The Glass Tears Poem Journal


Book Description

A ray of sunlight came through a pane in the glass studio workshop. The scrap glass bucket was nearly full. On top of this heap was a hardened drip of glass that had carelessly fallen from a glass artists punti. Glimmering in the sunlight that morning was the very first Glass Teardrop. It may have remained just scrap until the simple words glass tears softly whispered in the imagination of a would-be poet. Two totally different art forms were about to be married. The story of Glass Tears is purely serendipitous. The need for a unique and meaningful sympathy gift happened at just about the same time as the glass teardrop appeared at the studio. The poem, Glass Tears came to Randal S. Doaty as unexpectedly as the teardrop itself. He had never written a poem before, but he felt the need to give his new teardrop a voice. The Glass Tears Poem Journal is a collection of what many different Glass Tears have spoken through the voice of this poet.




Glass Tears


Book Description

"Tian and her family make a special glass bouquet to place on their father's grave. Some years before, he hed left Vietnam on a ship bound for wider, browner lands, but never came home. As Tian threads the tiny glass beads onto wire stems she remembers her father and shed for him a glass tear."--Provided by publisher.




The Topography of Tears


Book Description

“When you first view Rose-Lynn Fisher’s photographs, you might think you’re looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you’re looking at her tears. . . . [There’s] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher’s images are the only remaining trace of these places, which exist during a moment of intense feeling—and then vanish.” —NPR “[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion.” —Boston Globe Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives. Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper’s, New Yorker, Time, Wired, Reader’s Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.




Love Wise


Book Description

ForewordI have had the utmost pleasure in not only calling Jill Delbridge a friend, but a very close one, more like a Sister to me. There is not enough space or the proper words to capture her essence in a Foreword. The Multi-Faceted, Jill Delbridge is a beautiful and extremely talented lady that has taken many young writers under her gentle wings and mentored them gracefully. She is a natural Giver and to know her, is to love her.As for her own writing, it is thoughtful, deep and laden with profound messages that the readers may apply to their own lives as well as a feeling of familiarity as she lets you into her world.Whether she is writing about the plight of the Home-less, Racism or a Lovers quarrel, Ms. Delbridge has the natural ability to not only paint a vivid picture so that we may see but she captures all five senses in the reader. Her style may be considered by some, as Eclectic and I'd like to add that her use of Metaphors is strong and her vocabulary is prolific.




The Photograph


Book Description

In this rich and fascinating work, Clarke gives a clear and incisive account of the photograph's historical development, elucidating the insights of the most engaging thinkers on the subject, including Roland Barthes and Susan Sontag. "The Photograph" offers a series of discussions of major themes and genres, providing an up-to-date introduction to the history of photography. 130 illustrations, 16 in color.




Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures


Book Description

Paying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others.




Pictures and Tears


Book Description

This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.







Collecting Old Glass


Book Description

I hope the reader may find that this book, though smaller than others on the same subject, is more helpful and even more comprehensive than they are; that it deals with the glass articles which they mention and with others which they omit; that it simplifies and classifies the study and practice of glass-collecting more than has been done in print heretofore; and that it can do these things because it is written out of personal knowledge, gained from much experience, and not from hearsay or from other books. Diffuseness has been avoided, but this, I hope, has enabled me to make the book the more lucid, as well as the more succinct. At any rate, it affords hints, general rules, and warnings more numerous and more practical than any published until now; I have also tried to give to it a quality which reviewers have found present in my other books on Collecting—that is, a simplicity and clearness of explanation, done at the most difficult and necessary points, and in an interesting way. Moreover, this book has had the great advantage of revision (before printing) by Mr. G. F. Collins, of 53 the Lanes, Brighton, a pupil of Mr.[vi] Hartshorne's, and well known to all principal collectors of old glass. Most of the illustrations represent typical pieces in my own collection, but for some of the finest I have to thank the kindness of Mrs. Devitt, of Herontye, East Grinstead, a collector indeed. The illustrations do not represent relative sizes to the same scale. J. H. YOXALL