GRETTIR THE OUTLAW


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Grettir the Outlaw: A Story of Iceland: With Six Page Illustrations


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Michael Zeno Diemer (born February 8, 1867 in Munich, + February 28, 1939 in Oberammergau ) was a German painter.Life Michael Zeno Diemer studied from 1884 in Munich [1] with Gabriel Hackl and Alexander von Liezen-Mayer . Diemer became known for his impressive battle scenes. In 1894, a six-month work in Innsbruck resulted in a 1,000 m2 giant round painting depicting the Battle of Bergisel of 13 August 1809, in which Andreas Hofer led the Tyroleans to victory over the troops of Napoleon and Bavaria . The giant circular painting is one of 30 panoramas from the 19th or early 20th century still in existence worldwide .A panorama created in 1896 described the battle for Bazeilles during the Battle of Sedan in the German-French War . It was shown in a purpose built building in Mannheim. For the Deutsches Museum in Munich he created several paintings, including a representation of a Roman aqueduct for the department "hydraulic engineering," an ideal image of a medieval herb garden and the landing of the Zeppelin in Munich in 1909 ....The Reverend Sabine Baring-Gould ( 28 January 1834 - 2 January 1924) of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist, folk song collector and eclectic scholar. His bibliography consists of more than 1240 publications, though this list continues to grow. His family home, the manor house of Lew Trenchard, near Okehampton, Devon, has been preserved as he had it rebuilt and is now a hotel. He is remembered particularly as a writer of hymns, the best-known being "Onward, Christian Soldiers" and "Now the Day Is Over." He also translated the carol "Gabriel's Message" from the Basque language to English.CAREERBecause the family spent much of his childhood travelling round Europe, most of his education was by private tutors. He only spent about two years in formal schooling, first at King's College School in London (then located in Somerset House) and then, for a few months, at Warwick Grammar School (now Warwick School). Here his time was ended by a bronchial disease of the kind that was to plague him throughout his long life. His father considered his ill-health as a good reason for another European tour.In 1852 he was admitted to Cambridge University, earning the degrees of Bachelor of Arts in 1857, then Master of Arts in 1860 from Clare College, Cambridge. In September 1853 he informed Nathaniel Woodard of his desire to be ordained. He taught for only ten days at one of Woodard's boys' boarding schools in Sussex, Lancing College, but then moved to another, Hurstpierpoint College, where he stayed from 1857 to 1864. While there he was responsible for several subjects, especially languages and science, and he also designed the ironwork of the bookcases in the boys' library, as well as painting the window jambs with scenes from the "Canterbury Tales" and the "Faery Queen."He took Holy Orders in 1864, and became the curate at Horbury Bridge, West Riding of Yorkshire. It was while acting as a curate that he met Grace Taylor, the daughter of a mill hand, then aged fourteen. In the next few years they fell in love. His vicar, John Sharp, arranged for Grace to live for two years with relatives in York to learn middle-class manners. Baring-Gould, meanwhile, relocated to become perpetual curate at Dalton, near Thirsk. He and Grace were married in 1868 at Wakefield. Their marriage lasted until her death 48 years later, and the couple had 15 children, all but one of whom lived to adulthood. When he buried his wife in 1916 he had carved on her tombstone the Latin motto Dimidium Animae Meae ("Half my Soul").Baring-Gould became the rector of East Mersea in Essex in 1871 and spent ten years there. In 1872 his father died and he inherited the 3,000-acre (12 km2) family estates of Lew Trenchard in Devon, which included the gift of the living of Lew Trenchard parish...







Grettir the Outlaw


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The Selected Works of George Alfred Henty


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You may be told perhaps that there is no good to be obtained from tales of fighting and bloodshed—that there is no moral to be drawn from such histories. Believe it not. War has its lessons as well as Peace. You will learn from tales like this that determination and enthusiasm can accomplish marvels, that true courage is generally accompanied by magnanimity and gentleness, and that if not in itself the very highest of virtues, it is the parent of almost all the others, since but few of them can be practiced without it. The courage of our forefathers has created the greatest empire in the world around a small and in itself insignificant island; if this empire is ever lost, it will be by the cowardice of their descendants. At no period of her history did England stand so high in the eyes of Europe as in the time whose events are recorded in this volume. A chivalrous king and an even more chivalrous prince had infected the whole people with their martial spirit, and the result was that their armies were for a time invincible, and the most astonishing successes were gained against numbers which would appear overwhelming. The victories of Cressy and Poitiers may be to some extent accounted for by superior generalship and discipline on the part of the conquerors; but this will not account for the great naval victory over the Spanish fleet off the coast of Sussex, a victory even more surprising and won against greater odds than was that gained in the same waters centuries later over the Spanish Armada. The historical facts of the story are all drawn from Froissart and other contemporary historians, as collated and compared by Mr. James in his carefully written history. They may therefore be relied upon as accurate in every important particular.




One of the 28th


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With Roberts to Pretoria


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WITH MOORE AT CORUNNA


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