Godric


Book Description

Frederick Buechner's Godric "retells the life of Godric of Finchale, a twelfth-century English holy man whose projects late in life included that of purifying his moral ambition of pride...Sin, spiritual yearning, rebirth, fierce asceticism--these hagiographic staples aren't easy to revitalize but Frederick Buechner goes at the task with intelligent intensity and a fine readiness to invent what history doesn't supply. He contrives a style of speech for his narrator--Godric himself--that's brisk and tough-sinewed...He avoids metaphysical fiddle, embedding his narrative in domestic reality--familiar affection, responsibilities, disasters...All on his own, Mr. Buechner has managed to reinvent projects of self-purification and of faith as piquant matter for contemporary fiction [in a book] notable for literary finish...Frederick Buechner is a very good writer indeed." -- Benjamin DeMott, The New York Times Book Review "From the book's opening sentence...and sensible reader will be caught in Godric's grip...Godric glimmers brightly." -- Peter S. Prescott, Newsweek "Godric is a memorable book...a marvelous gem of a book...destined to become a classic of its kind." -- Michael Heskett, Houston Chronicle "In the extraordinary figure of Godric, both stubborn outsider and true child of God, both worldly and unworldly, Frederick Buechner has found an ideal means of exploring the nature of spirituality. Godric is a living battleground where God fights it out with the world, the Flesh, and the Devil." -- London Times Literary Supplement "Wityh a poet's sensibly and a high reverent fancy, Frederick Buechner paints a memorable portrait." -- Edmund Fuller, The Wall Street Journal




Living Dead in Dallas


Book Description

The second novel in #1 New York Times bestselling author Charlaine Harris’s “addictively entertaining” (Locus) Sookie Stackhouse series—the inspiration for the HBO® original series True Blood. Even though Sookie has her own vampire to look out for her—her red-hot, cold-blooded boyfriend, Bill Compton—she has to admit that the bloodsuckers did save her life. So when one of the local Undead asks the cocktail waitress for a favor, she feels like she owes them. Soon, Sookie’s in Dallas using her telepathic skills to search for a missing vampire. She’s supposed to interview certain humans involved. There’s just one condition: The vampires must promise to behave—and let the humans go unharmed. Easier said than done. All it takes is one delicious blonde and one small mistake for things to turn deadly...




Onomasticon Anglo-saxonicum


Book Description




Godliness and Greed


Book Description

Traditional scholarship often points to the Calvinists and Max Weber's writing on the Protestant ethic as the catalysts to changing Christian attitudes concerning profit-seeking and wealth. Author Skip Worden argues that the seeds of this change occurred centuries earlier. From the beginning of the Commercial Revolution to the fifteenth-century Renaissance, he shows that the predominant Christian thought on economics went through a fundamental shift, becoming favorable toward profit-seeking and wealth-holding. Worden discusses this dramatic change and explains how the general antagonism toward the pursuit of wealth before the Commercial Revolution transformed into Protestant theologians' fighting against the prevailing view of a pro-wealth paradigm during the fifteenth century. Worden contends that the shift away from the Patristic view of wealth occurred well before the addition of the Calvinist spirit of capitalism and the Puritan work ethic into Christian economic vernacular. Drawing on Plato, Cicero, and Augustine, early Protestant theologians unsuccessfully sought to check the rising dominance of the pro-wealth Christian paradigm, which they believed had been pushed too far. These theologians of the sixteenth and seventeenth century felt it was too close to advocating love of gain itself, something too close to the sin of greed. How well the Reformation succeeded can be assessed by Worden's insightful concluding study of John D. Rockefeller, the ascetic steward of God's Gold in the form of monopoly.







Domesday Names


Book Description

First-ever full index to people and place-names in Domesday in their original forms. Presented here is the first complete, all Latin index to the Domesday Book, comprising two Indices Personarum and one Index Locorum. The main Index Personarumcontains all references to people: named individuals, title-holders, and `institutions' (collections of persons functioning as individual landholders in the Domesday text); individuals are listed alphabetically under the initial letter of their forename, while `institutions' are entered under the place where they are located. The second, shorter Index Personarum lists all people alphabetically under their surname. In both indexes the exact Latin forms given in Domesday Book and all variant spellingshave been retained. The Index Locorumlists all place-names in Domesday, except where linked to an `institution': the names of administrative units have been incorporated alphabetically into this index with the appropriate term added after the name. Cross-references to other counties have also been included. Again, the Latin form in the Domesday text is given exactly. References are to the 1783 Farley and more recent Phillimore editions. Dr K.S.B. KEATS-ROHANis Director of the Linacre Unit for Prosopographical Research; DAVID THORNTONis Assistant Professor in the Department of History, Bilkent University, Ankara.




Missing Links


Book Description

Are there "missing links", links that are "easy to miss" between art and religion and between the ways in which they respond to or partake of reality? The hypothesis of this anthology is that these in fact do exist and its authors explore these links on the basis of a specific text or oeuvre, a specific artwork or exhibition. Following an introductory essay exploring the discussion on relating art and religion, there are artides on Jannis Kounellis and Andrew Forster, on plays by William Shakespeare, Gerard Jan Rijnders and Anny van Hoof, on an exhibition curated by Julia Kristeva. There is an analysis of a novel by Frederic Buechner and one of the autobiographical writings of Dorothy Day. Poems of M. Vasalis and Judith Herzberg are considered, along with the music of Olivier Messiaen and Plato's dialogue 'Sophist'.




Historical Writing in England: c. 500 to c. 1307


Book Description

First Published in 1974. Routledge is an imprint of Taylor & Francis, an informa company.







The English and Their Legacy, 900-1200


Book Description

The dynamics of medieval societies in England and beyond form the focus of these essays on the Anglo-Norman world. Over the last fifty years Ann Williams has transformed our understanding of Anglo-Saxon and Norman society in her studies of personalities and elites. In this collection, leading scholars in the field revisit themes that have beencentral to her work, and open up new insights into the workings of the multi-cultural communities of the realm of England in the early Middle Ages. There are detailed discussions of local and regional elites and the interplay between them that fashioned the distinctive institutions of local government in the pre-Conquest period; radical new readings of key events such as the crisis of 1051 and a reassessment of the Bayeux Tapestry as the beginnings of theHistoria Anglorum; studies of the impact of the Norman Conquest and the survival of the English; and explorations of the social, political, and administrative cultures in post-Conquest England and Normandy. The individualessays are united overall by the articulation of the local, regional, and national identities that that shaped the societies of the period. Contributors: S.D. Church, William Aird, Lucy Marten, Hirokazu Tsurushima, Valentine Fallan, Judith Everard, Vanessa King, Pamela Taylor, Charles Insley, Simon Keynes, Sally Harvey, K.S.B. Keats-Rohan, David Bates, Emma Mason, David Roffe, Mark Hagger.