The Sellout


Book Description

Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.




Half American


Book Description

The definitive history of World War II from the African American perspective, by award-winning historian and civil rights expert Winner of the 2023 Anisfield-Wolf Book Award in Nonfiction A New York Times Notable Book of 2022 A 2022 Book of the Year from TIME, Publishers Weekly, Booklist, and more More than one million Black soldiers served in World War II. Black troops were at Normandy, Iwo Jima, and the Battle of the Bulge, serving in segregated units while waging a dual battle against inequality in the very country for which they were laying down their lives. The stories of these Black veterans have long been ignored, cast aside in favor of the myth of the “Good War” fought by the “Greatest Generation.” And yet without their sacrifices, the United States could not have won the war. Half American is World War II history as you’ve likely never read it before. In these pages are stories of Black military heroes and civil rights icons such as Benjamin O. Davis Jr., the leader of the legendary Tuskegee Airmen, who fought to open the Air Force to Black pilots; Thurgood Marshall, the chief lawyer for the NAACP, who investigated and publicized violence against Black troops and veterans; poet Langston Hughes, who worked as a war correspondent for the Black press; Ella Baker, the civil rights leader who advocated on the home front for Black soldiers, veterans, and their families; and James G. Thompson, the twenty-six-year-old whose letter to a newspaper laying bare the hypocrisy of fighting against fascism abroad when racism still reigned at home set in motion the Double Victory campaign. Their bravery and patriotism in the face of unfathomable racism is both inspiring and galvanizing. An essential and meticulously researched retelling of the war, Half American honors the men and women who dared to fight not just for democracy abroad but for their dreams of a freer and more equal America.







The American Bookseller


Book Description




A Reader's Manifesto


Book Description

Including: A response to critics, and: Ten rules for "serious" writers, the author continues his fight on behalf of the American reader, arguing against pretension in so-called "literary" fiction, naming names and exposing the literary status quo.




The Serialist


Book Description

“A literary pulp fiction that flays and skewers post-Millennial New York and along the way reinvents the American detective novel.” —Evan Wright, New York Times–bestselling author Harry Bloch is a ghost—ghostwriter, that is. He’s the man behind your favorite pulpy barbarians-in-space novels and vampire romances. He’s no bestselling success, but he’s eked out a living as a freelancer, living in Queens in his late mother’s apartment. Until now. Dollar signs start dancing in his head when he comes to the attention of Darian Clay, the imprisoned serial killer who tortured and beheaded four women in New York City. Having exclusive access to Clay’s story—just before his execution date—would give Bloch’s career the lift he’s been waiting for. Morality aside, it’s a win-win situation. But then women start dying—in the exact same manner as Clay’s previous victims. And Bloch is the one finding them dead, making him the prime suspect unless he can track down the copycat killer. Bloch knows that nice guys finish last, but now it’s his chance to prove that mediocre ones should never be underestimated. “An impressive debut.” —Los Angeles Times “An irreverent and funny twist on the classic whodunit—the kind of pulp-fiction mystery that made the careers of such writers as Jim Thompson, Raymond Chandler, and Dashiell Hammett.” —GQ.com “Seldom has a serial-killer story been as richly textured and laugh-out-loud funny as this one.” —Booklist (starred review)




Historic Tales, The Romance of Reality: American, Spanish American, English, German, French, Spanish, Russian, Scandinavian, Greek, Roman, Japanese and Chinese, King Arthur (Complete)


Book Description

The year 1000 A.D. was one of strange history. Its advent threw the people of Europe into a state of mortal terror. Ten centuries had passed since the birth of Christ. The world was about to come to an end. Such was the general belief. How it was to reach its end,—whether by fire, water, or some other agent of ruin,—the prophets of disaster did not say, nor did people trouble themselves to learn. Destruction was coming upon them, that was enough to know; how to provide against it was the one thing to be considered. Some hastened to the churches; others to the taverns. Here prayers went up; there wine went down. The petitions of the pious were matched by the ribaldry of the profligate. Some made their wills; others wasted their wealth in revelry, eager to get all the pleasure out of life that remained for them. Many freely gave away their property, hoping, by ridding themselves of the goods of this earth, to establish a claim to the goods of Heaven, with little regard to the fate of those whom they loaded with their discarded wealth. It was an era of ignorance and superstition. Christendom went insane over an idea. When the year ended, and the world rolled on, none the worse for conflagration or deluge, green with the spring leafage and ripe with the works of man, dismay gave way to hope, mirth took the place of prayer, man regained their flown wits, and those who had so recklessly given away their wealth bethought themselves of taking legal measures for its recovery. Such was one of the events that made that year memorable. There was another of a highly different character. Instead of a world being lost, a world was found. The Old World not only remained unharmed, but a New World was added to it, a world beyond the seas, for this was the year in which the foot of the European was first set upon the shores of the trans-Atlantic continent. It is the story of this first discovery of America that we have now to tell. In the autumn of the year 1000, in a region far away from fear-haunted Europe, a scene was being enacted of a very different character from that just described. Over the waters of unknown seas a small, strange craft boldly made its way, manned by a crew of the hardiest and most vigorous men, driven by a single square sail, whose coarse woollen texture bellied deeply before the fierce ocean winds, which seemed at times as if they would drive that deckless vessel bodily beneath the waves. This crew was of men to whom fear was almost unknown, the stalwart Vikings of the North, whose oar-and sail-driven barks now set out from the coasts of Norway and Denmark to ravage the shores of southern Europe, now turned their prows boldly to the west in search of unknown lands afar. Shall we describe this craft? It was a tiny one in which to venture upon an untravelled ocean in search of an unknown continent,—a vessel shaped somewhat like a strung bow, scarcely fifty feet in length, low amidships and curving upwards to high peaks at stem and stern, both of which converged to sharp edges. It resembled an enormous canoe rather than aught else to which we can compare it. On the stem was a carved and gilt dragon, the figurehead of the ship, which glittered in the bright rays of the sun. Along the bulwarks of the ship, fore and aft, hung rows of large painted wooden shields, which gave an Argus-eyed aspect to the craft. Between them was a double row of thole-pins for the great oars, which now lay at rest in the bottom of the boat, but by which, in calm weather, this "walker of the seas" could be forced swiftly through the yielding element.