Sympathy in Early Modern Literature and Culture


Book Description

This is the first comprehensive study of sympathy in the early modern period, providing a deeply researched and interdisciplinary examination of its development in Anglophone literature and culture. It argues that the term sympathy was used to refer to an active and imaginative sharing of affect considerably earlier than previous critical and historical accounts have suggested. Investigating a wide range of texts and genres, including prose fiction, sermons, poetic complaint, drama, political tracts, and scientific treatises, Richard Meek demonstrates the ways in which sympathy in the period is bound up with larger debates about society, religion, and identity. He also reveals the extent to which early modern emotions were not simply humoral or grounded in the body, but rather relational, comparative, and intertextual. This volume will be of particular interest to scholars and students of Renaissance literature and history, the history of emotions, and the history and philosophy of science.










A Critical Edition of Menaphon


Book Description

This dissertation presents the first critical edition of Menaphon by Robert Greene with the Preface by Thomas Nashe. The work was originally published in 1589 in London and was reprinted four times in the sixteenth and seventeenth centuries (1599, 1605, 1610, and 1616). For this edition three copies of the first edition and copies of all the other early editions have been collated. None of the later editions contains any revisions or additions that can be ascribed to either Nashe or Greene. Therefore the first edition is used in this edition as the copy-text. A full textual apparatus records all substantive variants and emendations of the text. The Introduction Includes bibliographic descriptions of the various early editions and discusses the relationship between the texts of the early editions. An essay on Nashe’s Preface places it in the context of his developing prose style. Greene’s Menaphon is treated in a separate essay concerned with the self-consciousness of the work, and its relation to various sources and influences such as Greek romance, Euphuism, and Sidney’s Old Arcadia. The Glossary at the end includes words which might not be easily understood, either because of peculiarity of spelling or because of specialized, archaic, or obsolete meaning.




Robert Greene's Planetomachia (1585)


Book Description

When Planetomachia was published in 1585, Greene himself-always the best advertiser of his own books-promised his readers a perfectly balanced diet of edification and entertainment. He described his newest offering as an astronomical discourse on the nature and influence of the planets interlaced with 'pleasant and tragical histories,' which one could ostensibly use as a manual to identify various planetary influences on 'natural constitution.' In this first complete critical edition, Nandini Das presents Planetomachia as a complex hybrid which is eminently a product of its times, exploring how the two very different intellectual and cultural spheres of Humanist scholarship and Renaissance popular print engage in an intriguing, albeit uneasy, dialogue to produce this unique work of prose fiction. The volume gives a clear sense, afforded by no other existing edition, of the intellectual climate which shaped this text. It offers substantial introductory material (on biographical, literary and scientific contexts) and extensive annotation identifying Greene's allusions and elucidating his vocabulary. It also includes translations and extracts from significant sources, along with a bibliography of relevant primary texts and critical work on Greene generally and on Planetomachia in particular.







Pamphlets and Pamphleteering in Early Modern Britain


Book Description

A history of the printed pamphlet in sixteenth- and seventeenth-century Britain.