Hal Wallis: Producer to the Stars


Book Description

"Few ships in American history have had as illustrious a history as the heavy cruiser USS Portland (CA-33), affectionately known by her crew as 'Sweet Pea.' With the destructionof most of the U.S. battleship fleet at Pearl Harbor, cruisers such as Sweet Pea carried the biggest guns the Navy possessed for nearly a year after the start of World War II. Sweet Pea at War describes in harrowing detail how Portland and her sisters protected the precious carriers and held the line against overwhelming Japanese naval strength. Portland was instrumental in the dramatic American victories at the Battle of the Coral Sea, the Battle of Midway, and the naval battle of Guadalcanal--conflicts that historians regard as turning points in the Pacific war. She rescued nearly three thousand sailors from sunken ships, some of them while she herself was badly damaged. Only a colossal hurricane ended her career, but she sailed home from that, too. Based on extensive research in official documents and interviews with members of the ship's crew, Sweet Pea at War recounts from launching to scrapping the history of USS Portland, demonstrating that she deserves to be remembered as one of the most important ships in U.S. naval history.




Hal Wallis


Book Description

Hal Wallis (1898-1986) might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now, Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked. Bernard Dick offers the first comprehensive assessment of the producer's incredible career. A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.




Hal Wallis


Book Description

Hal Wallis (1898-1986) might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now, Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked. Bernard Dick offers the first comprehensive assessment of the producer's incredible career. A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.




Finding My Way


Book Description

Lois Simmie was born in Edam, Saskatchewan in 1932. Filled with awe and wonder at the bountiful and remarkable world unfolding around her Simmie takes us on the journey of her life and the events that shaped her into a writer. She describes her whimsical youth in Saskatchewan in a bygone era of Frank Sinatra on the radio, Amos ‘n’ Andy, the jitterbug, jazz, square dances, and Hollywood movies every Friday night in the town hall. Simmie’s magical delight in all things transports us through the Depression and war years to childhood summer visits to Hopkinsville, Kentucky in her relatives’ Gone With the Wind-style southern mansion, an adventure in the lush beauty of Brazil, and to Scotland while writing her first non-fiction book, The Secret Lives of Sgt. John Wilson, about the murder of a young Scottish woman by her RCMP husband. Simmie fell in love with words at a young age but it isn’t until later in life that she takes up her calling as a writer while living in Saskatoon. She describes the burgeoning Saskatchewan writing scene as “electric” as she enters an exciting community of like-minded writers and poets, a hotbed of creativity and inspiration that is the impetus of her finest writing and the culmination of an astonishing life story.




Conversations with the Great Moviemakers of Hollywood's Golden Age at the American Film Institute


Book Description

ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The first book to bring together interviews of master moviemakers from the American Film Institute’s renowned seminars, Conversations with the Great Moviemakers, offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini (“Making a movie is a mathematical operation. It’s absolutely impossible to improvise”). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema’s most talented pioneers.




Islam and Development


Book Description

The Islamic world stretches from North America to Southeast Asia and includes some forty independent states in which Muslims constitute a majority of the population. Islam has approximately 750 million adherents and, therefore, is the second largest of the world's religions. A distinctive feature of the Islamic tradition is the belief that Islam is a total, comprehensive way of life. Religion has an integral, organic relationship to politics and society. This Islamic ideal is reflected in the development of Islamic law which was a comprehensive law, encompassing a Muslim's duties to God (worship, fasting, pilgrimage) and duties to one's fellow man (family, commercial, and criminal laws). Therefore, the Islamic tradition provided a normative system in which religion was integral to all areas of Muslim life - politics, economics, law, education, and the family. In the twentieth century Muslim countries have faced formidable political and social challenges: the struggle for independence from colonial dominance, the formation and development of independent nation states with all the pressures and problems of modernization, the Arab‐ Israeli conflict, and more recently, the emergence of the oil-producing states as a major world economic power bloc. The history of Islam in the modern period reflects the continued interaction of the Islamic tradition with the forces of change. While Islam may be acknowledged as a significant force in the precolonial period and to varying degrees during the twentieth-century independence movements, the strength and interaction of Islam in sociopolitical change has often been overlooked or underestimated. For most observers, Islam was simply an obstacle to change, an obstacle whose relevance to the political and social order would increasingly diminish




Eighty Odd Years in Hollywood


Book Description

John Meredyth Lucas, son of silent screen star and screenwriter Bess Meredyth (Ben-Hur, The Sea Beast, When a Man Loves, Don Juan) and stepson of renowned Hungarian-born director Michael Curtiz (Casablanca, Mildred Pierce, Yankee Doodle Dandy, Life with Father), came of age in Hollywood during the 1930s. Lucas went on to an impressive career of his own as a writer-producer-director. He made films with Hal Wallis, Ross Hunter, Walt Disney, and others, and he wrote, produced, and directed such classic television series as Mannix, The Fugitive and Star Trek. Completed shortly before his death in 2002, Lucas' memoir is filled with never-before-told recollections of many Hollywood greats and features previously unpublished photographs. With Lucas, we go behind the scenes, onto the studio lots and into the parties with family friends John Barrymore, Joan Crawford, Errol Flynn and Jack Warner, to name just a few. It's a boy's-eye-view of Hollywood in a time of glamour, decadence, and the golden years of filmmaking.




The Creative Producer


Book Description

In 1938, Warner Brothers production chief Hal Wallis grudgingly described David Lewis--one of his six "supervisors" and a veteran of 15 feature films--to director Michael Curtiz: "That Lewis is a genius at getting scripts out of people who can't write " Wallis knew that writing ultimately defined the job of the creative producer and that David Lewis had an uncanny talent for coaxing the best filmic material from the screenwriters he supervised. In this memoir, Lewis describes his development as a production executive and how the associate producer helped make the famed studio system work. It was the producer (or "supervisor", at Warners) who saw the script budgeted, cast the film, helped choose the director, and gently influenced the filming itself. Once shooting was complete, it was the producer who stayed with the project through editing and previews. David Lewis (1903-1987) was an associate producer at RKO and later at MGM. He hit his stride at Warner Bros., where, between 1937 and 1942, he produced twelve films with such popular stars as James Cagney (Each Dawn I Die), Humphrey Bogart (It All Came True), Bette Davis (Dark Victory), Ronald Reagan (Kings Row), Errol Flynn (Four's a Crowd), and Charles Boyer (All This and Heaven Too). His films were nominated for a total of 15 Academy Awards, including three for Best Picture. Some of Lewis's films have rightfully become classics; all reflect an unerring instinct for character and structure, part of the filmmaking process he describes in The Creative Producer.




Engulfed


Book Description

From Double Indemnity (1944) to The Godfather (1972), the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. Bernard F. Dick reconstructs the battle that reduced the studio to a mere corporate commodity and traces Paramount's devolution from freestanding studio to subsidiary—first of Gulf + Western, then of Paramount Communications, and currently, of Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. In modern Hollywood, former merchandising executives find themselves in charge of production on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio, only to emerge in triumph at another. Corporate raiders vie for power and control, purchasing and selling film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Shari Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more.




When Warners Brought Broadway to Hollywood, 1923-1939


Book Description

This book offers a different take on the early history of Warner Bros., the studio renowned for introducing talking pictures and developing the gangster film and backstage musical comedy. The focus here is on the studio’s sustained commitment to produce films based on stage plays. This led to the creation of a stock company of talented actors, to the introduction of sound cinema, to the recruitment of leading Broadway stars such as John Barrymore and George Arliss and to films as diverse as The Gold Diggers (1923), The Marriage Circle (1924), Beau Brummel (1924), Disraeli (1929), Lilly Turner (1933), The Petrified Forest (1936) and The Private Lives of Elizabeth and Essex (1939). Even the most crippling effects of the Depression in 1933 did not prevent Warners’ production of films based on stage plays, many being transformed into star vehicles for the likes of Ruth Chatterton, Leslie Howard and Bette Davis.