Going to Church in Medieval England


Book Description

An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they--not merely the clergy--affected how worship was staged. The book provides an accessible account of what happened in the daily and weekly services, and how churches marked the seasons of Christmas, Lent, Easter, and summer. It describes how they celebrated the great events of life: birth, coming of age, and marriage, and gave comfort in sickness and death. A final chapter covers the English Reformation in the sixteenth century and shows how, alongside its changes, much that went on in parish churches remained as before.




Going to Church in Medieval England


Book Description

An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they—not merely the clergy—affected how worship was staged. The book provides an accessible account of what happened in the daily and weekly services, and how churches marked the seasons of Christmas, Lent, Easter, and summer. It describes how they celebrated the great events of life: birth, coming of age, and marriage, and gave comfort in sickness and death. A final chapter covers the English Reformation in the sixteenth century and shows how, alongside its changes, much that went on in parish churches remained as before.




Magic and Religion in Medieval England


Book Description

During the Middle Ages, many occult rituals and beliefs existed and were practiced alongside those officially sanctioned by the church. While educated clergy condemned some of these as magic, many of these practices involved religious language, rituals, or objects. For instance, charms recited to cure illnesses invoked God and the saints, and love spells used consecrated substances such as the Eucharist. Magic and Religion in Medieval England explores the entanglement of magical practices and the clergy during the Middle Ages, uncovering how churchmen decided which of these practices to deem acceptable and examining the ways they persuaded others to adopt their views. Covering the period from 1215 to the Reformation, Catherine Rider traces the change in the church’s attitude to vernacular forms of magic. She shows how this period brought the clergy more closely into contact with unofficial religious practices than ever before, and how this proximity prompted them to draw up precise guidelines on distinguishing magic from legitimate religion. Revealing the necessity of improving clerical education and the pastoral care of the laity, Magic and Religion in Medieval England provides a fascinating picture of religious life during this period.




Medieval Graffiti


Book Description

A fascinating guide to decoding the secret language of the churches of England through the medieval carved markings and personal etchings found on our church walls from archaeologist Matthew Champion. 'Rare, lovely glimmers of everyday life in the Middle Ages.' -- The Sunday Times 'A fascinating and enjoyable read' -- ***** Reader review 'Superb' -- ***** Reader review 'Riveting' -- ***** Reader review 'Compelling, moving and fascinating' -- ***** Reader review ***************************************************************************************************** Our churches are full of hidden messages from years gone by and for centuries these carved writings and artworks have lain largely unnoticed. Having launched a nationwide survey to gather the best examples, archaeologist Matthew Champion shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Here are strange medieval beasts, knights battling unseen dragons, ships sailing across lime-washed oceans and demons who stalk the walls. Latin prayers for the dead jostle with medieval curses, builders' accounts and slanderous comments concerning a long-dead archdeacon. Strange and complex geometric designs, created to ward off the 'evil eye' and thwart the works of the devil, share church pillars with the heraldic shields of England's medieval nobility. Giving a voice to the secret graffiti artists of Medieval times, this engaging, enthralling and - at times - eye-opening book, with a glossary of key terms and a county-by-county directory of key churches, will put this often overlooked period in a whole new light.




Medieval Church Window Tracery in England


Book Description

While the terms used to describe the tracery of medieval church windows are familiar (Early English, Decorated, Perpendicular), there has been no really detailed attempt to examine it as a distinct, stylistic architectural form, a gap which this book seeks to address. Based upon a visual catalogue of over 250 images of surviving types and styles from churches throughout England, it traces the progression of ideas and the continuity of motifs and themes in tracery patterns from the thirteenth to the sixteenth centuries, showing how different themes emerged within the main architectural styles; it also looks at the distinction between a window's architectural form and its tracery style, and describes the several different tracery techniques. The volume is completed with a detailed glossary. Stephen Hart is a retired architect, and the author of numerous works, including Flint Flushwork.




How to Survive in Medieval England


Book Description

An in-depth guide to life in medieval England, including class, housing, spirituality, fashion, grooming, food, commerce, jobs, health, law, war, and more. Imagine you were transported back in time to Medieval England and had to start a new life there. Without mobile phones, ipads, internet, and social media networks, when transport means walking or, if you’re fortunate, horseback, how will you know where you are or what to do? Where will you live? What is there to eat? What shall you wear? How can you communicate when nobody speaks as you do and what about money? Who can you go to if you fall ill or are mugged in the street? However can you fit into and thrive in this strange environment full of odd people who seem so different from you? All these questions and many more are answered in this new guidebook for time-travelers: How to Survive in Medieval England. A handy self-help guide with tips and suggestions to make your visit to the Middle Ages much more fun, this lively and engaging book will help the reader deal with the new experiences they may encounter and the problems that might occur. Know the laws so you don’t get into trouble or show your ignorance in an embarrassing faux pas. Enjoy interviews with the celebrities of the day, from a businesswoman and a condemned felon, to a royal cook and King Richard III himself. Have a go at preparing medieval dishes and learn some new words to set the mood for your time-travelling adventure. Have an exciting visit but be sure to keep this book at hand. “Fun and creative. . . . If you want a handy guide to take on your journeys to the past or you just want a book to better understand the past, I highly suggest you read this book, “How to Survive in Medieval England” by Toni Mount.” —Adventures of a Tudor Nerd




Medieval Wall Paintings


Book Description

The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.




The Oxford Illustrated History of Medieval England


Book Description

A comprehensive introduction to medieval England surveying the years from the departure of the Roman legions to the Battle of Bosworth.




Medieval Schools


Book Description

A sequel to Nicholas Orme's widely praised study, Medieval Children Children have gone to school in England since Roman times. By the end of the middle ages there were hundreds of schools, supporting a highly literate society. This book traces their history from the Romans to the Renaissance, showing how they developed, what they taught, how they were run, and who attended them. Every kind of school is covered, from reading schools in churches and town grammar schools to schools in monasteries and nunneries, business schools, and theological schools. The author also shows how they fitted into a constantly changing world, ending with the impacts of the Renaissance and the Reformation. Medieval schools anticipated nearly all the ideas, practices, and institutions of schooling today. Their remarkable successes in linguistic and literary work, organizational development, teaching large numbers of people shaped the societies that they served. Only by understanding what schools achieved can we fathom the nature of the middle ages.




Surrey


Book Description

Surrey's architecture is a constantly surprising mix of the rural and urban with many of its most important buildings, such as the seventeenth-century Ham House, found amongst the outgrowth of London itself. The landscape gardens of Painshill and Claremont attest to Surrey's popularity in the eighteenth century and the county's enthusiasm for follies and remarkable garden buildings. More recent architecture includes notable early works by Lutyens, with gardens by Gertrude Jekyll, inspired by the rich stock of late medieval farmhouses and tile-hung cottages in the county's southern villages. Among interwar suburban housing there are some exceptional Modernist homes, such as The Homewood by Patrick Gwynne. Church architecture in Surrey includes work by all of the great names of the Gothic Revival; not least of its surprises is the luminous and spacious interior of Guildford Cathedral.