Hal's Worlds


Book Description

A warm tribute to the late Hal Clement, the writer, and to Harry Clement Stubbs, the man behind the pseudonym, this book brings you remembrances by friends and colleagues, a previously uncollected Hal Clement short story, an original story by Walter Hunt, an interview by Darrell Schweitzer, a reminiscence by his widow, Mary Stubbs, and many reminders of the many ways he affected the lives of fans, students, and fellow writers. The contributors to the book begin with the members of the writers' group he mentored, Hal's Pals: Leslie A. Greenleaf, Jr., Sherry Briggs, Tania Ruiz, Anne Warner, Steven F. LeBrun, Matthew Jarpe, Ramona Louise Wheeler, and Lance Dixon. From the professional community come: Ben Bova, Allen M. Steele, Walter H. Hunt, Anthomy Lewis, Jeffrey A. Carver, Michael Swanwick, Stanley Schmidt, Julie E. Czerneda, Isaac Szpindel, Jack Williamson, Michael A. Burstein, David Gerrold, J. Michael Straczynski, Darrell Schweitzer, and Joe Haldeman. All proceeds will go to Milton Academy, the school where Harry taught science for thirty-eight years, and Joslin Diabetes Center, important to Harry because he had the disease.




The World's Progress


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The World's Chronicle


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The World's Progress ...


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The Portraitist


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Foreword Marrigje Rikken, Head of Collections and Exhibitions – Frans Hals Museum. Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter’s animated presence captured with energy and immediacy. This is the first full-length biography of Hals in many years. It offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. Nadler tells the story not only of Hals’s life, but also of the artistic, social, political, and religious worlds in which he lived and worked. Foreword Marrigje Rikken, Head of Collections and Exhibitions – Frans Hals Museum.







The G'hals of New York


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Onstage and Offstage Worlds in Shakespeare's Plays


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Originally published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It is developed in two parts. Initially examined is the way reports are used in Shakespeare to relate the offstage and onstage worlds, building from simple examples within individual scenes in various plays to related sequences of reports which can be evaluated as part of broader strategies effecting the structure of a whole play. In the second part the author examines the ways in which several, or all, of these strategies work in individual plays, and what combined effect the prominent employment of them has in shaping the effect of the plays. In all cases the author is concerned to indicate why Shakespeare chose to handle matters as he does rather than in other ways available in the sources or in the speculative alternative methods which can be imaginatively constructed.




All the World's a Stage


Book Description

William Shakespeare wrote during a great age of exploration, of not only England but around the globe. The locales featured in the playwright’s works are crucial to the drama that unfolds in each of his plays. Though England figures in many of his works, his vision encompassed countries all over Europe—from Shylock’s house in The Merchant of Venice to Kronberg castle in Hamlet. In All the World’s a Stage: A Guide to Shakespearean Sites, Joseph Rosenblum identifies and describes all of the settings featured in the bard’s plays—from modest dwellings noted in a brief scene to the wide array of castles depicted in many of his histories and tragedies. Locations that figure significantly in Shakespeare’s plays include Austria in Measure for Measure, Cypress in Othello, Illyria in Twelfth Night, Egypt in Antony and Cleopatra, and Flroence in All’s Well That End’s Well, among others. Historic buildings are also scrutinized, from the Tower of London in several plays to Notre Dame in Henry VI and the Forum in Julius Caesar. In addition to plot summaries, the author analyzes the choice of locations, delineating the historically prominent settings of Shakespeare’s epic dramas, such as the glorified Rome and the sensual Egypt that Marc Antony is torn between in his pursuit of Cleopatra. Rosenblum also discusses how some of Shakespeare’s settings were either altered or invented for dramatic purposes, such as the imagined sea coast of Bohemia in A Winter’s Tale and Prospero’s island in The Tempest. Though focused on plays, this volume also discusses locations associated with Shakespeare that do not appear in his works. In addition to descriptions of very real settings throughout Great Britain, the author notes underground stops in London ideal for tourist exploration. Indeed, anyone interested in a Shakespearean tour of England will find material here for designing such a trip. Meticulously researched and featuring an appendix of works by location, All the World’s a Stage: A Guide to Shakespearean Sites is an invaluable resource for scholars, students, and fans of England’s greatest playwright.




The Portraitist


Book Description

"In the seventeenth century some of the most advanced painting in Europe was produced in the Netherlands. Rembrandt dominated the radical progress of painting in Amsterdam, and Vermeer did so in Delft. Frans Hals led the vanguard in Haarlem where he painted some of the most animated, individualized portraits of the era, or of any era, for that matter. Now, Steven Nadler has produced the first biography of this elusive Dutch artist to be published in many years. Hals left behind no letters or other personal papers, though luckily a wealth of other sources offer details of his life and personality. Nadler has fleshed out Hals's biography by casting it against the drama of Holland's revolution against Spanish rule, the acute struggles between Protestantism and Catholicism in the Low Countries, and the rise of Holland as a colonial power and center of industry and commerce. The result is an authoritative picture of Hals and life in his studio and a robust work of seventeenth-century social and cultural history. Nadler serves up the sights, smells, and sounds of life in Haarlem. He takes us into cloth factories, taverns, busy studios, and bustling markets. He takes us behind the scenes of the picture trade. He leads us along the newly invented shorelines where weavers laid out large, billowing lengths of cloth to bleach in the sun. He takes us into new Protestant churches and into old Catholic ones. We witness the bloody politics of the long Reformation and the 1635 plague that devastated the Dutch Republic. What emerges is a deftly written story of a complex artist and the tumultuous world he inhabited. Accented with images of life in seventeenth-century Holland and a color gallery of works by Hals and his peers, The Portraitist is a work of great charm and importance and will stand as the first full biography of one of Europe's most important artists for many years"--