The Chater Collection


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A Piece of My Mind


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Gordon Parker AO, one of Australia’s foremost clinical psychiatrists, is known for having strong and provocative views. He’s been described as 'charming, witty and erudite', sometimes 'intimidating and intolerant', and 'variously regarded with fear, loathing, admiration and respect'. In this autobiography, the founder of the Black Dog Institute and Scientia Professor of Psychiatry at the University of New South Wales recounts early formative experiences that eventually led to a career in psychiatry, and what he has, in turn, contributed to the profession over four decades. He also records his concerns about the current models for diagnosing and managing mood disorders, and their weighting to often politically-driven clinical guidelines. And he offers his views, informed by experience, research and respect for human resilience, on what is 'good psychiatry' and its rewards.




The Poultry Farmer


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Pacific States Reports


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The World Encyclopedia of Contemporary Theatre


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This new paperback edition provides a unique examination of theatre in Asia and the Pacific and is written by leading experts from within the countries covered. Its far-reaching scope and broad interpretation of theatre (to include all types of performance) set it apart from any other similar publication. Entries on 33 Asian countries are featured in this volume, preceded by introductory essays on Asian Theatre, Theatre in the Pacific, History and Culture, Cosmology, Music, Dance, Theatre for Young Audiences, Mask Theatre and Puppetry. The volume contains approximately 300,000 words and includes national essays of up to 25,000 words each. The countries include: Afghanistan * Australia * Bangladesh * Bhutan * Brunei * Cambodia * India * Indonesia * Iran * Japan * Kazakhstan *Kirghizia * Laos * Malaysia * Myanmar * Mongolia * Nepal *New Zealand * Pakistan * Papua New Guinea * PhilippinesNew Zealand * Pakistan * Papua New Guinea * Philippines *Singapore * South Korea * South Pacific * Sri Lanka * Tadjikistan * Thailand * Turkmenistan * Vietnam




Australian Radio Listeners and Television Viewers


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This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints files of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs.




Mary Wickes


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Moviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage. Wickes (1910–1995) was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 when Orson Welles recorded his earth-shattering “War of the Worlds” radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made one of her first TV appearances, Wickes appeared with her—and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, Wickes was asked to pose for animators trying to capture the evil of Cruella De Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.




Vice


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In the shameful and criminal tragedy of sexual assault in schools, Vice provides a disturbing footnote, looking through a dark lens at the maze of motivations swirling around the underworld of staff and students. Every school is a complex and unique human network: inspiring, dangerous, eccentric, funny, political, toxic and frequently like something out of a play or movie. Vice is the play which tackles a controversial subject head on. There are many twisted strands to the hangman's rope.




The Cambridge Companion to Australian Literature


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An indispensable reference for the study of Australian literature.




Living the 1960s


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The sixties was a decade of safari suits, shift dresses, capri pants and droopy moustaches. Of multi-purpose French onion soup, junket, tripe and Bloody Marys. Of success on the world's sporting stage and social and political stirrings at home, as Baby Boomers and their parents began to see the world differently. Award-winning and much loved actor Noeline Brown cut a groovy figure in the sixties. She confesses to us early on in "Living the 1960s" that she: 'was a bit of a snob...I preferred to listen to jazz and performance poetry, to appreciate the lyrics of Bob Dylan and to watch foreign films. I wore a lot of black and dramatic eye makeup, and frequented windowless coffee lounges where people smoked heavily and played chess'. When she caught sight of The Rolling Stones in Sydney's Hilton cocktail bar one night during their 1965 tour to Australia, she coolly noted their drink of choice, bartender Eddie Tirado's newly introduced Bourbon and Coke, before returning to sip her classic Martini, 'hoping to look cosmopolitan and sophisticated'. Noeline also found time to be a committed weekend hippy, to entertain us on the ground-breaking satirical "The Mavis Bramston Show" and to frequent Vadim's restaurant till dawn, discussing the state of the world with artists, journalists and dissenters, under the watchful gaze of ASIO operatives. With her trademark dry sense of humour and story-teller's gift, Noeline is our knowledgeable guide into the smoke-filled bars and cafes, the pastel lounge rooms and boardrooms of 1960s Australia. She explains the different social tribes: a hippy 'could live off the smell of an oily rag, and appeared to be wearing it as well'; a beatnik, according to DJ John Burls, was someone who 'had a little beard, drank wine from a goatskin and called everybody man'. Young people identified as Sharpies, Mods, Rockers and Surfies, depending on the fashions they wore and the music they listened to. She takes us along the supermarket shopping aisles, to the family dinner table: 'I found a recipe in a magazine for Greek moussaka, which featured minced lamb and potatoes, not an eggplant in sight. The list of ingredients included garlic, the use of which was 'optional'. The white sauce topping was made from yoghurt, flour and egg yolks. Many dishes called for stock cubes and even monosodium glutamate. A recipe for 'Neapolitan pizza' dough in The Australian Women's Weekly in 1968 included copha and Deb Instant Potato Flakes. But the nation was changing as young Australians woke up and switched on and our cities became more diverse. New smells of garlic and rosemary - and other herbs - wafted through suburban back lanes and people took to the streets to protest conscription and to let the government know that they were not all the way with LBJ. Containing more than 160 images, and combining entertaining social history, fact boxes and lively anecdotes, "Living the 1960s" paints a picture of a decade that didn't just swing; it twisted, stomped and screamed. For Noeline, as for a generation of Australians, it was the most important decade of her life.