Goldfish in the Parlour


Book Description

“For the first time, fish became our companions and a corner of many a Victorian parlour was given over to housing tiny fragments of their world enclosed in glass.” The experience of seeing a fish swimming in a glass tank is one we take for granted now but in Victorian England this was a remarkable sight. People had simply not been able to see fish as they now could with the invention of the aquarium and everything that went with it. Goldfish in the Parlour looks at the boom in the building of public aquariums, as well as the craze for home aquariums and visiting the seaside, during the reign of Queen Victoria. Furthermore, this book considers how people see and meet animals and, importantly, in what institutions and in what contexts these encounters happen. John Simons uncovers the sweeping consequences of the Victorian obsession with marine animals by looking at naturalist Frank Buckland’s Museum of Economic Fish Culture and the role of fish in the Victorian economy, the development of angling as a sport divided along class lines, the seeding of Empire with British fish and comparisons with aquarium building in Europe, USA and Australia. Goldfish in the Parlour interrogates the craze that took over Victorian England when aquariums “introduced” fish to parks, zoos and parlours.




Goldfish in the Parlour


Book Description

“For the first time, fish became our companions and a corner of many a Victorian parlour was given over to housing tiny fragments of their world enclosed in glass.” The experience of seeing a fish swimming in a glass tank is one we take for granted now but in Victorian England this was a remarkable sight. People had simply not been able to see fish as they now could with the invention of the aquarium and everything that went with it. Goldfish in the Parlour looks at the boom in the building of public aquariums, as well as the craze for home aquariums and visiting the seaside, during the reign of Queen Victoria. Furthermore, this book considers how people see and meet animals and, importantly, in what institutions and in what contexts these encounters happen. John Simons uncovers the sweeping consequences of the Victorian obsession with marine animals by looking at naturalist Frank Buckland’s Museum of Economic Fish Culture and the role of fish in the Victorian economy, the development of angling as a sport divided along class lines, the seeding of Empire with British fish and comparisons with aquarium building in Europe, USA and Australia. Goldfish in the Parlour interrogates the craze that took over Victorian England when aquariums “introduced” fish to parks, zoos and parlours.







Voice of the Fish


Book Description

'This book left me stunned. Breathtaking in its scope and generosity . . . We are in the midst of a transcendent talent.' Maaza Mengiste, author of the Booker Prize-shortlisted The Shadow King 'Rapturous . . . [Horn] is the mystic's David Attenborough.' New York Times Book Review Lars Horn's Voice of the Fish, winner of the Graywolf Press Nonfiction Prize, is a kaleidoscopic, hallucinatory memoir that explores the trans experience through meditations upon aquatic life and mythology, set against the backdrop of travels in Russia and a debilitating injury that left Horn temporarily unable to speak, read and write. In their adept hands, these poignant, allusive shards take shape as a unified whole: short vignettes about fish, reliquaries and antiquities serve as interludes between - and subtle reflections upon - longer memories of their life, knitting together a sinuous, wave-like form that flows across the book. Horn swims through a range of subjects; across marine history, theology, questions of the body and gender, sexuality, transmasculinity and illness. From their childhood modelling for their mother's art installations - immersed in a bath with dead squid; encased in a full-body plaster cast - to their travels before they were out as trans, these beguiling fragments are linked by a desire to interrogate the physical, and to identify the current beneath. Horn re-examines presumptions about the body, privileging instead ways of seeing and being that resist binaries, ways that falter, fracture, mutate. Sensuous and immersive, Voice of the Fish is unique: a masterful and moving achievement.




Bulletin


Book Description




Goldfish


Book Description

Living work of art, consumer commodity, scientific hero, and environmental menace: the humble goldfish is the ultimate human cultural artifact. A creature of supposedly little memory and a short lifespan, it has held universal appeal as a reservoir for human ideas and ideals. In ancient China, goldfish were saved from predators in acts of religious reverence and selectively bred for their glittering grace. In the East, they became the subject of exquisite art, regarded as living flowers that moved, while in the West, they became ubiquitous residents of the Victorian parlor. Cheap and eminently available, today they are bred by the millions for the growing domestic pet market, while also proving to be important to laboratory studies of perception, vision, and intelligence. In this illuminating homage to the goldfish, Anna Marie Roos blends art and science to trace the surprising and intriguing history of this much-loved animal, challenging our cultural preconceptions of a creature often thought to be common and disposable.




What Women Can Earn


Book Description




A Slice of Vice


Book Description

This is a no-nonsense down to earth account of a hooker’s journey is inspired by true life events spanning the author's thirty five years in the sex-for-sale business.




Life


Book Description




Good People


Book Description

It’s late 1938. Thomas Heiselberg has built a career in Berlin as a market researcher for an American advertising company. In Leningrad, twenty-two-year-old Sasha Weissberg has grown up eavesdropping on the intellectual conversations in her parents’ literary salon. They each have grand plans for their lives. Neither of them thinks about politics too much, but after catastrophe strikes they will have no choice. Thomas puts his research skills to work elaborating Nazi propaganda. Sasha persuades herself that working as a literary editor of confessions for Stalin’s secret police is the only way to save her family. When destiny brings them together, they will have to face the consequences of the decisions they have made. Nir Baram’s Good People has been showered with praise in many countries. With its acute awareness of the individual amid towering historical landscapes, it is a tour de force: sparkling, erudite, a glimpse into the abyss. Nir Baram was born into a political family in Jerusalem in 1976. His grandfather and father were both ministers in Israeli Labor Party governments. He has worked as a journalist and an editor, and as an advocate for equal rights for Palestinians. He began publishing fiction when he was twenty-two, and is the author of five novels, including The Remaker of Dreams, Good People and World Shadow. His novels have been translated into more than ten languages and received critical acclaim around the world. He has been shortlisted several times for the Sapir Prize and in 2010 received the Prime Minister’s Award for Hebrew Literature. Text will publish a work of reportage by Nir Baram in 2017. ‘Written with great talent, momentum and ingenuity...it expands the borders of literature to reveal new landscapes.’ Amos Oz ‘One of the most intriguing writers in Israeli literature today.’ Haaretz ‘Good People rewards the reader’s patience while mining a tragic sense of irony that extends all the way to its title.’ Big Issue ‘Baram uses intense geographical plotting and is chillingly eloquent...[Good People] is tremendous. I read it in two sittings and I learned a lot. How does a man in his early 30s know how to write like this?’ Australian ‘Good People is a richly textured panorama of German and Russian life...This ample novel lives most memorably through Baram’s vignettes of people, dwellings, cities, landscapes and the like that seem to lie, at times, at the periphery of its central concerns.’ Age/Sydney Morning Herald ‘A groundbreaker...Riveting reading.’ Qantas Magazine ‘Good People is the tale of ordinary, middle-class lives sucked into a moral maelstrom. It is compulsive and profoundly disturbing.’ Sunday Star Times ‘Astonishingly powerful...[A] compelling, important story.’ New Zealand Listener ‘Chillingly captures the terrors and tensions of life under Stalin and Hitler. The chapters set in Russia are particularly effective, carrying the suspense of a spy thriller. Nir Baram explores the frightening speed and ease with which ordinary people become functionaries in totalitarian societies.’ TLS ‘Good People is a subtle, original, and fascinating take on the wartime story. We forget that the brutality was as much a bureaucratic effort as a military one. We forget that even the most massive, most evil forces are comprised of moving human parts. If Good People has a moral, it is this: the totalitarian state will attempt to possess the individual by co-opting his (relatively innocent) instincts—ambition, greed, security and love. The question at heart is if it is possible within an evil system to be good.’ Jewish Book Council