Greek and Roman Architecture in Classic Drawings


Book Description

Perhaps the finest record of classical architecture ever made. Detailed illustrations offer unparalleled three-dimensionality and effects of scale. Parthenon, Roman temples, Pantheon, Colosseum, many others. Introductory notes. Preface. 127 plates.




The Oxford Handbook of Greek and Roman Art and Architecture


Book Description

This handbook explores key aspects of art and architecture in ancient Greece and Rome. Drawing on the perspectives of scholars of various generations, nationalities, and backgrounds, it discusses Greek and Roman ideas about art and architecture, as expressed in both texts and images, along with the production of art and architecture in the Greek and Roman world.




Greek and Roman Architecture


Book Description

During most of the history of architecture, architects had to be artists, engineers, and scholars. This three-volume series of books is about what architects needed to know to create the most important buildings in Western Architecture from 600 B. C.-A. D. 1943. This first volume is about Greek and Roman architecture and the architectural traditions that diverged from the Classic Tradition. The second volume is about the revival of classic architecture during the Renaissance. The third volume is about academic architecture since the Renaissance. Greek architecture was the first type that continued to be influential indefinitely and beyond the limits of its civilization. Most of the subsequent architecture of Europe was influenced by Greek architecture, but indirectly through Roman architecture. Rome owed a great debt to many aspects of Greek civilization including language, philosophy, and history as well as architecture and art. Roman art was essentially Greek art, but Roman architecture eventually became fundamentally different in the materials that were used and in its approach to design. The Greeks created the classical Orders and used them to plan and design the exterior of their buildings; the Roman developed the arch and concrete, which enabled spans and spaces of unprecedented size to be created. Greek architecture was more sculptural in its emphasis on exterior form and finish, and Roman architecture was more like engineering in its emphasis on spans and interior space. In general, Greek architecture was designed from the outside in, and Roman architecture from the inside out, but Greek design elements continued to embellish both the interiors and exteriors of Roman buildings. More specifically, the first volume of this series is about the development of Greek architecture, the influence of Greece on Rome, and the early influence of Rome on other architectural traditions outside the Roman Empire. The second volume is about the revival of Roman architecture and secular thought. The third volume is about the revival of all styles of architecture, their scholarly study by archaeologists and architects, and an increasingly eclectic used of design elements within the framework of the design principles of Classic Architecture. The classic tradition in architecture has determined the overall appearance of most buildings worldwide, and it has done so through the use of a versatile architectural vocabulary, a flexible set of rules, changing building types. Regardless of style, most buildings continue to be characterized by regularly proportioned and spaced design elements that were established through the use of the classical orders. This series of books discusses how a consistently high standard of excellence was achieved in design and construction over a period of 2,500 years. It includes the following periods of architecture: Greek, Roman, Renaissance, Baroque, Neoclassical, Greek Revival, Italianate, and Beaux Arts. Regardless of the style chosen, architects were in agreement about what constituted excellence. This book considers what all periods and styles have in common and what is most distinctive about each period, style, and major example. The primary emphasis is on how buildings were designed and constructed. Design processes, materials, and methods of construction are considered in detail. Everything an architect had to consider is discussed for each period and each building type. Every type of knowledge required to create buildings is considered. The ideas of the most influential architects are summarized, particularly those that were widely influential through the publications of Vitruvius, Palladio, Adam, Ledoux, and Schinkel.




Greek and Roman Architecture


Book Description

This book provides an account of the main developments in Greek, Etruscan and Roman architecture.




Greek Architecture


Book Description




Art and Experience in Classical Greece


Book Description

"delightful, readable, and scholarly. The volume is profusely and well illustrated, each art example is clearly labelled and dated, and superb supplementary references for illustrations and supplementary suggestions for further reading are added to complete the study." Choice







Classical Art


Book Description

'The book is part of a series of introductory studies intended to bring the latest developments in art history to students and general readers. But it offers something new to the specialist reader too [...] the quantity of illustrations is impressive for such a slim and inexpensive book ...Classical Art is illuminating, playful, provocative, and often (literally) iconoclastic' -Times Higher Education Supplement




Roman Art


Book Description

A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.




The Frame in Classical Art


Book Description

The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.