Guitar Music from Tres Libros de Musica


Book Description

In 1546, forty-four years after the final voyage of Christopher Columbus and while the Spanish Conquistadors swept through the Americas, Alonso Mudarra published his Tres libros de música (Three Books of Music). These books, devoted primarily to music for the vihuela, voice and harp also contain six pieces that are described by the New Harvard Dictionary of Music as the earliest printed music for the guitar. In this case- that would be the 4-course Renaissance guitar.In Guitar Music from Tres libros de música, George Washington University guitar instructor Eric Waters has transcribed and edited these six selections from the original 16th century tablature. Each piece is presented both in standard musical notation and in a modern adaptation of the original tablature (with mensural rhythms printed above). Tablature and music are printed separately to eliminate page turns.The companion CD for this book was recorded on a 1995 José Ramirez 1-A traditional concert guitar (650 mm string length), with a capo at the third fret to better approximate the range of the Renaissance guitar and facilitate use of the original fingering. While the Renaissance guitar was tuned proportionately the same as the first four strings of the modern guitar (D-G-B-E low to high), the 1st piece in the book is tuned like a 4-string version of dropped-D tuning (C-G-B-E). These arrangements judiciously avoid the use of the 5th and 6th strings of the modern guitar to better emulate the original Renaissance model.




Guitar Music from Tres Libros de Musica


Book Description

In 1546, forty-four years after the final voyage of Christopher Columbus and while the Spanish Conquistadors swept through the Americas, Alonso Mudarra published his Tres libros de msica (Three Books of Music). These books, devoted primarily to music for the vihuela, voice and harp also contain six pieces that are described by The New Harvard Dictionary of Music as "the earliest printed music" for the guitar. In this case- that would be the 4-course Renaissance guitar. In Guitar Music from Tres libros de msica, George Washington University guitar instructor Eric Waters has transcribed and edited these six selections from the original 16th century tablature. Each piece is presented both in standard musical notation and in a modern adaptation of the original tablature (with mensural rhythms printed above). Tablature and music are printed separately to eliminate page turns. The companion CD for this book was recorded on a 1995 Jos Ramirez 1-A traditional concert guitar (650 mm string length), with a capo at the third fret to better approximate the range of the Renaissance guitar and facilitate use of the original fingering. While the Renaissance guitar was tuned proportionately the same as the first four strings of the modern guitar (D-G-B-E low to high), the 1st piece in the book is tuned like a 4-string version of dropped-D tuning (C-G-B-E). These arrangements judiciously avoid the use of the 5th and 6th strings of the modern guitar to better emulate the original Renaissance model.




The Guitar and Its Music


Book Description

More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.




The Only Guitar Book You'll Ever Need


Book Description

Teaches the fundamentals of playing guitar, from purchasing the right model to learning scales and chords, and includes information on tuning, slide playing, and equipment.




The Everything Guitar Book


Book Description

Once guitar players learn the basics, they need to take the next step in their musical education. Scales are the musical grammar they're looking for, and this book is a one-stop shop for every scale guitar lovers could ever imagine! Highlights of this valuable reference book include: Easy-to-follow fret board diagrams (no music reading required); Thousands of scale shapes; Scales for every style of music, including world/ethnic music; The basic theory behind the scales and tips on how to use them; And more! Musicians at all levels will enjoy the new sounds and possibilities these scales provide.This oversized volume contains everything guitarists need to know about scales in a fun, down-to-earth book!




The Renaissance Vihuela & Guitar in Sixteenth-Century Spain


Book Description

Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. for instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to the Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576A companion volume to the Baroque Guitar in Spain and the New World (MB21122)Intended to help bridge the gap between scholarly editions and performance editionsAn introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.




The Guitar


Book Description

In this day and age, children and young adults need every advantage they can get from their education. At Eldorado Ink, we strive to establish our company as an exciting resource for nonfiction reference materials for sixth grade and beyond.




The Harvard Dictionary of Music


Book Description

This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.




A Concise History of the Classic Guitar


Book Description

A Concise History of the Classic Guitar by Graham Wade, one of the foremost international writers on the guitar, explores the history of the instrument from the 16th century to the present day. This compact assessment of five centuries of fretted instruments cover the vihuela in Spain, the history of four-course and five-course guitars, the evolution of tablature, and developments in the six-string guitar in the 19th century. the work also charts the contribution of leading composers, performers and luthiers of the 20th century, and evaluates the influence of Segovia, Llobet, Pujol, Presti, Bream, Williams, etc., among the world's famous guitarists. This book, intended for the general public and guitar students of all ages, is the first interpretative history of the classic guitar to be published in the 21st century, and will be eagerly welcomed by all lovers of the instrument.




The Harvard Concise Dictionary of Music and Musicians


Book Description

This new compact guide to the history and performance of music is both authoritative and a pleasure to use. With entries drawn and condensed from the widely acclaimed The New Harvard Dictionary of Music and its companion The Harvard Biographical Dictionary of Music, it is a dependable reference for home and classroom and for professional and amateur musicians. This concise dictionary offers definitions of musical terms; succinct characterizations of the various forms of musical composition; entries that identify individual operas, oratorios, symphonic poems, and other works; illustrated descriptions of instruments; and capsule summaries of the lives and careers of composers, performers, and theorists. Like its distinguished parent volumes, The Harvard Concise Dictionary of Music and Musicians provides information on all periods in music history, with particularly comprehensive coverage of the twentieth century. Clearly written and based on vast expertise, The Harvard Concise Dictionary of Music and Musicians is an invaluable handbook for everyone who cares about music.