Goethe's Opinions on the World, Mankind, Literature, Science, and Art


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Complete Works of Johann Wolfgang von Goethe (illustrated)


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Johann Wolfgang von Goethe is considered the greatest German literary figure of the modern era. He was a German writer and statesman. His works include: four novels; epic and lyric poetry; prose and verse dramas; memoirs; an autobiography; literary and aesthetic criticism; and treatises on botany, anatomy, and colour. This collection includes the following: The Sorrows of Young Werther (1774) Wilhelm Meister’s Apprenticeship (1794) Elective Affinities (1809) Wilhelm Meister’s Journeyman Years (1821) The Green Snake and the Beautiful Lily (1795) A Tale (1797) The Good Women (1797) The Wayward Lover (1768) The Fellow Culprits (1769) Goetz von Berlichingen (1773) Clavigo (1774) Egmont (1788) The Brother and Sister (1776) Stella (1776) Iphigenia in Tauris (1779) Torquato Tasso (1790) The Natural Daughter (1803) Faust: Part One (1808) Faust: Part Two (1832) The Poems of Goethe Reynard the Fox (1794) The Siege of Mainz (1793) Theory of Colours (1810) Introduction to ‘The Propyläen’ (1798) Winckelmann and His Age (1805) The Travel Writing Letters from Switzerland and Travels in Italy (1816) The Criticism Goethe the Writer by Ralph Waldo Emerson Goethe by C. E. Vaughan Goethe by John Cowper Powys Goethe’s Faust by George Santayana Shakespeare and Goethe by David Masson Goethe’s Theory of Colors by John Tyndall Extracts of Correspondence by Sir Walter Scott The Autobiography Truth and Fiction Relating to My Life (1811) The Biographies Conversations with Goethe (1836) by Johann Peter Eckermann The Life of Goethe by Calvin Thomas (1886) Life of Johann Wolfgang Goethe by James Sime (1888)




Life of Johann Wolfgang Goethe


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Becoming


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The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris’s mythology so well-known from Jonathan Demme’s Silence of the Lambs (1991) and its variants. The series concluded late in 2015 after three seasons, despite widespread fan support for its continuation. While there is a healthy body of scholarship on Harris’s novels and Demme’s film adaptation, little critical attention has been paid to this newest iteration of the character and narrative. Hannibal builds on the serial killer narratives of popular procedurals, while taking them in a drastically different direction. Like critically acclaimed series such as Breaking Bad and The Sopranos, it makes its viewers complicit in the actions of a deeply problematic individual and, in the case of Hannibal, forces them to confront that complicity through the character of Will Graham. The essays in Becoming explore these questions of authorship and audience response as well as the show’s themes of horror, gore, cannibalism, queerness, and transformation. Contributors also address Hannibal’s distinctive visual, auditory, and narrative style. Concluding with a compelling interview with series writer Nick Antosca, this volume will both entertain and educate scholars and fans of Hannibal and its many iterations.




Gaither's Dictionary of Scientific Quotations


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This unprecedented collection of 27,000 quotations is the most comprehensive and carefully researched of its kind, covering all fields of science and mathematics. With this vast compendium you can readily conceptualize and embrace the written images of scientists, laymen, politicians, novelists, playwrights, and poets about humankind's scientific achievements. Approximately 9000 high-quality entries have been added to this new edition to provide a rich selection of quotations for the student, the educator, and the scientist who would like to introduce a presentation with a relevant quotation that provides perspective and historical background on his subject. Gaither's Dictionary of Scientific Quotations, Second Edition, provides the finest reference source of science quotations for all audiences. The new edition adds greater depth to the number of quotations in the various thematic arrangements and also provides new thematic categories.




The Athenaeum


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