Faust


Book Description

The legend of Faust grew up in the sixteenth century, a time of transition between medieval and modern culture in Germany. Johann Wolfgang von Goethe (1749-1832) adopted the story of the wandering conjuror who accepts Mephistopheles's offer of a pact, selling his soul for the devil's greaterknowledge; over a period of 60 years he produced one of the greatest dramatic and poetic masterpieces of European literature.David Luke's recent translation, specially commissioned for The World's Classics series, has all the virtues of previous classic translations of Faust, and none of their shortcomings. Cast in rhymed verse, following the original, it preserves the essence of Goethe's meaning without sacrifice toarchaism or over-modern idiom. It is as near an `equivalent' rendering of the German as has been achieved.




Music in Goethe's Faust


Book Description

Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms.




A Most Mysterious Union


Book Description

Readers today are especially thrilled by the prospect of good news. Drought and global warming, civil war and famine, poverty and economic inequity—yes, bad news abounds. This book by Dr. Stephen Wilkerson, on the other hand, is about hope and optimism for the future. The recorded history of our world is largely one of a sometimes worthy patriarchal striving. It has, however, all too often been tarnished, marred, and horribly disfigured by the hatreds, intolerance, and destruction that have accompanied it. And the good news? There is another way, poignantly and persuasively outlined nearly two hundred years ago by Johann Wolfgang von Goethe, involving the Divine Feminine. Goethe’s masterpiece, Faust, involves an immensely intelligent but profoundly narcissistic man, who cruelly and selfishly exploits and ultimately ruins the life of an innocent maiden. In the legend on which Goethe’s great work is based, Faust understandably winds up in Hell, just as he does in virtually every version of this well-known wager with the Devil. But in Goethe’s interpretation, the deeply flawed protagonist is received into Heaven by the Mother of God Herself. How and why can this be? Mankind’s long history of heroic accomplishment has never been sufficiently tempered by a sense of global community and cooperation that mitigate the horror and devastation that ever seem to march along beside a single-minded struggle to achieve and prevail. And how may this missing unity be brought about? Alchemy as understood in this book has nothing to do with an early and misguided chemistry and everything to do with the sort of individual transformation necessary for a better, more gracious, more inclusive world. The millennial patterns of blind violence and repression can only be ameliorated by a thoughtful and genuine embrace of open-minded reception of difference and heart-felt valuation of a larger, borderless world in which all grow together rather than further apart. Such is the promise of the final words in Goethe’s Faust: “The Divine Feminine leads us forward.”




Goethe's Faust and Cultural Memory


Book Description

This book is an interdisciplinary collection of essays examining Goethe’s Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons’ introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe’s Dr. Faustus.Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge’s critique of Goethe’s Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo’s poem “Fausto” retells Gounod’s opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe’s Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe’s Faust. Susanne Ledanff discusses the significance of Goethe’s Faust for Werner Fritsch’s avant-garde “Theater of the Now.” Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.




Agua Viva


Book Description

Discusses life, time, beauty, experience, meaning, music, and art.




Goethe's Faust


Book Description

Originally published in 1987, this is a thorough and lucid introduction and commentary to the whole of Goethe’s Faust. It gives the student of German and European literature valuable insights into the most important work of Germany’s foremost poet. German quotations are translated or paraphrased in English and a detailed knowledge of German literature is not assumed. The book traces Goethe’s work on the play over 60 years of his creative career and surveys its critical reception over the 200 years since its first appearance. Part One is analysed as a mimetic tragedy, Part Two as an historical and cultural profile of Goethe’s own times. The commentary guides the reader carefully through its subtleties and multi-layered references and provides a broad and coherent structure for the overall understanding of the work. It suggests provocative interpretations of some figures and episodes in Part Two and places renewed emphasis on parts of the work that often receive relatively little attention. An appendix surveys the metres and verse forms of the play.




A Companion to Goethe's Faust


Book Description

Cutting-edge criticism on major aspects of Goethe's best-known work. Undisputedly a canonical work, Goethe's Faust is also the key to understanding its author, one of European civilization's most complex figures. Written over several decades, the work spans both Goethe's life and an age of enormous social, political, philosophical, and artistic change - even revolution. In this volume, Goethe scholars and experts from Europe and North America explore major aspects of this fascinating work, offering a cutting-edge guide to both reader and scholar. Contributors: Ritchie Robertson, Martin Swales, Alberto Destro, Osman Durrani, Ellis Dye, John R. Williams, Anthony Phelan, Franziska Schößler, Peter D. Smith, Cyrus Hamlin, R.H. Stephenson, David Luke, Robert David McDonald Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.




The Chronology of Water


Book Description

This is not your mother’s memoir. In The Chronology of Water, Lidia Yuknavitch, a lifelong swimmer and Olympic hopeful escapes her raging father and alcoholic and suicidal mother when she accepts a swimming scholarship which drug and alcohol addiction eventually cause her to lose. What follows is promiscuous sex with both men and women, some of them famous, and some of it S&M, and Lidia discovers the power of her sexuality to help her forget her pain. The forgetting doesn’t last, though, and it is her hard-earned career as a writer and a teacher, and the love of her husband and son, that ultimately create the life she needs to survive.




Faust


Book Description




The Tragical History of the Life and Death of Doctor Faustus


Book Description

The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust, that was first performed sometime between 1588 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later.The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them-that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.