Gustav Holst


Book Description

First published in 2011, this text provides citations to the core Holst literature. The volume is intended for students and researchers, as well as those seeking an introduction to Holst. The inclusion of materials for the non- specialist seems entirely appropriate as Holst devoted much of his career to teaching amateur musicians. The contents of this book presents a selective, annotated list of essential materials published through the end of 2009, although a very few exceptions were made for a limited number of post-2009 print and web resources.




Gustav Holst


Book Description




Holst: The Planets


Book Description

The first comprehensive guide to Holst's orchestral suite considers the music in detail and places the work in its historical context.




The Gustav Holst Way


Book Description

'The Gustav Holst Way' is the first guidebook to describe the 35-mile rambling route across the Cotswolds to celebrate the life and work of the composer Gustav Holst. Published exactly 100 years after Holst began work on The Planets, the route visits many of the places that were important to the young Holst as his musical career took wing. Among the highlights are the house in Cheltenham where he was born (now the Holst Birthplace Museum) and several venues in the Cotswolds where he played, conducted and taught music. The richly illustrated guidebook divides the walk into five easy/moderate sections (with four optional detours) and includes detailed maps, points of historical interest and all the practical information you need to follow in Gustav Holst's footsteps from Cranham to Wyck Rissington. The Holst Birthplace Museum Gustav Holst, one of England's greatest composers, was born in a Regency terraced house in Cheltenham in 1874. The house has been carefully restored and converted into a 'living museum' that captures the atmosphere of the era, both above and below stairs. The most eye-catching of the museum's collection of 3,000 items is the piano on which Holst composed The Planets, as popular as ever nearly 100 years after it was published. Step inside the Museum and see the piano Holst used to compose The Planets. Find out how he developed into a world-class composer by examining and listening to original manuscripts written when he was a schoolboy in Cheltenham. "




The Music of Gustav Holst ; And, Holst's Music Reconsidered


Book Description

A leading figure of English music in the late nineteenth and early twentieth centuries, Gustav Holst is best known for his orchestral tour de force, The Planets. He composed music of startling originality in many forms, drawing inspiration from sources as varied as English folk-song, oriental melody, the Apocrypha, and Sanskrit literatures, as well as from such writers as Keats, Hardy, and Whitman. In this study of her father's music, Imogen Holst discusses Holst's pieces of the early 1890s, the musical consequences of his holiday in Algeria in 1908, problems of performance in The Planets, and editing Holt's music. The volume also includes a list of important dates in Holst's life, a list of his published work, and a bibliography.




A New English Music


Book Description

The turn of the 20th century was a time of great change in Britain. The empire saw its global influence waning and its traditional social structures challenged. There was a growing weariness of industrialism and a desire to rediscover tradition and the roots of English heritage. A new interest in English folk song and dance inspired art music, which many believed was seeing a renaissance after a period of stagnation since the 18th century. This book focuses on the lives of seven composers--Ralph Vaughan Williams, Gustav Holst, Ernest Moeran, George Butterworth, Philip Heseltine (Peter Warlock), Gerald Finzi and Percy Grainger--whose work was influenced by folk songs and early music. Each chapter provides an historical background and tells the fascinating story of a musical life.




Resonances


Book Description

Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives.




Invocation


Book Description

Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall, London, by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914, but with the public success of The Planets, it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary, and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate cello part has been edited by Julian Lloyd-Webber.




Tonic to the Nation: Making English Music in the Festival of Britain


Book Description

Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.