Grandma's Santo on Its Head / El santo patas arriba de mi abuelita


Book Description

“Children and adults alike will enjoy Nasario’s brilliant telling of the events that were part of his growing up. As I read the stories I heard Nasario’s voice and I could see clearly the people and places he describes. I was reminded that the stories our grandparents told not only entertained us, they taught us valuable lessons. “The magic of storytelling is still with us. At home or in the classroom, stories such as these will spark the imagination and encourage reading.”—Rudolfo Anaya, author of Bless Me, Ultima The popular cuentos that parents and grandparents in rural New Mexico once upon a time told their children are a rich source of the folklore of the region and offer satisfying entertainment. In this collection of bilingual stories about the Río Puerco Valley, where Nasario García grew up, he shares the traditions, myths, and stories of his homeland. He recounts stories of the evil eye and rooster racing, the Wailing Woman and the punishing of the santos. Preceding each tale is García’s brief explanation of the history and culture behind the story.




Hoe, Heaven, and Hell


Book Description

Nasario García grew up in Ojo del Padre, a village in the Río Puerco Valley northwest of Albuquerque, the way rural New Mexicans had for generations. His parents built their own adobe house, raised their own food, hauled their water, and brought up their children to respect the old ways. When he was young, García's mother taught him to mend his clothes and enlisted his aid in slaughtering chickens. Here he offers detailed accounts of these and other mundane tasks, explaining that doing laundry in tin tubs with a washboard represented progress for people accustomed to washing their clothes in the Río Puerco and scrubbing them with stones. Life is an adventure, from hauling wood down from the mountains to getting a haircut to family dinners and celebration. Story after story, with details such as the P & G soap that his mother used, the menu at his uncle's wedding, the use of both Spanish and English when he started school, tell the story of a vanished way of life.







Contemporary Plays by Women of Color


Book Description

Contemporary Plays by Women of Color is a ground-breaking anthology of eighteen new and recent works by African American, Asian American, Latina American and Native American playwrights. This compelling collection includes works by award-winning and well-known playwrights such as Anna Deavere Smith, Cherrie Moraga, Pearl Cleage, Marga Gomez and Spiderwoman, as well as many exciting newcomers. Contemporary Plays by Women of Color is the first anthology to display such an abundance of talent from such a wide range of today's women playwrights. The plays tackle a variety of topics - from the playful to the painful - and represent numerous different approaches to playmaking. The volume also includes: * an invaluable appendix of published plays by women of color * biographical notes on each writer * the production history of each play Contemporary Plays by Women of Color is a unique resource for practitioners, students and lovers of theatre, and an inspiring addition to any bookshelf.




Josey Wales


Book Description

Josey Wales was the most wanted man in Texas. His wife and child had been lost to pre-civil War destruction and, like Jesse James and other young farmers, he joined the guerrilla soldiers of Missouri--men with no cause but survival and no purpose but revenge. Josey Wales and his Cherokee friend, Lone Watie, set out for the West through the dangerous Camanchero territory. Hiding by day, traveling by night, they are joined by an Indian woman named Little Moonlight, and rescue an old woman and her granddaughter from their besieged wagon. The five of them travel toward Texas and win through brash and honest violence, a chance for a new way of life.




Chasing Dichos Through Chimayó


Book Description

In these reflections on the dichos of the Chimayó Valley in northern New Mexico native son Don J. Usner has written a memoir that is also a valuable source of information on the rich language and culture of the region.




One Man, Two Cultures, Two Gods


Book Description

One Man, Two Cultures, Two Gods By: Edward Gãmes Edward Gãmes has traveled most of the USA and Europe, had a Catholic education, is a Navy Vietnam veteran and was part of the Apollo 11 recovery team. He also graduated from University of Texas El Paso. Gãmes has 28 years experience in the social service field and worked some interesting part-time jobs, from a concierge to a truck driver. He is bi-lingual, bi-cultural, and speaks 40% French and 40% Italian. Gãmes is also working on a children’s book about a boy looking at the USA from the outside and thinking that he could be the President.




Masculinity after Trujillo


Book Description

"Provides an insightful look at the persistent power of masculinism in Dominican post-dictatorship politics and literature."--Ignacio López-Calvo, author of God and Trujillo "The ideas about masculinization of power developed by Horn are important not only to Dominican scholarship but also to Caribbean and other Latin American students of the intersection of history, political power, and gendered practices and discourses."--Emilio Bejel, author of Gay Cuban Nation Any observer of Dominican political and literary discourse will quickly notice the prevalence of certain notions of hyper-masculinity. In this extraordinary work, Maja Horn argues that these gender conceptions became ingrained during the dictatorship (1930-1961) of Rafael Leonidas Trujillo, as well as through the U.S. military occupation that preceded it. Where previous studies have focused mainly on Spanish colonialism and the sharing of the island with Haiti, Horn emphasizes the underexamined and lasting influence of U.S. imperialism and how it prepared the terrain for Trujillo’s hyperbolic language of masculinity. She also demonstrates how later attempts to emasculate the image of Trujillo often reproduced the same masculinist ideology popularized by his government. Through the lens of gender politics, Horn enables readers to reconsider the ongoing legacy of the Trujillato, including the relatively weak social movements formed around racial and ethnic identities, sexuality, and even labor. She offers exciting new interpretations of such writers as Hilma Contreras, Rita Indiana Hernández, and Junot Díaz, revealing the ways they challenge dominant political and canonical literary discourses.




The Last Karankawas


Book Description

A New York Times Book Review Editors' Choice • An Indie Next Pick • Named a Most Anticipated and Must-Read Book by BuzzFeed, Book Riot, and Ms. Magazine • One of Washington Independent Review of Books' Favorite Books of 2022 "Vivid . . . Garza's accomplished debut enriches the public imagination of this corner of America, and the communities within." —Melissa Chadburn, The New York Times Book Review (Editors' Choice) A blazing and kaleidoscopic debut about a tight-knit community of Mexican and Filipino American families on the Texas coast from a voice you won't soon forget. Welcome to Galveston, Texas. Population 50,241. Carly Castillo has only ever known Galveston. Her grandmother Magdalena claims that they descend from the Karankawas, an extinct indigenous Texan tribe, thereby tethering them to the land. Meanwhile, her boyfriend and all-star shortstop turned seaman, Jess, treasures the salty, familiar air. He’s gotten chances to leave for bigger cities, but he didn’t take them then and he sure as hell won’t now. When word spreads of a storm gathering strength offshore known as Hurricane Ike, each Galveston resident must make a difficult decision: board up the windows and hunker down or flee inland and abandon their hard-won homes. Moving through the extraordinary lives of these characters and the many individuals who circle them, The Last Karankawas weaves together a multitude of voices to present a lyrical, emotionally charged portrait of everyday survival. The result is an unforgettable exploration of familial inheritance, human resilience, and the histories we assign to ourselves.




Iron River


Book Description

2019 Paterson Prize winner Skipping Stones Book Award Kirkus Reviews' Best YA Historical Fiction of 2018 A river runs through young Manny Maldonado Jr.’s life, heart and imagination. Sometimes at night it even shoots through his brain like a bullet. But this river isn’t water, it’s iron—the tracks and trains of the Southern Pacific railroad that pass along his tight-knit neighborhood in the San Gabriel valley just ten miles east of L.A. The iron river is everything to Man-on-Fire, Man for short to his friends, Little Man to his uncles and cousins. He watches it, he waits for it, he plays nears its tracks, he listens for the weight of its currents (strong currents flowing east pulling two hundred boxcars, light current going west with less than fifty cars), he whiles away long summer days throwing rocks and bricks at it with his friends Danny, Marco and Little. They line up cans and bottles in mock battles to try to throw it off track. But nothing derails the iron river, and nothing stops the stinking cop Turk from trying to pin a hobo’s murder on the four young boys.