Hamlet in France


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Trianon and the Queen's Hamlet at Versailles


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Exceptional new photography brings readers behind the scenes of the Trianons and Marie Antoinette's Hamlet at Versailles--including areas usually closed to the public. Life in the Château de Versailles was dense with pomp and circumstance, and the royals often craved a quiet moment with friends and lovers far from the din of the court. Hidden away from the palace on the grounds nearby, the kings built the Grand Trianon, Petit Trianon, and the Queen's Hamlet, where they could slip away to entertain their inner circle. This book explores every aspect of life at these private outbuildings, from the furnishings and gardens to the history and inhabitants. In 1687, the sun king Louis XIV conceived of the Grand Trianon and its exceptional parterres and fountains as a seamless link between court and garden--a private retreat where he could withdraw with his family and escape the heavy hand of protocol. Louis XV commissioned the Petit Trianon, a neoclassical masterpiece with four unique facades, its famous menagerie, and botanical gardens. Louis XVI bestowed the Petit Trianon on Marie Antoinette; in her gardens and picturesque hamlet and farm, the queen's presence is more tangible here than anywhere else at Versailles. This handsome volume, with newly commissioned photography, is both a historical testimony and an intimate visit on the grounds of the palace of Versailles.




Shakespeare in France


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French adaptations of William Shakespeare by classic French authors, translated back into English and introduced by Frank Morlock: Hamlet by Alexander Dumas, pre; Ophelia by Arthur Rimbaud; and As You Like It by George Sand.







Shakespeare Goes to Paris


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It has sometimes been assumed that the difficulty of translating Shakespeare into French has meant that he has had little influence in France. Shakespeare Goes to Paris proves the opposite. Virtually unknown in France in his lifetime, and for well over a hundred years after his death, Shakespeare was discovered in the first half of the eighteenth century, as part of a growing French interest in England. Since then, Shakespeare's impact in France has been enormous. Writers, from Voltaire to Gide, found themsleves baffled, frustrated, mesmerised but overawed by a playwright who broke all the rules of French classical theatre and challenged the primacy of French culture. Attempts to tame and translate him alternated with uncritical idolisation, such as that of Berlioz and Hugo. Changing attitudes to Shakespeare have also been an index of French self-esteem, as John Pemble shows in his sparkingly written book




Shakespeare in French Theory


Book Description

At a time when the relevance of literary theory itself is frequently being questioned, Richard Wilson makes a compelling case for French Theory in Shakespeare Studies. Written in two parts, the first half looks at how French theorists such as Bourdieu, Cixous, Deleuze, Derrida and Foucault were themselves shaped by reading Shakespeare; while the second part applies their theories to the plays, highlighting the importance of both for current debates about borders, terrorism, toleration and a multi-cultural Europe. Contrasting French and Anglo-Saxon attitudes, Wilson shows how in France, Shakespeare has been seen not as a man for the monarchy, but a man of the mob. French Theory thus helps us understand why Shakepeare’s plays swing between violence and hope. Highlighting the recent religious turn in theory, Wilson encourages a reading of plays like Hamlet, Julius Caesar, A Midsummer Night’s Dream and Twelth Night as models for a future peace. Examining both the violent history and promising future of the plays, Shakespeare in French Theory is a timely reminder of the relevance of Shakespeare and the lasting value of French thinking for the democracy to come.




A New Variorum Edition of Shakespeare: Hamlet. 1877


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[V.23] The second part of Henry the Fourth. 1940.--[v.24-25] The sonnets. 1924.--[v.26] Troilus and Cressida. 1953.--[v.27] The life and death of King Richard the Second. 1955.




Hamlet


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Hamlet: Appendix


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Hamlet and the Visual Arts, 1709-1900


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This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition.