Gods and Temples in South India


Book Description

Millions of foreign and Indian tourists and pilgrims visit the thousands of shrines that testify to India's great cultural and religious heritage. For many of them the local priest or their own childhood reading of the Indrajal comics are the only aids to understand and interiorise the message of the 'stones'. For them and for others this book has been written as an introduction to the mythological and religious background of the gods worshipped in temples and carved in beautiful statues. It also gives a detailed description of the numerous episodes depicted on the walls and inside the shrines. A journey through south India is definitely an aesthetic experience. It becomes a religious experience if the visitor can enter into the mind of the sculptors and devotees who gave the best of their lives to construct and decorate the temples. Their efforts were inspired mainly by devotion, even if some of them belonged to travelling guilds who were responsible for the great similarity in the immense variety of sculptures. With this in mind, the visitor knows he walks on sacred ground, centuries old, when he enters a temple or climbs the Shravana Belgola hill to have darshan of Shree Gomateshvara. At the same time she or he may like to know why Ganeshji has the head of an elephant or why Snake-gods are so abundantly present on the walls of temples, along with erotic scenes and images of Shiva in so many different forms. And what stories of the mythological past are told to explain why Shiva is also worshipped in the form of a Lingam? Finally, God in ancient India was not only worshipped as a man, but also as a woman. All that appears' if one looks attentively at the living stones. A fascinating reading for all those interested in the history of and cultural tourism in India.




Temples of South India


Book Description







Tamil Temple Myths


Book Description

South India is a land of many temples and shrines, each of which has preserved a local tradition of myth, folklore, and ritual. As one of the first Western scholars to explore this tradition in detail, David Shulman brings together the stories associated with these sacred sites and places them in the context of the greater Hindu religious tradition. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.







Fierce Gods


Book Description

A vivid account of ritual, power, and social inequality in rural India.




Temples of Modernity


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Temples of Modernity uses ethnographic data to investigate the presence of religious ideas and practices in Indian science and engineering. Geraci shows 1) how the integration of religion, science and technology undergirds pre- and post-independence Indian nationalism, 2) that traditional icons and rituals remain relevant in elite scientific communities, and 3) that transhumanist ideas now percolate within Indian visions of science and technology. This work identifies the intersection of religion, science, and technology as a worldwide phenomenon and suggests that the study of such interactions should be enriched through attention to the real experiences of people across the globe.










Temples to the Buddha and the Gods


Book Description

Temples to the Buddha and the Gods analyzes the patronage of diverse image houses built in the transnational Drāviḍa tradition of architecture in Sri Lanka—an architectural tradition that has been adopted across the Indian Ocean, from the premodern to the contemporary. Although the Drāviḍa tradition is generally associated with Hindu temple architecture, in Sri Lanka it was deployed to build temples to the Buddha as well as to Hindu and Buddhist deities. Framed along ethno-religious binaries, it is seen as “foreign” or “provincial” in previous studies of Sri Lanka’s art histories. In contrast, this book argues that temples constructed in the Drāviḍa architectural tradition in the medieval and the early modern periods in Sri Lanka should be understood as part of the larger transnational architectural tradition. Sujatha Arundathi Meegama brings together different types of image houses built by various patrons (e.g., monarchs, monks, ministers, and merchants) that were previously considered in isolation and rarely included in the Sri Lankan art historical canon. Examining a range of evidence—architecture, inscriptions, and poetry—and synthesizing disparate scholarship on the religious cultures and the art histories of Sri Lanka, the author illustrates that there was a strong presence of shared architectural traditions, shared patterns of patronage, and shared religious practices among the diverse communities on this island. Generally, scholarship on South Asian architecture focuses on the role of rulers and other secular or religious elites as agents of religious architecture; in addition to these actors, this study highlights the roles of architects who specialized in the Drāviḍa tradition and those who experimented with it in stone, brick, and timber in different time periods. Revealing the centrality of this architectural tradition, Temples to the Buddha and the Gods offers a new perspective that contextualizes the cultural tradition of Sri Lanka and its place in the interconnected world of the Indian Ocean.