Gringos


Book Description

Charles Portis’s fourth novel—a truly brilliant, wonderfully bizarre novel by one of our great American novelists. Jimmy Burns is an expatriate American living in Mexico who has an uncommonly astute eye for the absurd little details that comprise your average American. For a time, Jimmy spent his days unearthing pre-Colombian artifacts. Now he makes a living doing small trucking jobs and helping out with the occasional missing person situation—whatever it takes to remain “the very picture of an American idler in Mexico, right down to the grass-green golfing trousers.” But when Jimmy’s laid-back lifestyle is seriously imposed upon by a ninety-pound stalker called Louise, a sudden wave of “hippies” (led by a murderous ex-con guru) in search of psychic happenings, and a group of archaeologists who are unearthing (illegally) Mayan tombs, his simple South-of-the-Border existence faces a clear and present danger.




Gringos in Paradise


Book Description

A Year in Provence meets Mr. Blandings Builds His Dream House in this lively and entertaining account of a couple's year building their dream house in Mexico. In 2004, Barry Golson wrote an award-winning article for AARP magazine about Mexican hot spots for retirees longing for a lifestyle they couldn't afford in the United States. A year later, he and his wife Thia were taking part in the growing trend of retiring abroad. They sold their Manhattan apartment, packed up their SUV, and moved to one of those idyllic hot spots, the surfing and fishing village of Sayulita on Mexico's Pacific coast. With humor and charm, Golson details the year he and his wife spent settling into their new life and planning and building their dream home. Sayulita -- population 1,500, not including stray dogs or pelicans -- is a never-dull mixture of traditional Mexican customs and new, gringo-influenced change. Before long, the Golsons had been absorbed into the rhythms and routines of village life: they adopted a pair of iguanas named Iggy Pop and Iggy Mom, got sick and got cured by a doctor who charged them sixteen dollars a visit, made lasting friends with Mexicans and fellow expatriates, and discovered the skill and artistry of local craftsmen. But their daily lives were mostly dedicated to the difficult yet satisfying process of building their house. It took them almost six months to begin building -- nothing is simple (or speedy) in Mexico -- and incredibly, they completed construction in another six. They engaged a Mexican architect, builder, and landscape designer who not only built their home but also changed their lives; encountered uproariously odd bureaucracy; and ultimately experienced a lifetime's worth of education about the challenges and advantages of living in Mexico. The Golsons lived (and are still living) the dream of many -- not only of going off to a tropical paradise but also of building something beautiful, becoming a part of a new world, making lasting friends, and transforming their lives. As much about family and friendship as about house-building, Gringos in Paradise is an immensely readable and illuminating book about finding a personal paradise and making it a home.




The Gringos


Book Description

Dade Hunter and Jack Allen are two cowboys who got caught up in the 1849 California Gold Rush, and had a good fortune in the gold fields. They decide to spend a winter in San Francisco, where Jack gets hooked on gambling, while Dade quickly gets tired of it and moves on. Dade meets Andres, a Spanish Don who owns a large ranch, and tries to persuade Jack to move there with him, but Jack is involved way over his head. Bertha Muzzy Bower (1871-1940) was an American author who wrote novels and short stories about the American Old West. She is best known for her first novel "Chip of the Flying U" about Flying U Ranch and the "Happy Family" of cowboys who lived there. The novel rocketed Bower to fame, and she wrote an entire series of novels set at the Flying U Ranch. Several of Bower's novels were turned into films.




The Gringos


Book Description




How the Gringos Stole Tequila


Book Description

Once little more than party fuel, tequila has graduated to the status of fine sipping spirit. How the Gringos Stole Tequila traces the spirit's evolution in America from frat-house firewater to luxury good. But there's more to the story than tequila as upmarket drinking trend. Author Chantal Martineau spent several years immersing herself in the world of tequila -- traveling to visit distillers and agave farmers in Mexico, meeting and tasting with leading experts and mixologists around the United States, and interviewing academics on either side of the border who have studied the spirit. The result is a book that offers readers a glimpse into the social history and ongoing impact of this one-of-a-kind drink. It addresses issues surrounding the sustainability of the limited resource that is agave, the preservation of traditional production methods, and the agave advocacy movement that has grown up alongside the spirit's swelling popularity. In addition to discussing the culture and politics of Mexico's most popular export, this book also takes readers on a colorful tour of the country's Tequila Trail, as well as introducing them to the mother of tequila: mezcal.




Greasers and Gringos


Book Description

A lawyer criticizes media portrayals of latino/as because it leads to unfair judgements in the court system.This is an important look at stereotyping in American culture.







Los Gringos


Book Description

Reproduction of the original: Los Gringos by Lieut. Wise




Gringos... Larguense


Book Description

Mi nombre es Antonio Anteliz Zurita, nací un 5 de Agosto de 1947 en la ciudad de Puebla. Curse mi Primaria en la Escuela Motolinia, mi Secundaria en el Seminario Salesiano de Don Bosco en Puebla y en San Pedro Tlaquepaque Jalisco, mi Preparatoria en el Colegio San SEBASTIAN de Aparicio, estuve 3 años en la Universidad Autónoma de Puebla, cursando la carrera de Ciencias Económicas Administrativas. En 1968 me vine a la Ciudad de Chicago, en 1970 comencé a escribir sobre deportes en el semanario más prestigioso de la "Ciudad de los Vientos", LA RAZA, posteriormente escribí en los diferentes periódicos y revistas de Chicago, como EL NORTE, EL HERALDO, CHICAGO DEPORTIVO, EL EXTRA, EL TELEGUIA, ETC.; estuve tres años trabajando en la radio LA TREMENDA, en un programa titulado "Hablando de Deportes". Fundé con Jorge Alvarez el primer grupo Teatral de Chicago. Coproduje un cine video de la película titulada "El chorizo del carnicero" y escribí dicho libreto. Hice televisión en Chicago en el programa de Alva Molina en el canal 26, he salido en UNIVISION en el programa de República Deportiva, Despierta América. En TELEMUNDO en Sálvese Quien Pueda. Incursioné en el cine mexicano actuando en 8 cines videos al lado de Mario Almada, Alfonso Zayas, Flaco Guzmán, El Flaco Ibáñez, Edgardo Gazcon, Armando Araiza, Cesar Bono, etc. Tengo un personaje cómico de un monaguillo bien irreverente llamado "Agapito Melocras" y conjuntamente a mi compañero el sacerdote "El cura melcacho", les hemos abierto a varios comediantes su Show. Tengo alrededor de ocho libros listos para la imprenta. Espero que cuando sepa que ya hay otro libro mío en el mercado lo compre porque va ser interesante y diferente.




Gringos Get Rich


Book Description

Documents counterimperialism in Chilean music since the 1960s Gringos Get Rich: Anti-Americanism in Chilean Music examines anti-Americanism in Latin America as manifested in Chilean music in recent history. From a folk-based movement in the 1960s and early 1970s to underground punk rock groups during the Pinochet regime, to socially conscious hip-hop artists of postdictatorship Chile, Chilean music has followed several left-leaning transnational musical trends to grapple with Chile's fluctuating relationship with the United States. Eunice Rojas's innovative analysis introduces US readers to a wide swath of Chilean musicians and their powerful protest songs and provides a representative and long view of the negative influences of the United States in Latin America. Much of the criticism of the United States in Chile's music centers on the perception of the United States as a heavy-handed source of capitalist imperialism that is exploitative of and threatening to Chile's poor and working-class public and to Chilean cultural independence and integrity. Rojas incorporates Antonio Gramsci's theories about the difficulties of struggles for cultural power within elitist capitalist systems to explore anti-Americanism and anti-capitalist music. Ultimately, Rojas shows how the music from various genres, time periods, and political systems attempts to act as a counterhegemonic alternative to Chile's political, cultural, and economic status quo. Rojas's insight is timely as a political trend toward the right continues in the Americas. There is also increased interest in and acceptance of popular song lyrics as literary texts. The book will appeal to Latin Americanists, ethnomusicologists, scholars of popular culture and international relations, students, and general readers.