God in Christ


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God in Christ


Book Description




God in Christ


Book Description

Excerpt from God in Christ: Three Discourses, Delivered at New Haven, Cambridge, and Andover, With a Preliminary Dissertation on Language When views of religious truth are advanced, whlch either really or apparently differ from such as are com monly accepted, the difference will often be referable to causes that lie back of the arguments by which they are maintained - some peculiarity of temperament, some struggle of personal history, unknown to the public, the assumption or settlement of some supposed law or prin ciple of judgment, which affects, of course, all subordinate decisions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




God in Christ


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God in Christ


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The Athenaeum


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Theology and Slavery


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This book examines two important American Protestant theologians: the archconservative Charles Hodge (1797?1878), and the archliberal Horace Bushnell (1802?1876), and their stances on racial slavery. Hodge, with his rigid doctrine of biblical inerrancy, and Bushnell, with his open-ended experiential theology, represent two poles of thought that continually assert themselves when American Protestants speak out on social issues. This book provides a case study in the moral implications of each of these enduring polarities and upsets conventional understandings of the relationship of conservative and liberal Protestantism to slavery and race. The ambivalent attitudes of both men toward slavery and race are significant aspects of both of their enduring intellectual legacies. This is the first book-length comparison of these two theologians on this subject.




Transcendental Wordplay


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Throughout the first half of the nineteenth century, America was captivated by a muddled notion of "etymology." New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay. Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened "romantic irony." Notable punsters or etymologists all, they gleefully set up as sages, creating jocular masterpieces from their zest for oracular wordplay. Their search for a primal language lurking beneath all natural languages provided them with something like a secret language that encodes their meanings. To fathom their essentially comic masterpieces we must decipher it. Interpreting Thoreau as an ironic moralist, satirist, and social critic rather than a nature-loving mystic, Transcendental Wordplay suggests that the major American Romantics shared a surprising conservatism. In this award-winning study, Professor West rescues the pun from critical contempt and allows readers to enjoy it as a serious form of American humor.




The Athenæum


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