Gounod's Opera Of Romeo And Juliet


Book Description

Une traduction en anglais de l'opéra de Gounod sur Roméo et Juliette, qui contient la partition de toutes les musiques principales. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Roméo Et Juliette


Book Description







Gounod's Opera of Romeo and Juliet


Book Description

Excerpt from Gounod's Opera of Romeo and Juliet: Containing the Italian d104, With an English Translation, and the Music of All the Principal Airs Shakespeare's drama is very closely followed. Both in structure and dialogue, in the present lyrical version of Romeo and Juliet. The book is in Five Acts. In the first, the house of Cspulet is discovered en file Amongst the crowd of maskers comes Romeo Mercutio, Benvolio and their friends on a youthful frolic. Juliet and Romeo meet - and mutually love at first Sight, mlgre the fair Capulet's betrothal to Paris. Tybalt, a bot, blooded kinsman, pierces through Romeo's disguise, and wishes to bring him to task then and there, but Cap ulet himself, in the true Spiritof hospitality, restrains him, and the act terminates as it beflins, with dance and song. Act second is devoted to the Balcony scene - almost literally transcribed from Shakespeare, with an episodical interruption by some retainers of the house, who fancy that something is amiss, but fail to discover what. Act third is divided into two scenes, - the first is the Friar's cell, and the business of this division of the act is the clandestine marriane of the two lovers. In the second scene, Romeo's page, Stephano - eu invention of the Iibrettist's - is dircovered searching by Capulet's door in Verona for his missing master. A boyish bit of arrogance on his part provokes the servants of the house into drawtnn on him, and speedily the combat becomes general, through the entrance of Mercutio, Paris, Benvolio, Tybalt, Romeo, and their several adherents. One grievance leads quickly to another, and Mercutio is slain by Tybalt, who, in his turn is killed by Romeo. Then Capulet arrives on the scene, closely followed by the Duke and his suite. After ashort investigation, the latter adjudges banishment to Romeo, who vows he will see Juliet once more, at all hazard, and so the act closes. In Act fourth there are also two scenes - the first is Juliet's room at night, when occurs the second grand duet for the lovers, also faithfully taken from Shakespeare. After Romeo departs at dawn, Capulet comes with Friar Lawrence to tell his daughter of her intended marria e with Paris, and that the ceremony will straightway be performed. Ile then retires to receive his guests, on in her despair. Iuliet asks the Friar's help, This he gives her in the shape of a potion, describing its elfects. The next scene IS the wedding party in Capulet's great hall. The epithalarnium is interrupted by the illne. Of Juliet, who finally falls insensible. She is dead, all cry as the act drop descends. Act fifth takes place in the tomb of all the Capulets. Here, as in the Shakespearean version, Romeo arrives, believes his mistress dead, and takes poison. Juliet only re wives to find her lover beyond mortal aid, and stabbing herself with a dagger, she dies in his arms. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Romeo and Juliet


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The Operas of Charles Gounod


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Gounod was the leading opera composer in France in the mid-nineteenth century, and his best-known operas, including Faust and Romeo and Juliette, date from that time. Despite the overwhelming success of Faust and Gounod's immense influence on all French composers of the later nineteenth century, he has been virtually ignored by scholars until now. Huebner here charts the composer's career and deals with each of the major operas, discussing not only the music but also the critical reception and source material. He considers aspects of the composer's musical style and outlines his influence on subsequent generations of composers.




Roméo Et Juliette


Book Description




GOUNODS OPERA OF ROMEO & JULIE


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.