Gothic Horror 2


Book Description

Gothic Horror 2 concludes William Hope Hodgson’s Trilogy with “The Ghost Pirates.” The first two books, "The Boats of the Glen Carrig" and "The House on the Borderland” were published in Gothic Horror 1. Though very different in scope, each of the three books deals with certain conceptions that have an elemental kinship. The unifying theme seems to be the dreadful forces that lurk just beneath the veneer of what we, in immense folly, believe to be "reality". Malign forces may surface at any moment to drag us to destruction or worse. “The Ghost Pirates” tells the captivating tale of the ship "Mortzestus", an unlucky vessel haunted by "too many shadows". The palpable sense of creeping fear grows into climactic scenes, each one leaving the reader wondering how anyone will survive. This novel has been called ‘totally engrossing’, ‘a cross between an old-fashioned sea story and the cosmic horrors of H.P. Lovecraft.’ As an added bonus, Gothic Horror 2 also includes the chilling account of “Carnacki The Ghost Finder.” Hodgson’s stories blend horror, fantasy, and science fiction. As a beautifully written work of pure imagination, his work has few equals, and has been compared to the writings of Poe, Machen, and Blackwood. Enjoy a wild ride into the supernatural!




Skin Shows


Book Description

Parasites and perverts: an introduction to gothic monstrosity -- Making monsters: Mary Shelley's Frankenstein -- Gothic surface, gothic depth: the subject of secrecy in Stevenson and Wilde -- Technologies of monstrosity: Bram Stoker's Dracula -- Reading counterclockwise: paranoid gothic or gothic paranoia? -- Bodies that splatter: queers and chain saws -- Skinflick: posthuman genderin Jonathan Demme's The silence of the lambs -- Conclusion: serial killing.




The Cambridge Companion to Gothic Fiction


Book Description

Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.




Gothic Horror


Book Description

This anthology presents classic and contemporary accounts of modern gothic horror writing, as well as essays from current literary scholars, providing an essential guide to the genre and the variety of approaches possible when discussing the literature of terror.




The Cambridge Companion to Fantasy Literature


Book Description

Fantasy is a creation of the Enlightenment, and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at its history since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy, and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who produced The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005).




Contemporary Gothic and Horror Film


Book Description

This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.




The Encyclopedia of the Gothic


Book Description

THE ENCYCLOPEDIA OF THE GOTHIC “Well written and interesting [it is] a testament to the breadth and depth of knowledge about its central subject among the more than 130 contributing writers, and also among the three editors, each of whom is a significant figure in the field of gothic studies ... A reference work that’s firmly rooted in and actively devoted to expressing the current state of academic scholarship about its area.” New York Journal of Books “A substantial achievement.” Reference Reviews Comprehensive and wide-ranging, The Encyclopedia of the Gothic brings together over 200 newly-commissioned essays by leading scholars writing on all aspects of the Gothic as it is currently taught and researched, along with challenging insights into the development of the genre and its impact on contemporary culture. The A-Z entries provide comprehensive coverage of relevant authors, national traditions, critical developments, and notable texts that continue to define, shape, and inform the genre. The volume’s approach is truly interdisciplinary, with essays by specialist international contributors whose expertise extends beyond Gothic literature to film, music, drama, art, and architecture. From Angels and American Gothic to Wilde and Witchcraft, The Encyclopedia of the Gothic is the definitive reference guide to all aspects of this strange and wondrous genre. The Wiley-Blackwell Encyclopedia of Literature is a comprehensive, scholarly, authoritative, and critical overview of literature and theory comprising individual titles covering key literary genres, periods, and sub-disciplines. Available both in print and online, this groundbreaking resource provides students, teachers, and researchers with cutting-edge scholarship in literature and literary studies.




Gothic Short Stories


Book Description

This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M.R. James. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales.




The Oxford Book of Gothic Tales


Book Description

Bringing together the work of such writers as Edgar Allan Poe, Nathaniel Hawthorne, Arthur Conan Doyle, Eudora Welty, Thomas Hardy, William Faulkner, Isak Dinesen, and Joyce Carol Oates, The Oxford Book of Gothic Tales presents 37 sinister and unsettling tales for all lovers of ghost stories, fantasy, and horror.




Gothic Blue Book


Book Description

A collection of short stories and poems resurrect the spirit of the Gothic Blue Book. Gothic Blue Books were short fictions popular in the 18th and 19th century. They were descendants of the chap book trade. Burial Day Books presents its second Gothic Blue Book, The Revenge Edition. The following fifteen short stories and poems honor the Gothic story. Misery, fear, despair, regret and dread are highlighted in the following pages, stirring old ghosts, witches, and awakening death. The following collection of new and established horror authors weave together brilliant tales of terror celebrating the history of the Gothic story with a new twist. Authors: Chad Brown - THE PEEPERS Tara Cleves- THE B&B OWNER M.N. Hanson - SLENDER MAN Phil Hickes - THE BEAUTIFUL DEAD Emma Hinge - PENANCE K. Trap Jones - THE FLAILING ARM Daniel Kraus - NORA AND THE GRAVEDIGGER David Massengill - BELLEVUE Carl Palmer - VISITATION Cynthia (cina) Pelayo - BLASPHEME Gerardo Pelayo - FIRST DATE CHECKLIST Cortney Philip - WHEN THE SUN STAYS DOWN Wednesday Silverwood - ANGELIQUE Jennifer A. Smith - LAST SUMMER Melissa Stanziale - THE CHLIDREN OF ORORO Editors: Cynthia (cina) Pelayo Gerardo Pelayo Cover Art: Abigail Larson