Habitual Rhetoric


Book Description

Writing has always been digital. Just as digits scribble with the quill or tap the typewriter, digits compose binary code and produce text on a screen. Over time, however, digital writing has come to be defined by numbers and chips, not fingers and parchment. We therefore assume that digital writing began with the invention of the computer and created new writing habits, such as copying, pasting, and sharing. Habitual Rhetoric: Digital Writing before Digital Technology makes the counterargument that these digital writing practices were established by the handwritten cultures of early medieval universities, which codified rhetorical habits—from translation to compilation to disputation to amplification to appropriation to salutation—through repetitive classroom practices and within annotatable manuscript environments. These embodied habits have persisted across time and space to develop durable dispositions, or habitus, which have the potential to challenge computational cultures of disinformation and surveillance that pervade the social media of today.




Entertaining the Idea


Book Description

To entertain an idea is to take it in, pay attention to it, give it breathing room, dwell with it for a time. The practice of entertaining ideas suggests rumination and meditation, inviting us to think of philosophy as a form of hospitality and a kind of mental theatre. In this collection, organized around key words shared by philosophy and performance, the editors suggest that Shakespeare’s plays supply readers, listeners, viewers, and performers with equipment for living. In plays ranging from A Midsummer Night’s Dream to King Lear and The Winter’s Tale, Shakespeare invites readers and audiences to be more responsive to the texture and meaning of daily encounters, whether in the intimacies of love, the demands of social and political life, or moments of ethical decision. Entertaining the Idea features established and emerging scholars, addressing key words such as role play, acknowledgment, judgment, and entertainment as well as curse and care. The volume also includes longer essays on Shakespeare, Kant, Husserl, and Hegel as well as an afterword by theatre critic Charles McNulty on the philosophy and performance history of King Lear.




Freshman Rhetoric


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Feminist Perspectives on Tort Law


Book Description

Feminist Perspectives on Tort brings together acknowledged experts in these two areas to pursue a distinctly feminist approach to the major areas of tort law.




The Third Citizen


Book Description

Arnold argues that recovering the formation of political representation as an effective ideology should radically change our understanding of early modern political culture, Shakespeare's political art, and the way Anglo-American critics, for whom representative democracy is second nature, construe both.




Thomas Dixon Jr. and the Birth of Modern America


Book Description

"A sweeping yet rigorous analysis of Dixon and his work. The collection approaches the southern intellectual through multiple methodologies -- from literary theory and film studies to social history and religious studies. We get an exhaustive yet diverse perspective on Dixon's influence and legacy." -- Journal of American History Thomas Dixon Jr. (1864--1946), best remembered today as the author of the racist novels that served as the basis for D. W. Griffith's controversial 1915 classic film The Birth of a Nation, also enjoyed great renown in his lifetime as a minister, lecturer, lawyer, and actor. Although this native southerner's blatantly racist, chauvinistic, and white supremacist views are abhorrent today, his contemporary audiences responded enthusiastically to Dixon. In Thomas Dixon Jr. and the Birth of Modern America, distinguished scholars of religion, film, literature, music, history, and gender studies offer a provocative examination of Dixon's ideas, personal life, and career and in the process illuminate the evolution of white racism in the early twentieth century and its legacy down to the present. The contributors analyze Dixon's sermons, books, plays, and films seeking to understand the appeal of his message within the white culture of the Progressive era. They also explore the critical responses of African Americans contemporary with Dixon. By delving into the context and complexity of Dixon's life, the contributors also raise fascinating questions about the power of popular culture in forming Americans' views in any age. "An important and valuable addition to the literature on turn-of-the-century white supremacy." -- Journal of Southern History




Reprogrammable Rhetoric


Book Description

Reprogrammable Rhetoric offers new inroads for rhetoric and composition scholars’ past and present engagements with critical making. Moving beyond arguments of inclusion and justifications for scholarly legitimacy and past historicizations of the “material turn” in the field, this volume explores what these practices look like with both a theoretical and hands-on “how-to” approach. Chapters function not only as critical illustrations or arguments for the use of reprogrammable circuits but also as pedagogical instructions that enable readers to easily use or modify these compositions for their own ends. This collection offers nuanced theoretical perspectives on material and cultural rhetorics alongside practical tutorials for students, researchers, and teachers to explore critical making across traditional areas such as wearable sensors, Arduinos, Twitter bots, multimodal pedagogy, Raspberry Pis, and paper circuitry, as well as underexplored areas like play, gaming, text mining, bots, and electronic monuments. Designed to be taught in upper division undergraduate and graduate classrooms, these tutorials will benefit non-expert and expert critical makers alike. All contributed codes and scripts are also available on Utah State University Press’s companion website to encourage downloading, cloning, and repurposing. Contributors: Aaron Beveridge, Kendall Gerdes, Kellie Gray, Matthew Halm, Steven Hammer, Cana Uluak Itchuaqiyaq, John Jones, M.Bawar Khan, Bree McGregor, Sean Morey, Ryan Omizo, Andrew Pilsch, David Rieder, David Sheridan, Wendi Sierra, Nicholas Van Horn




Rhetoric in Practice


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Studies in the Dionysiaca of Nonnus


Book Description

Nonnus' Dionysiaca, a Greek epic poem on Dionysus in 48 books from the fifth century AD, is the longest extant work of ancient epic poetry. This collection of essays situates the poem in its literary-historical and cultural context.




The Politics and Rhetoric of Commemoration


Book Description

In recent years there has been much interest in collective memory and commemoration. It is often assumed that when nations celebrate a historic day, they put aside the divisions of the present to recall the past in a spirit of unity. As Billig and Marinho show, this does not apply to the Portuguese parliament's annual celebration of 25 April 1974, the day when the dictatorship, established by Salazar and continued by Caetano, was finally overthrown. Most speakers at the ceremony say little about the actual events of the day itself; and in their speeches they continue with the partisan politics of the present as combatively as ever. To understand this, the authors examine in detail how the members of parliament do politics within the ceremony of remembrance; how they engage in remembering and forgetting the great day; how they use the low rhetoric of manipulation and point-scoring, as well as high-minded political rhetoric. The book stresses that the members of the audience contribute to the meaning of the ceremony by their partisan displays of approval and disapproval. Throughout, the authors demonstrate that, to uncover the deeper meanings of political rhetoric, it is necessary to take note of significant absences. The Politics and Rhetoric of Commemoration illustrates how an in-depth case-study can be invaluable for understanding wider processes. The authors are not content just to uncover unnoticed features of the Portuguese celebration. They use the particular example to provide original insights about the rhetoric of celebrating and the politics of remembering, as well as throwing new light onto the nature of party political discourse.