Gloucester's Past in Pictures


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Gloucester


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In the summer of 1979 Nubar Alexanian stepped aboard the vessel Joseph and Lucia II for ten days of fishing on Georges Bank with the Brancaleone family of Gloucester, Massachusetts and their crew. More trips followed in 1980 and 1981, and the photographs taken on those voyages form the heart of this book. They show the photographer's intimate connection with his subjects, and with Gloucester itself.The sea gives and it takes; fishermen and their families look mortality in the face every working day. We cannot say what gives the people of Gloucester their determination and perseverance, but photographs capture the spirit when words cannot, and they can make time and tide stand still. When Alexanian was taking photographs aboard the Joseph and Lucia II, he was documenting a way of life that would soon slip away and never return. His photographs lay bare the heart of a city that literally and figuratively faces the sea, its most enduring ally and its nemesis. He has chronicled both life at sea and the upland rhythms of Gloucester in images taken over a period of four decades, weaving from Georges Bank through the streets and woods, beaches and baptisms, the granite and the granite-willed. In these images of day-to-day life, of rituals, celebrations, and the ever-changing landscape, people coexist with nature's bounties and uncertainties as they have for hundreds of years.Gloucester: When the Fish Came Fish is as much an invitation as a documentary work. Alexanian's photographs reveal the spirit of this place and the strength of her people. Complex and ruggedly beautiful, they honor Gloucester's enigmatic soul, her resilient spirit, and her hard-won character. Against all odds, this is a place that continues to believe in itself.




Museum of Fine Arts Boston: 1870 To 2020


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In 1970 the Museum of Fine Arts commissioned a two-volume Centennial history by its trustee, Walter Muir Whitehill. That was a time of turmoil as then director Perry T. Rathbone was forced to resign resulting from the questionable acquisition of a portrait by Raphael later returned to Italy.Instability followed with the quick succession of acting director, Cornelius Vermeule, the ill-fated Merrill Rueppel, then Asiatic curator, Jan Fontein promoted from acting to full time director. Museum of Fine Arts Boston, 1870 to 2020: An Oral History is only the second publication chronicling 150 years of a great museum with aspects of its collection second to none. The book summarizes events of the first century with a vivid update of what has occurred since then.The fascinating story of a world-class museum is updated in the words of each of its directors from Perry T. Rathbone to Matthew Teitelbaum. There are also interviews with curators, trustees, art historians, administrators, and arts journalists.The founders were individuals of class and privilege who gave generously. The tone of Brahmin elitism changed by the 1950s as the museum expanded and become more costly to maintain. There was a search for new money and expansion of the board to include Jews and people of color. By the 1960s the museum drew broad criticism for its elitism and indifference to modern/ contemporary art and Boston's contemporary artists, including the Jewish Boston Expressionists. Charges of racism have accelerated in the past few years as they have for all cultural institutions. The MFA has been charged with a transition from the "Our Museum" of its founders to a "Museum for all the people of Boston" under current director Matthew Teitelbaum.As an observer and writer, Charles Giuliano is a consummate insider. In 1963 upon graduation from Brandeis University he worked for two and a half years as a conservation intern for the Egyptian Department. He later became one of Boston's most influential art critics covering the museum for a range of publications. This book is the culmination of that coverage since the 1960s.




Seaworthy


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The bestselling author's sequel to The Hungry Ocean--a fast-paced account of her return to swordfishing Linda Greenlaw hadn't been bluewater fishing for ten years- not since the events chronicled in the books The Perfect Storm and The Hungry Ocean-but when her lobster traps aren't paying off, her truck is on its last gasp, and the bills are piling up, she decides to take a friend up on his offer and captain a boat for a season of swordfishing. A decade older, and with family responsibilities, she's a different person heading out to sea, but any reluctance is quickly tempered by the magnetic lure of adventure. And the adventures begin almost immediately: The ship turns out to be rusty and ancient, and even with a crew of four Greenlaw is faced with technical challenges. There are the expected complexities of longline fishing and the nuances of reading the weather. Her greatest challenge, however, comes when the boat's lines inadvertently drift into Canadian waters and Greenlaw is thrown in jail. Capturing the moment-by-moment details of her journey, Greenlaw tells a story about human nature and the nature around us, about learning what can be controlled and when to let fate step in. Seaworthy is a compelling narrative about a person setting her own terms and finding her true self between land and water.




Pictures of Old England


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Photo-era


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