But Aurelia is not satisfied. She pays the editor of the games in the city of Rome, to pit Lucretia and Celeste against each other in a fight to the death.




Gladiatrix Nobilis


Book Description




Gladiatrix Nobilis


Book Description

Lucretia is the daughter of, Romulus, the governor of the Roman province, Gallia Narbonensis. Like most women of her class, she believes anybody of a lower class is there to serve her. This includes her handmaiden, Celeste.Nobody dares to cross Lucretia, except for her stepmother, Aurelia. She hates both Lucretia and Celeste. And when she conspires with the province's treasurer to accuse Romulus of embezzling state funds, she gets her chance to punish the young women. When the court finds Romulus guilty and orders his execution, Aurelia arranges for Lucretia and Celeste to be sold as gladiatrices. Titus, a friend of Romulus, tries to save Lucretia and Celeste. But when he eventually fails, the young women have to fight for their lives in the Roman amphitheatres. When a captured princess from one of the conquered Germanic tribes is pitted against Lucretia, the bloodthirsty crowds are captivated by the fight between two noble women. But Aurelia is not satisfied. She pays the editor of the games in the city of Rome, to pit Lucretia and Celeste against each other in a fight to the death.




Gladiatrix Nobilis


Book Description

Lucretia is the daughter of, Romulus, the governor of the Roman province, Gallia Narbonensis. Like most women of her class, she believes anybody of a lower class is there to serve her. This includes her handmaiden, Celeste. Nobody dares to cross Lucretia, except for her stepmother, Aurelia. She hates both Lucretia and Celeste. And when she conspires with the province's treasurer to accuse Romulus of embezzling state funds, she gets her chance to punish the young women. When the court finds Romulus guilty and orders his execution, Aurelia arranges for Lucretia and Celeste to be sold as gladiatrices. Titus, a friend of Romulus, tries to save Lucretia and Celeste. But when he eventually fails, the young women have to fight for their lives in the Roman amphitheaters. When a captured princess from one of the conquered Germanic tribes is pitted against Lucretia, the bloodthirsty crowds are captivated by the fight between two noble women. But Aurelia is not satisfied. She pays the editor of the games in the city of Rome, to pit Lucretia and Celeste against each other in a fight to the death.




Riders Dictionarie


Book Description




Terence: Hecyra


Book Description

Terence's Hecyra raises social, literary and theatrical issues of great interest to modern students of Roman comedy and, indeed, of Roman culture more broadly. The play pays strikingly close attention to the domestic problems of women and experiments boldly with traditional comic forms, not only in its creation of anticipatory suspense, but through its variations on traditional situations and roles and its metatheatrical qualities. In addition, Terence's response in his prologues to the play's two putative failures is important, if tendentious, evidence for the mechanics of theatrical performance in the second century, especially the conjunction of theatrical and gladiatorial shows. This edition opens the play's many interpretive challenges to wider scrutiny while remaining attentive to the linguistic needs of students at all levels.







Eranos


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The gladiators


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Gladiatrix


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