God Rest Ye Merry, Soldiers


Book Description

In the tradition of the bestselling Silent Night: The Story of the World War I Christmas Truce, the true story of a Civil War Christmas miracle In the waning days of 1862, Union and Confederate troops set up camp within earshot of one another in Murfreesboro, Tennessee. Christmas had just passed, and for many of these battle-wearied young soldiers the holiday season was a melancholy reminder of the families and loved ones they’d left behind. Bands from both camps played patriotic songs in an attempt to raise spirits, a musical duel that presaged the bloody battle to come. Then, something extraordinary occurred. One of the bands began playing a popular sentimental tune called “Home Sweet Home.” Soon, bands from both sides picked up the tune, and before long thousands of Northern and Southern soldiers had joined together in song. God Rest Ye Merry, Soldiers: A True Civil War Christmas Story tells the tale of this yuletide interlude, which came at a time when the early optimism of the Civil War had given way to the bitter realities of seemingly endless bloodshed. Told through soldiers’ letters and period songs, God Rest Ye Merry, Soldiers is the hopeful and touching story of human compassion in the midst of unspeakable violence.




God Rest Ye Merry, Soldiers


Book Description

Documents an inspiring event just after Christmas in 1862 when closely camped Union and Confederate armies, having endeavored to out-sing one another with contrasting patriotic songs, joined together in a shared round of "Home Sweet Home."




A Civil War Christmas


Book Description

"A rich and moving play with music . . . it taps into seasonal themes of redemption, forgiveness and community, with a decidedly American bent."—Variety Set on a chilly Christmas Eve during the latter days of the Civil War, Paula Vogel's new pageant for the holiday season weaves a tapestry of both fictional and historical characters—together with period holiday music and lesser-known marches, hymns, and spirituals—to tell a story of peaceful companionship and communal hope. Paula Vogel's plays include How I Learned to Drive (winner of the Pulitzer Prize, OBIE, Drama Desk, and New York Drama Critics awards), The Long Christmas Ride Home, The Mineola Twins, The Baltimore Waltz, Hot 'N' Throbbing, and Desdemona. She is chair of the playwriting department at the Yale School of Drama, and is playwright-in-residence at Yale Repertory Theatre.




God Rest Ye Merry, Soldiers


Book Description

Documents an inspiring event just after Christmas in 1862 when closely camped Union and Confederate armies, having endeavored to out-sing one another with contrasting patriotic songs, joined together in a shared round of "Home Sweet Home," in an account complemented by soldier letters, period poetry, and historical song lyrics. Reprint. 50,000 first printing.







Reel Bad Arabs


Book Description

A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.




Protest & Praise


Book Description

Here is a skillful tracing of two tracks in the evolution of musical genres that have evolved from black religion. Songs of protest developed from the spiritual through social-gospel hymnody to culminate in songs of the civil-rights movement and the blues. Born in rebellion, they envision the Kingdom of God.Songs of praise, by contrast, express adoration. Beginning with the "ring-shout," Spencer follows the history of intoned declamation through the tongue song, Holiness-Pentecostal music, and the chanted sermon of the black preacher. Spencer's approach, termed theomusicology, unlocks the wealth of African-American sacred music with a theological key. The result is a fascinating account of a people's struggle with God in history.




St. Nicholas


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Wounds in the Rain


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Americanization Songs


Book Description