Grammar of Poetry


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Teaching Grammar with Perfect Poems for Middle School


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From cover: "Entertaining, reproducible poems are paired with complete lessons to target grammar concepts."




Emily Dickinson, a Poet's Grammar


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Traces the roots of Dickinson's unusual, compressed, ungrammatical, and richly ambiguous style of poetry.




The Grammar of Silence


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Tijuana Book of the Dead


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From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.




Imitation in Writing


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A Beautiful Composition of Broken


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A Beautiful Composition of Broken is inspired by some of the events expressed artistically by Samantha King in the bestseller Born to Love, Cursed to Feel. It serves as a poetic documentary of the lives of people who have been mistreated, misunderstood, and wrongfully labeled in a way that limits them in this world. The author’s most personal volume yet, A Beautiful Composition of Broken builds a conceptual bridge between r.h. Sin’s earliest work and his series, Planting Gardens in Graves.




The Art of the Poetic Line


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"Poetry is the sound of language organized in lines." James Longenbach opens The Art of the Poetic Line with that essential statement. Through a range of examples - from Shakespeare and Milton to Ashbery and Glück - Longenbach describes the function of line in metered, rhymed, syllabic, and free-verse poetry. That function is sonic, he argues, and our true experience of it can only be identified in relation to other elements in a poem. Syntax and the interaction of different kinds of line endings are primary to understanding line, as is the relationship of lineated poems to prose poetry. The Art of the Poetic Line is a vital new resource by one of America's most important critics and one of poetry's most engaging practitioners.




Boomer Girls


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Where you between Betty Crocker and Gloria Steinem? With that question in mind poets Pamela Gemin and Paula Sergi began collecting the poems in Boomer Girls, an anthology of coming-of-age poems written by women born between 1945 and 1964, give or take a few years on either side. The answers to that question till this volume with the energy, passion, heartbreak, and giddiness of women's lives from childhood to adolescence to middle age. The poems in Boomer Girls are by unknown, emerging, and established writers, women who participated in the second wave of feminism. From Sandra Cisneros' "My Wicked Wicked Ways" to Barbara Crooker's "Nearing Menopause, I Run into Elvis at Shoprite, " from Wendy Mnookin's "Polio Summer" to Kyoko Mori's "Barbie Says Math Is Hard, " these poems call for us to celebrate (in the words of poet Diane Seuss-Brakeman) "glances, romances, beauty and guilt, regret, remorse, rebates and rejuvenations." Boomer Girls share a common culture, bound by their generation's political history by pop icons like Barbie -- that pedestaled Boomer Girl who's just turned forty -- and by the music that's never stopped playing: Janis Joplin, Marvin Gaye, Jimi Hendrix, the Ronettes, Van Morrison, Patsy Cline, John Lennon. The Boomer poets in this feisty anthology speak with diverse voices and embody a wide range of experiences, yet their generation's universal images -- the hula hoops, TV shows, tinned auto-mobiles, and other household gods of their youth -- unite them in ways both hilarious and tender.