God's Graffiti


Book Description

It is easy to recognize the characteristics of at-risk youth--especially, if, like Romal Tune, you were one of them. Rev. Tune offers inspiration and motivation by connecting his story with those of at-risk youth in the Bible who discovered God's graffiti written all over their own lives.




Graffiti Bible


Book Description

Would you like to learn how to write graffiti? This "bible" is the best place to start! Important lessons on spray can theory and execution unfold over the course of this 350 page tome. The incremental sessions are driven home by guest graffiti writers including BATES, NYCHOS, CHAS, MADC, ASKEW, and more. The learning process is augmented by interviews with top artists and interactive pages meant to be directly drawn upon. A foreword by Alan Ket, co-founder and curator of the Museum of Graffiti in Miami provides the perfect background and context for budding graffiti writers.




Graffiti


Book Description

Our culture is driven by a concept of beauty that negatively impacts adolescent girls. The Scriptures are full of assurances regarding our identity in Christ, inherent worth to the Creator, and the secrets to tapping into the source of true and lasting beauty, yet girls and young women continue to struggle with their focus on outer beauty. In Graffiti: Learning to See the Art in Ourselves, Erin Davis applies the language of God's Word on identity, beauty, and worth to the life of a contemporary young woman. In fact, women who have never adequately dealt with this issue will find themselves reviewing their youth, and redirecting their spiritual eyes.




GRAFFITI BIBLE


Book Description




The Writing of Where


Book Description

In The Writing of Where, Charles Lesh examines how graffiti writers in Boston remake various spaces within and across the city. The spaces readers will encounter in this book are not just meaningful venues of writing, but also outcomes of writing itself: social spaces not just where writing happens but created because writing happens. Lesh contends that these graffiti spaces reinvent the writing landscape of the city and its public relationship with writing. Each chapter introduces readers to different writing spaces: from bold and broadly visible spots along the highway to bridge underpasses seldom seen by non-writers; from inconspicuous notebooks writers call "bibles" to freight yards and model trains; from abandoned factories to benches where writers view trains. Between each chapter, readers will find "community interludes," responses to the preceding chapters from some of the graffiti writers who worked on this project. By working closely with writers engaged in the production of these spaces, as well as drawing on work invested in questions of geography, publics, and writing, Lesh identifies new models of community engagement and articulates a framework for the spatiality of the public work of writing and writing studies.




Bible Graffiti


Book Description

Bits of wisdom from the margin of my Bibles. For many years I have been writing notes in the margins of my various Bibles. Today I have pretty well filled the margins in about five of them. These notes in the margins of my Bibles have been bits of wisdom, or things I have picked up from various pastors, speakers, and friends who really struck a chord with me and made me think deeper. It is my desire to share these with others in the hope that it will help them as it has me, to come into a closer and more personal relationship with Jesus Christ. One might call them modern-day parables or a kind of proverb.




Subway Art


Book Description

Traces the history of New York graffiti, shows a variety of painted subway cars, and desribes the graffiti writers and how they work.




Graffiti a New York


Book Description

In 1973, graffiti ran rampant in NYC, reaching its peak that summer. The work of black writers from the Bronx like SUPER COOL 223, RIFF 70 (WORM/CASH), and PHASE 2 defined the art which the kids called Top-to- Bottom or T-to-B, as it vertically covered a full subway car. Some T-to-B pieces were so elaborate and complex that the NYT hypothesized that they were a collaboration between professional artists and the graffiti writers. Here are photos from that heady era.




Yarn Bombing


Book Description

When Yarn Bombing was first published in 2009, the idea that knitted and crocheted objects could be used as a political act of resistance was brand new. Ten years and thousands of pink “pussy” hats later, the art of knit and crochet graffiti has entered the public zeitgeist – a cultural phenomenon that shows no sign of slowing down. Yarn bombing is an international guerrilla movement that started underground and is now embraced by crochet and knitting artists of all ages, nationalities, and genders. Its practitioners create stunning works of art out of yarn, then "donate" them to public spaces as part of a covert plan for world yarn domination, or fashion them into personal political statements. Yarn Bombing the book is a wildly colorful guide to covert textile street art around the world; it also includes over 20 amazing patterns, provides tips on how to be as stealthy as a ninja, demonstrates how to orchestrate a large-scale textile project, and offers revealing information necessary to design your own yarn graffiti tags. This tenth anniversary edition includes a new foreword by the authors and a new chapter that includes many infamous examples of yarn bombing over the past ten years. Subversive and beguiling, this new edition of Yarn Bombing demonstrates that the phenomenon of knit and crochet graffiti is more relevant than ever, especially in these troubled times.




The Faith of Graffiti


Book Description

"The Faith is the bible of graffiti. It forever captures the place, the time, and the writings of those of us who made it happen." —Snake I In 1973, author Norman Mailer teamed with photographer Jon Naar to produce The Faith of Graffiti, a fearless exploration of the birth of the street art movement in New York City. The book coupled Mailer's essay on the origins and importance of graffiti in modern urban culture with Naar's radiant, arresting photographs of the young graffiti writers' work. The result was a powerful, impressionistic account of artistic ferment on the streets of a troubled and changing city—and an iconic documentary record of a critical body of work now largely lost to history. This new edition of The Faith of Graffiti, the first in more than three decades, brings this vibrant work—the seminal document on the origins of street art—to contemporary readers. Photographer Jon Naar has enhanced the original with thirty-two pages of additional photographs that are new to this edition, along with an afterword in which he reflects on the project and the meaning it has taken on in the intervening decades. It stands now, as it did then, as a rich survey of a group of outsider artists and the body of work they created—and a provocative defense of a generation that questioned the bounds of authority over aesthetics.