God Bless You, Dr. Kevorkian


Book Description

From Slapstick's "Turkey Farm" to Slaughterhouse-Five's eternity in a Tralfamadorean zoo cage with Montana Wildhack, the question of the afterlife never left Kurt Vonnegut's mind. In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes. What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.




God Bless You, Dr. Kevorkian


Book Description

This work of dark beauty finds Vonnegut playing the role of "afterlife reporter", bravely allowing himself to be strapped to a gurney by Jack Kevorkian and dispatched round-trip to the Pearly Gates. There he "interviews" the likes of Isaac Newton, William Shakespeare, Adolf Hitler, and Clarence Darrow.




God Bless You, Dr. Kevorkian


Book Description

All the qualities that make Vonnegut an inimitable voice permeate this book of 30+ vignettes. His "interviews" in this humorous look at death are with such late luminaries as Sir Isaac Newton, Clarence Darrow, and William Shakespeare.




Look at the Birdie


Book Description

“Relentlessly fun to read.”—Dave Eggers • A collection of fourteen previously unpublished short stories from one of the most original writers in all of American fiction In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post–World War II America—a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut’s trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned “murder counselor” concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing—and provide insight into the development of his early style—collectively, they have a timeless quality that makes them just as relevant today as when they were written. It’s impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut. Featuring a foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut’s characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever—and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Includes these never-before-published stories: “Confido” “FUBAR” “Shout About It from the Housetops” “Ed Luby’s Key Club” “A Song for Selma” “Hall of Mirrors” “The Nice Little People” “Hello, Red” “Little Drops of Water” “The Petrified Ants” “The Honor of a Newsboy” “Look at the Birdie” “King and Queen of the Universe” “The Good Explainer” “[Look at the Birdie] brings us the late writer’s young voice as he skewers—sometimes gently, always lethally—post World War II America.”—The Boston Globe




Between the Dying and the Dead


Book Description

Dr. Jack Kevorkianthe enigmatic and intrepid physician dubbed Dr. Deathhas for years declined public interviews about his life and the events that led him to be a vehement advocate of doctor-assisted suicide for terminally ill patients. But here, finally, is his own life story, as told to Neal Nicol and Harry Wylie. Dr. Kevorkian gained international notoriety in the 1990s for his passionate advocacy of choice for terminal patients, who have increasingly won the right to decide the time, place, and method of their own death in several western countries. In 1998, he assisted Thomas Youk, a terminally ill patient suffering from Lou Gehrig's disease, with a lethal injection that was broadcast on CBS's 60 Minutes. Immediately thereafter, Kevorkian was arrested, charged with second-degree murder, tried, and sentenced to 10-25 years in Michigan's maximum-security prison system. Today, Dr. Kevorkian is in his late seventies and in failing health himself. He shares an eight-by-twelve-foot cell with another inmate in the Thumb Correctional Facility at Lapeer, Michigan. The unique story Prisoner Number 284797 shares far exceeds the battle to legalize euthanasia and end human suffering for terminal patients. Personal choice is really what it is all about. Quality of life, as opposed to maintaining existence (Kevorkian to Vanity Fair, 1994)Co-published with Vision, U.K.




We Are What We Pretend To Be


Book Description

Vonnegut was one of the most influential writers of the 20th century.




Fates Worse Than Death


Book Description

This is the second volume of Vonnegutâe(tm)s autobiographical writings âe" a collage of his own life story, snipped up and stuck down alongside his views on everything from suicidal depression to the future of the planet and Andrew Lloyd Webber. Honest, dark, rambling, funny; this rare glimpse of Vonnegut's soul is a dagger to the heart of Western complacency.




God Bless You, Mr. Vonnegut


Book Description

Few authors have had as much influence on the youth of America than Kurt Vonnegut, Jr. He brought morality and humanism to the forefront of millions of minds and into the mind of one man in particular. Author, documentary filmmaker, and longtime Huffington Post contributor, Bryan Young has been a lifelong fan and student of Vonnegut's. God Bless You, Mr. Vonnegut is his love letter to the late writer, collecting essays, short stories, and other material written over the last ten years, all of it about, or directly inspired by, Vonnegut. From Huffington Post: Young displays here both his depth as a writer and passion for the art itself-much of which he traces back to Kurt Vonnegut. In a chapter devoted to teachers, Young recounts both experiences in his own public schooling and his feelings for Vonnegut as a passive teacher of sorts. Young also touches on the incredibly personal and political, recounting painful dealings with the US "health care system." There's a little bit of everything in here. And something for everyone. And at $3.99, it's hard to go wrong.




Slapstick or Lonesome No More!


Book Description

“Some of the best and most moving Vonnegut.”—San Francisco Chronicle Slapstick presents an apocalyptic vision as seen through the eyes of the current King of Manhattan (and last President of the United States), a wickedly irreverent look at the all-too-possible results of today’s follies. But even the end of life-as-we-know-it is transformed by Kurt Vonnegut’s pen into hilarious farce—a final slapstick that may be the Almighty’s joke on us all. “Both funny and sad . . . just about perfect.”—Los Angeles Times “Imaginative and hilarious . . . a brilliant vision of our wrecked, wacked-out future.”—Hartford Courant




Slaughterhouse-Five


Book Description

Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.