Graphing Culture Change in North American Archaeology


Book Description

Documentation, analysis, and explanation of culture change have long been goals of archaeology. Scientific graphs facilitate the visual thinking that allow archaeologists to determine the relationship between variables, and, if well designed, comprehend the processes implied by the relationship. Different graph types suggest different ontologies and theories of change, and particular techniques of parsing temporally continuous morphological variation of artefacts into types influence graph form. North American archaeologists have grappled with finding a graph that effectively and efficiently displays culture change over time. Line graphs, bar graphs, and numerous one-off graph types were used between 1910 and 1950, after which spindle graphs displaying temporal frequency distributions of specimens within each of multiple artefact types emerged as the most readily deciphered diagram. The variety of graph types used over the twentieth century indicate archaeologists often mixed elements of both Darwinian variational evolutionary change and Midas-touch like transformational change. Today, there is minimal discussion of graph theory or graph grammar in introductory archaeology textbooks or advanced texts, and elements of the two theories of evolution are still mixed. Culture has changed, and archaeology provides unique access to the totality of humankind's cultural past. It is therefore crucial that graph theory, construction, and decipherment are revived in archaeological discussion.







Measuring Time with Artifacts


Book Description

Combining historical research with a lucid explication of archaeological methodology and reasoning, Measuring Time with Artifacts examines the origins and changing use of fundamental chronometric techniques and procedures and analyzes the different ways American archaeologists have studied changes in artifacts, sites, and peoples over time.In highlighting the underpinning ontology and epistemology of artifact-based chronometers-cultural transmission and how to measure it archaeologically-it covers issues such as why archaeologists used the cultural evolutionism of L. H. Morgan, E. B. Tylor, L. A. White, and others instead of biological evolutionism; why artifact classification played a critical role in the adoption of stratigraphic excavation; how the direct historical approach accomplished three analytical tasks at once; why cultural traits were important analytical units; why paleontological and archaeological methods sometimes mirror one another; how artifact classification influences chronometric method; and how graphs illustrate change in artifacts over time.An understanding of the history of artifact-based chronometers enables us to understand how we know what we think we know about the past, ensures against modern misapplication of the methods, and sheds light on the reasoning behind archaeologists' actions during the first half of the twentieth century.R. Lee Lyman is a professor in and the chair of the Department of Anthropology at the University of Missouri-Columbia. Michael J. O'Brien is a professor of anthropology and an associate dean in the College of Arts and Science at the University of Missouri-Columbia. Lyman and O'Brien are the co-authors of Archaeology as a Process: Processualism and Its Progeny and Cladistics and Archaeology, among other books.



















Style and Function


Book Description

This text presents theoretical background and case studies that demonstrate how evolutionary definitions of archaeological style and function may be applied to the prehistoric record.




The Evolutionary Archaeology of Ceramic Diversity in Ancient Fiji


Book Description

The research presented here investigates the evolution of material cultural diversity in the Yasawa Islands in the northwestern corner of the Fijian archipelago. This work builds upon several field seasons of basic research in the Yasawas, as well as other large-scale ceramic analyses in Fiji. This study constructs answers using an explanatory framework explicitly designed to account for the evolution of cultural diversity in prehistory. This explanatory framework combines the effects of cultural transmission, selection and other sorting processes, and innovation. Using this explanatory framework this research attempts to answer the following three questions: 1. What domains of ceramic similarity in the Yasawa Islands can be used to define culturally transmitting populations or lineages; 2. What are the spatial and temporal distributions of transmission lineages defined along different avenues of transmission; and 3. What are the possible explanations for the distribution of these lineages? Chapter 2 examines some of the previous archaeological and other research in Fiji that has attempted to explain or document cultural, biological, and linguistic diversity. Chapter 3 more completely develops the theoretical framework used to explain prehistoric ceramic similarities and difference in terms of transmission lineages. An outline of the natural and cultural history of the Yasawa Islands is presented in Chapter 4. Classifications of ceramic variation and other analyses are presented in Chapter 5. In Chapter 6 cladistic and seriation analyses generate hypotheses for the transmission history of Yasawa Islands populations. Chapter 7 reviews the results of this research in the context of other archaeological work in Fiji. The approach to explaining cultural similarities and differences employed in this research indicates that prehistoric cultural diversity can be examined using cultural transmission, selection, and innovation to produce empirically testable hypotheses regarding the historical relatedness of populations. The further development of this approach by scholars will do much to answer long-standing questions.