Hagar's Vocation


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Oxford Bibliographies


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"An emerging field of study that explores the Hispanic minority in the United States, Latino Studies is enriched by an interdisciplinary perspective. Historians, sociologists, anthropologists, political scientists, demographers, linguists, as well as religion, ethnicity, and culture scholars, among others, bring a varied, multifaceted approach to the understanding of a people whose roots are all over the Americas and whose permanent home is north of the Rio Grande. Oxford Bibliographies in Latino Studies offers an authoritative, trustworthy, and up-to-date intellectual map to this ever-changing discipline."--Editorial page.




An Unpromising Hope


Book Description

Written in a theopoetic key, this book challenges Christian reliance on the motif of promise, especially where promise is regarded as a prerequisite for the experience of hope. It pursues instead an unpromising hope available to the agnostic or belief-fluid members and leaders of faith communities. The book rejects any theological judgement about doubt and hopelessness being sinful. It also rejects any hope which is grounded in a sense of Christian supremacy. Chapter 1 focuses on Ernst Bloch’s antifascist concept of utopian surplus, putting Bloch in conversation with queer theorist José Esteban Muñoz and womanist theologian M. Shawn Copeland. Chapter 2 explores the saudadic and theopoetic hope of Rubem Alves. Chapter 3 turns to the womanist theologies of Delores Williams, Emilie Townes, and A. Elaine Brown Crawford. Finally, chapter 4 engages the post-colonial eschatology of Vítor Westhelle, framing hope as nearby in space, rather than nearby in time. Each chapter offers an unpromising hope that may be tapped into by those who wish to affirm belief-fluidity in their own communities, and by those who wish to speak of hope honestly, whether or not, at any given moment, they believe in God or in the promises of a god.





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Women Writing the American Artist in Novels of Development from 1850-1932


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In nineteenth- and early twentieth-century artist novels, American women writers challenge cultural, social, and legal systems that attempt to limit or diminish women’s embodied capabilities outside of the domestic. Women writers such as E.D.E.N. Southworth, Elizabeth Stuart Phelps, Kate Chopin, Willa Cather, Jessie Fauset, and Zelda Fitzgerald use the artist novel to highlight the structural and material limitations that women artists face when attempting to achieve critical success while navigating inequitable marriages and social codes that restrict women’s mobility, education, and pursuit of vocation. These artist-rebel protagonists find that their very bodies demand an outlet to articulate desires that defy patriarchal rhetoric, and this demand becomes an artistic drive to express an embodied knowledge through artistic invention. Ultimately, these women writers empower their heroines to move beyond prescribed patriarchal identities in order to achieve autonomous subjectivity through their artistic development, challenging stereotypes surrounding gender, race, and ability and beginning to reshape cultural notions of marriage, motherhood, and artistry at the turn of the twentieth century.




Wom(b)an: A Cultural-Narrative Reading of the Hebrew Bible Barrenness Narratives


Book Description

In Wom(b)an: A Cultural-Narrative Reading of the Hebrew Bible Barrenness Narratives Janice Pearl Ewurama De-Whyte offers a reading of the Hebrew Bible barrenness narratives. The original word “wom(b)an” visually underscores the centrality of a productive womb to female identity in the ANE and Hebrew contexts. Conversely, barrenness was the ultimate tragedy and shame of a woman. Utilizing Akan cultural custom as a lens through which to read the Hebrew barrenness tradition, De-Whyte uncovers another kind of barrenness within these narratives. Her term “social barrenness” depicts the various situations of childlessness that are generally unrecognized in western cultures due to the western biomedical definitions of infertility. Whether biological or social, barrenness was perceived to be the greatest threat to a woman’s identity and security as well as the continuity of the lineage. Wom(b)an examines these narratives in light of the cultural meanings of barrenness within traditional cultures, ancient and present.




Genesis 11:27-50:26


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One in an ongoing series of esteemed and popular Bible commentary volumes based on the New International Version text.







Christian College, Christian Calling


Book Description

Instructors of philosophy, theology, church history, biblical studies, and ministry at Azusa Pacific University challenge the stereotype of conflict between liberal, faith-diluting colleges and the conservative, unthinking churches that support Christian colleges. Among their perspectives are an invitation to ethical thinking, the academic side of